Ruth Galloway

Ruth Galloway receives a phone call that bears shocking news. A friend of hers from college, Dan Golding, has been killed in a fire at his Lancashire home. Her shock turns to alarm when she gets a letter from Dan. He has made a discovery that will change archaeology forever but he needs Ruth's advice. Even more alarming, he sounds vulnerable and frightened. DCI Harry Nelson is also rediscovering his past. Up north for a holiday, he meets his former colleague Sandy MacLeod, now at Blackpool CID. Sandy tells him there are strange circumstances surrounding Dan Golding's death. Many of those who worked with Dan seem to be afraid. Many have secrets to hide. Ruth is drawn deep into the mystery, and where she goes, so does her toddler daughter, Kate. This time, it's not just Ruth's life at risk.

In the ninth Ruth Galloway mystery, Ruth and Nelson investigate a string of murders and disappearances deep within the abandoned tunnels hidden far beneath the streets of Norwich. Norwich is riddled with old chalk-mining tunnels, but no one's sure exactly how many. When Ruth is called in to investigate a set of human remains found in one of them, she notices the bones are almost translucent, a sign they were boiled soon after death. Once more, she finds herself at the helm of a murder investigation. Meanwhile, DCI Nelson is hunting for a missing homeless woman, Barbara, who he hears has gone "underground." Could she have disappeared into the labyrinth? And if so, is she connected to the body Ruth found? As Ruth, Nelson, and the rest of their team investigate the tunnels, they hear rumors of secret societies, cannibalism, and ritual killings. When a dead body is found with a map that appears to be of The Underground, they realize their quest to find the killer has only just begun-and that there may be more bodies underfoot.

It's not every day that you're summoned to the Italian countryside on business, so when archaeologist Angelo Morelli asks for Ruth Galloway's help identifying bones found in the tiny hilltop town of Fontana Liri, she jumps at the chance to go, bringing her daughter along with her for a working vacation. Upon arriving, she begins to hear murmurs of Fontana Liri's strong resistance movement during World War II and senses the townspeople are dancing around a deeply buried secret. But how could that be connected to the ancient remains she's been studying? Ruth is just beginning to get her footing in the dig when she's thrown off-guard by the appearance of DCI Nelson. And when Ruth's findings lead them to a modern-day murder, their holidays are both turned upside down, and they race to find out what darkness is lurking in this seemingly picturesque town.

Dr. Ruth Galloway returns to north Norfolk in her latest chilling adventure. DCI Nelson has been receiving threatening letters. They are anonymous, yet somehow familiar. They read like the letters that first drew him into the case of The Crossing Places, and to Ruth. But the author of those letters is dead. Or are they? The past is reaching out for Ruth and Nelson, and its grip is deadly.

Forensic archaeologist Ruth Galloway changed her life until a convicted killer tells her that four of his victims were never found, drawing her back to the place she left behind. Everything has changed for Ruth Galloway. She has a new job, home, and partner, and she is no longer North Norfolk polices resident forensic archaeologist. That is, until convicted murderer Ivor March offers to make DCI Nelson a deal. Nelson was always sure that March killed more women than he was charged with. Now March confirms this and offers to show Nelson where the other bodies are buried but only if Ruth will do the digging. Curious, but wary, Ruth agrees. March tells Ruth that he killed four more women and that their bodies are buried near a village bordering the fens, said to be haunted by the Lantern Men, mysterious figures holding lights that lure travelers to their deaths. Is Ivor March himself a lantern man, luring Ruth back to Norfolk? What is his plan, and why is she so crucial to it? And are the killings really over?

There's nothing Ruth Galloway hates more than amateur archaeologists, but when a group of them stumble upon Bronze Age artifacts alongside a dead body, she finds herself thrust into their midst--and into the crosshairs of a string of murders circling ever closer. Ruth is back as head of archaeology at the University of North Norfolk when a group of local metal detectorists--the so-called Night Hawks--uncovers Bronze Age artifacts on the beach, alongside a recently deceased body, just washed ashore. Not long after, the same detectorists uncover a murder-suicide--a scientist and his wife found at their farmhouse, long thought to be haunted by the Black Shuck, a humongous black dog, a harbinger of death. The further DCI Nelson probes into both cases, the more intertwined they become, and the closer they circle to David Brown, the new lecturer Ruth has recently hired, who seems always to turn up wherever Ruth goes.

Pandemic lockdowns have Ruth Galloway feeling isolated from everyone but a new neighbor—until Nelson comes calling, investigating a decades-long string of murder-suicides that's looming ever closer, in USA Today Elly Griffiths' penultimate novel in the beloved series. Three years after her mother's death, Ruth is finally sorting through her things when she finds a curious relic: a decades-old photograph of her own Norfolk cottage—before she lived there—with a peculiar inscription on the back. Ruth returns to the cottage to uncover its meaning as Norfolk's first cases of Covid-19 make headlines, leaving her and Kate to shelter in place there. They struggle to stave off isolation by clapping for frontline workers each evening and befriending a kind neighbor, Zoe, from a distance. Meanwhile, Nelson is investigating a series of deaths of women that may or may not be suicide. When he links a case to an archaeological discovery, he breaks curfew to visit Ruth and enlist her help. But the further Nelson investigates the deaths, the closer he gets to Ruth's isolated cottage—until Ruth, Zoe, and Kate all go missing, and Nelson is left scrambling to find them before it's too late.

The discovery of a missing woman's bones force Ruth and Nelson to finally confront their feelings for each other as they desperately work to exonerate one of their own in this not-to-be-missed Ruth Galloway mystery from USA Today bestselling author Elly Griffiths. When builders discover a human skeleton during a renovation of a café, they call in archeologist Dr. Ruth Galloway, who is preoccupied with the threatened closure of her department and by her ever-complicated relationship with DCI Nelson. The bones turn out to be modern, the remains of Emily Pickering, a young archaeology student who went missing in 2002. Suspicion soon falls on Emily's Cambridge tutor and also on another archeology enthusiast who was part of the group gathered the weekend before she disappeared, Ruth's friend Cathbad. As they investigate, Nelson and his team uncover a tangled web of relationships within the archeology group and look for a link between them and the café where Emily's bones were found. Then, just when the team seems to be making progress, Cathbad disappears. The trail leads Ruth a to the Neolithic flint mines in Grimes Graves. The race is on, first to find Cathbad and then to exonerate him, but will Ruth and Nelson uncover the truth in time to save their friend?