NIP- Neurology in Practice

A teenage girl has something growing inside her. She doesn't know what it is, but she knows it's not a baby. It expands. It has claws. Eventually it takes over the entirety of her body. No one must know about it. She has to keep its presence, its possession of her, concealed. She pulls away from her friends. She refuses to speak, in case 'The IT' is heard. But she can't contain it forever. Sooner or later something's got to give... Presented in the style of a direct-address documentary, Vivienne Franzmann's The IT is a darkly comic state-of-the-nation play exploring adolescent mental health and the rage within. Written specifically for young people, the play formed part of the 2021 National Theatre Connections Festivals and was premiered by youth theatres across the UK. It offers opportunities for a large, flexible cast of any size and mix of genders.

Frankie's dead. And no one's quite sure why. But the boys won't talk about it. They can't. There are some truths that men can't share. So Here We Are is a play about what can happen when nothing happens, a compassionate look at young lives cut short and a touching portrait of childhood friendships under strain in adult life. The play was a winner of a Judges Award at the 2013 Bruntwood Prize for Playwriting. It premiered at the HighTide Festival in September 2015, in a co-production with the Royal Exchange, Manchester, in a production directed by Steven Atkinson.

Tamizdat offers a new perspective on the history of the Cold War by exploring the story of the contraband manuscripts sent from the USSR to the West. A word that means publishing "over there," tamizdat manuscripts were rejected, censored, or never submitted for publication in the Soviet Union and were smuggled through various channels and printed outside the country, with or without their authors' knowledge. Yasha Klots demonstrates how tamizdat contributed to the formation of the twentieth-century Russian literary canon: the majority of contemporary Russian classics first appeared abroad long before they saw publication in Russia. Examining narratives of Stalinism and the Gulag, Klots focuses on contraband manuscripts in the 1960s and 70s, from Khrushchev's Thaw to Stagnation under Brezhnev. Klots revisits the traditional notion of late Soviet culture as a binary opposition between the underground and official state publishing. He shows that even as tamizdat represented an alternative field of cultural production in opposition to the Soviet regime and the dogma of Socialist Realism, it was not devoid of its own hierarchy, ideological agenda, and even censorship. Tamizdat is a cultural history of Russian literature outside the Iron Curtain. The Russian literary diaspora was the indispensable ecosystem for these works. Yet in the post-Stalin years, they also served as a powerful weapon on the cultural fronts of the Cold War, laying bare the geographical, stylistic, and ideological rifts between two disparate yet inextricably intertwined fields of Russian literature, one at home, the other abroad.

Unmask the clinical complexity behind one of the most common neurological symptoms Headache is a common clinical complaint often overlooked by both sufferers and physicians that can be intimidating to approach and manage. Hundreds of different etiologies, both benign and life-threatening, may primarily feature the symptom, and diagnosis can therefore be challenging. Headache is a practical guide to headache medicine designed for both neurologists and general practitioners. Its expert author team introduces the principles of classification and diagnosis, and focuses in detail on the main classes of headache – migraine, tension-type and trigeminal autonomic cephalgias, including cluster headache. They also cover unusual headache disorders such as hemicrania continua and new daily persistent headache, and address the management of headache in women, children and the elderly. With a clinically focused practical approach, Headache draws on the experience of international specialists to help you diagnose and manage your patients more effectively.

Helen Edmundson's gripping play tells the little-known story of a monarch caught between friendship and duty. 1702. William III is on the throne and England is on the verge of war. Princess Anne is soon to become Queen, and her advisors vie for influence over the future monarch. Who can Anne turn to when even her most trusted friends seem bent on pursuing power? Contending with deceit and blackmail, Anne must decide where her allegiances lie, and whether to sacrifice her closest relationships for the sake of the country. Commissioned by the Royal Shakespeare Company, Queen Anne premiered at the Swan Theatre, Stratford-upon-Avon, in November 2015, and was revived at the Theatre Royal Haymarket, London, in 2017.

Save + Quit shares the stories of four young people in London and Dublin and how they attempt to live in the cities they call home. Sophia Leuner's play was first performed at the 2016 Edinburgh Festival Fringe, before being selected for the 2017 VAULT Festival, London.

Stroke is a leading cause of disability and death Early and rapid diagnosis of stroke is essential for identifying the optimum treatment strategy. Recurrence can be prevented if the underlying mechanism is understood. The earlier appropriate rehabilitation programmes can be started, the better the chance of a strong recovery. Stroke provides the foundations for practice that will enhance your patient's chances of recovery. The expert authors provide the evidence-based roadmap you need to provide the best bedside care including: Bedside evaluation of the stroke patient • Neurovascular imaging • Treatment of acute ischemic stroke and hemorrhagic stroke • Diagnosis of stroke mechanism and secondary prevention • Post stroke recovery • Telemedicine for the acute stroke patient Clinical in approach, practical in execution, Stroke will help you diagnose and manage your patients more effectively.

The apprenticeships are only meant to last a year-there were never any guarantees beyond that. For Ava, Liv, Mason and Trent, they're just trying to get through the day. They don't know why there's an endless stream of strangers passing through, but no-one ever tells them anything. In a couple of months they'll be kicked out anyway, and God knows what happens after that. Who's looking out for them? Scissors is a play about family, heritage and legacy, and is part of Chris Bush's trilogy of plays about a Sheffield manufacturing family, Rock / Paper / Scissors. The three plays were first performed simultaneously with the same cast moving between three theatres in Sheffield—the Crucible, the Lyceum and the Studio—as part of Sheffield Theatres' fiftieth birthday celebrations in 2022.

A play about a man who cannot, or will not, get out of bed one morning for 'metaphysical reasons'. As the day progresses he is visited by his brother, neighbours, doctor, Death and Immanuel Kant. First staged at the Traverse Theatre, Edinburgh in 1997.