Boys of the Zodiac

Gunshots waken Ian Tunbridge, an assistant curator of classical antiquities at the British Museum, on his first day on a dig in California. The only way to save his life is to run for it, but luck is not on his side. At least, not until he meets Lucas Arpini, the brash American photographer who seems to have some sort of clue what's going on. Together, they're supposed to be the tools in finding an artifact nobody believes is real - nobody, that is, except Lucas and the man kidnaps them both. Ian doesn't know what to believe. His colleagues are dead, he's injured, and he has no choice but to put his faith in a gorgeous stranger. Their escape should lead them straight to the police, but when Lucas shows him pieces of the puzzle they were meant to solve, Ian is too intrigued to walk away. He wants to solve the riddle as badly as Lucas does. Unfortunately, they aren't the only ones ...

Antique dealer Christopher Gleason isn't looking for love. He isn't even looking for a one-night stand. But when a young man with an innocent smile offers to buy him a drink one night, he accepts. He's even tempted to take it further, until he learns the innocence isn't an act. Though he can't deny his attraction, or the fact that he likes the young man quite a bit, Christopher puts him off. He'd rather be friends than risk hurting him. Gage Kimball fled Salt Lake City for Los Angeles with his guitars, what little money he had, and no friends. Raised in a devout Mormon family within a tightly knit community, he's never had the chance to be himself or explore his sexuality. Until now. Christopher supplies the emotional support Gage needs, but Gage wants more than friendship. Even at the risk of everything he has left.

In the year 2184, the US is divided. Half the country has moved on with the rest of the world, while in middle America, the survivors of the terrorist biological attack that split the country struggle just to stay alive. Though a century has passed, few people brave going behind the borders meant to contain the danger. Even the privatized military is reluctant to do so. But that doesn't stop recently discharged Sullivan Eberle. Only one thing drives him anymore - the need to find Raphael Hamada. He doesn't know why. He only knows he must. If that means a lifetime behind the borders, then so be it. Rafe Hamada ran away from the real world when he was still a kid. The last thing he wants is to be found, especially by a soldier who can't even tell him why it was so important to locate him in the first place. He'd like nothing more than for Sullivan to leave, but turning his back on a man alone and friendless is against everything Rafe stands for ...

Sequel to All That You Do Gage Kimball relishes his new life in Los Angeles. He's made new friends, has steady gigs, and, most importantly, has the best boyfriend a person could ask for in antique dealer Christopher Gleason. But there are still open wounds, a family, and a past that he doesn't want to deal with...until his seventeen-year-old brother shows up on his doorstep with bad news - Gage's father is ill and the family needs him back in Salt Lake City. Gage knows he must go to his father's bedside, even if the festering anger, the betrayal, and the pain that's still too fresh threaten to destroy the life he's made for himself. Will Gage be able to make peace with the past and heal himself once and for all before building a solid future with Christopher?

From the moment Colin Braugher meets millionaire Grady James, he has the other man's number - spoiled, obnoxious, and worst of all, fake. Every word out of Grady's mouth sounds calculated, and Colin isn't going to fall for his insincere charm. Grady has never cared about the Heart to Help Charity before, and Colin isn't going to stand by and let this important cause be used for Grady's self-aggrandizing. For his part, Grady wants only the best for his grandmother's favorite charity. Confused by his cold reception, alone in a strange city, and fascinated by a man who seems to want nothing to do with him, Grady is at loose ends. Until Colin gives an inch, and Grady knows he can have so much more than that if Colin would only see the man he truly is ...

Some call him the Angel of Death, but Caleb knows better. He doesn't kill. He erases life. Centuries ago, the Higher Powers created him to walk the terrestrial plane, eradicating those from existence who have either earned punishment or asked for dissolution. No attachments, no commitments, no problems. His latest assignment should have been as easy as the rest. But the second he gets invited into Leandro Warnell's remote Alaskan cabin, Caleb knows something is different. It's more than the overpowering physical attraction between them. It's more than the inconsistencies that have plagued this assignment from the start. It's the mark Leandro wears over his heart, the symbol unique to Caleb's body. Because the only way he could've got the tattoo is if Caleb had given it to him...and the man who's collected memories for the last thousand years has no recollection ever meeting Leandro before ...

He said ... So what if I thought he was gorgeous? He was also kind of a jerk. But then our kids decided to be best buddies, and I kept having to see the guy, and ... well, keeping him strictly as fantasy material who never opened his mouth got a little harder after that. He said ... I don't have time for a personal life. I've got a son whose medical history requires my full attention and a company I need to keep afloat in this awful economy. Making friends just isn't a priority. At least until the choice got taken away from me. They said ... On the surface, the only thing single dads Peter Irving and Aaron Hardison have in common are their eight-year-old loner sons. But both men soon learn that appearances can be deceiving ...