Nathan Zuckerman

The Counterlife is about people enacting their dreams of renewal and escape, some of them going so far as to risk their lives to alter seemingly irreversible destinies. Wherever they may find themselves, the characters of The Counterlife are tempted unceasingly by the prospect of an alternative existence that can reverse their fate.Illuminating these lives in transition and guiding us through the book's evocative landscapes, familiar and foreign, is the mind of the novelist Nathan Zuckerman. His is the skeptical, enveloping intelligence that calculates the price that's paid in the struggle to change personal fortune and reshape history, whether in a dentist's office in suburban New Jersey, a tradition-bound English Village in Gloucestershire, a church in London's West End, or a tiny desert settlement in Israel's occupied West Bank.

Nathan Zuckerman returns to New York in the long-awaited final installment of Philip Roth's renowned Zuckerman series. Alone for eleven years on his New England mountain, Zuckerman has been nothing but a writer: no media, no terrorist threats, no women, no tasks other than his work and the enduring of old age. Walking the streets of New York after so many years away, he quickly makes three connections that explode his carefully protected solitude. Suddenly involved, as he never wanted or intended to be again, with love, mourning, desire, and animosity, Zuckerman plays out an interior drama of vivid and poignant possibilities.

The award—winning, internationally acclaimed author of “American Pastoral” delivers a fierce tragedy of sexual need and blindness. A fiction-within-a-fiction, a labyrinthine edifice of funny, mournful, and harrowing meditations on the fatal impasse between a man and a woman, “My Life as a Man” is Roth's most blistering novel. At its heart lies the marriage of Peter and Maureen Tarnopol, a gifted young writer and the woman who wants to be his muse but who instead is his nemesis. Their union is based on fraud and shored up by moral blackmail, but it is so perversely durable that, long after Maureen's death, Peter is still trying-and failing-to write his way free of it. Out of desperate inventions and cauterizing truths, acts of weakness, tenderheartedness, and shocking cruelty, Philip Roth creates a work worthy of Strindberg.