Sam Plank Mysteries

It is 1824, and trust in the virtual money of the day – new paper financial instruments – is so fragile that anyone forging them is sent to the scaffold. So why would one of London's most respected bankers start forging his clients' signatures? Sent to arrest Henry Fauntleroy, Constable Samuel Plank is determined to find out why the banker has risked his reputation, his banking house and his neck – and why he is so determined to plead guilty. As the case makes its way through the Regency justice system, exercising the finest legal minds of their generation and dividing London society into the banker's supporters and detractors, Plank races against time to find the answers that can save Fauntleroy's life. I have been in love with words ever since I realised, at age three, that those squiggles on the page actually meant something. I edited the school newspaper (is here the place to confess that I was also the author of the section giving all the gossip on who was going out with whom?) and did lots more reading and writing at university (where, of course, I studied English).For twenty-five years I ran my own anti-money laundering consultancy, which gave me almost limitless opportunity to write about my very favourite subject: money laundering. And the obsession with understanding the mechanics and motivations of financial crime has only grown.I have spent years haunting the streets of Regency London, in the company of magistrates' constable Sam Plank. He is the narrator of my series of historical financial crime novels set in consecutive years in the 1820s - just before Victoria came to the throne, and in the policing period after the Bow Street Runners and before the Metropolitan Police.The fourth Sam Plank novel - "Portraits of Pretence" - was given the "Book of the Year 2017" award by influential book review website Discovering Diamonds. And the fifth - "Faith, Hope and Trickery" - was shortlisted for the Selfies Award 2019.And I am now researching the first in a new series set in Cambridge in the 1820s, narrated by a university constable called Gregory Hardiman. Constable Sam Plank is a magistrates' constable working in London in the 1820s. He tries to understand the "why" of crime as well as the "what", and has a particular interest in financial crime. He is aided at work by his junior constable, William Wilson, and at home by his wife Martha.

In this new mystery set in 1825, Constable Sam Plank suspects there may be a link between a suicide, an embezzler, an arsonist and a thief. No corner of Regency London is untouched by these crimes, as he travels from the mansions of St James's back to his own childhood haunts among the dank alleyways of Wapping. As his steadfast wife becomes involved in his investigations, and with a keen young police officer now under his command, Sam finds himself leading them all into a confrontation with some ruthless and brutal adversaries – one of whom he had hoped never to see again.

In this new mystery set in 1825, Constable Sam Plank suspects there may be a link between a suicide, an embezzler, an arsonist and a thief. No corner of Regency London is untouched by these crimes, as he travels from the mansions of St James's back to his own childhood haunts among the dank alleyways of Wapping. As his steadfast wife becomes involved in his investigations, and with a keen young police officer now under his command, Sam finds himself leading them all into a confrontation with some ruthless and brutal adversaries – one of whom he had hoped never to see again. I have been in love with words ever since I realised, at age three, that those squiggles on the page actually meant something. I edited the school newspaper (is here the place to confess that I was also the author of the section giving all the gossip on who was going out with whom?) and did lots more reading and writing at university (where, of course, I studied English).For twenty-five years I ran my own anti-money laundering consultancy, which gave me almost limitless opportunity to write about my very favourite subject: money laundering. And the obsession with understanding the mechanics and motivations of financial crime has only grown.I have spent years haunting the streets of Regency London, in the company of magistrates' constable Sam Plank. He is the narrator of my series of historical financial crime novels set in consecutive years in the 1820s - just before Victoria came to the throne, and in the policing period after the Bow Street Runners and before the Metropolitan Police.The fourth Sam Plank novel - "Portraits of Pretence" - was given the "Book of the Year 2017" award by influential book review website Discovering Diamonds. And the fifth - "Faith, Hope and Trickery" - was shortlisted for the Selfies Award 2019.And I am now researching the first in a new series set in Cambridge in the 1820s, narrated by a university constable called Gregory Hardiman. Constable Sam Plank is a magistrates' constable working in London in the 1820s. He tries to understand the "why" of crime as well as the "what", and has a particular interest in financial crime. He is aided at work by his junior constable, William Wilson, and at home by his wife Martha.

In the stifling summer of 1826, the death of a young man in Hyde Park uncovers a web of blackmail and corruption so far-reaching that even the redoubtable Constable Sam Plank is shocked. A Quaker charity hides a terrible secret, a dangerous enmity is growing between London's hackney carriage drivers and its watermen, and fraternal loyalty is tested to its limits. Susan Grossey's third Sam Plank novel plunges the magistrates' constable, his determined wife Martha and his protégé William Wilson into a dark and desperate world. I have been in love with words ever since I realised, at age three, that those squiggles on the page actually meant something. I edited the school newspaper (is here the place to confess that I was also the author of the section giving all the gossip on who was going out with whom?) and did lots more reading and writing at university (where, of course, I studied English).For twenty-five years I ran my own anti-money laundering consultancy, which gave me almost limitless opportunity to write about my very favourite subject: money laundering. And the obsession with understanding the mechanics and motivations of financial crime has only grown.I have spent years haunting the streets of Regency London, in the company of magistrates' constable Sam Plank. He is the narrator of my series of historical financial crime novels set in consecutive years in the 1820s - just before Victoria came to the throne, and in the policing period after the Bow Street Runners and before the Metropolitan Police.The fourth Sam Plank novel - "Portraits of Pretence" - was given the "Book of the Year 2017" award by influential book review website Discovering Diamonds. And the fifth - "Faith, Hope and Trickery" - was shortlisted for the Selfies Award 2019.And I am now researching the first in a new series set in Cambridge in the 1820s, narrated by a university constable called Gregory Hardiman. Constable Sam Plank is a magistrates' constable working in London in the 1820s. He tries to understand the "why" of crime as well as the "what", and has a particular interest in financial crime. He is aided at work by his junior constable, William Wilson, and at home by his wife Martha.

In the stifling summer of 1826, the death of a young man in Hyde Park uncovers a web of blackmail and corruption so far-reaching that even the redoubtable Constable Sam Plank is shocked. A Quaker charity hides a terrible secret, a dangerous enmity is growing between London's hackney carriage drivers and its watermen, and fraternal loyalty is tested to its limits. Susan Grossey's third Sam Plank novel plunges the magistrates' constable, his determined wife Martha and his protégé William Wilson into a dark and desperate world.

An elderly French artist is found dead in his rooms in London clutching a miniature portrait of a little girl. Intrigued, Constable Sam Plank delves into the world of art dealing and finds himself navigating the fragile post-war relationship between England and France. What is the link between this and the recent attacks on customs officers in London Docks? And will a beautiful mademoiselle put paid to Martha Plank's matchmaking? In this fourth novel in the Sam Plank series, set in the chilly spring of 1827, Plank and his junior constable William Wilson meet Frenchmen in London and daring blockademen in Kent to uncover smuggling and even more dangerous ambitions.

An elderly French artist is found dead in his rooms in London clutching a miniature portrait of a little girl. Intrigued, Constable Sam Plank delves into the world of art dealing and finds himself navigating the fragile post-war relationship between England and France. What is the link between this and the recent attacks on customs officers in London Docks? And will a beautiful mademoiselle put paid to Martha Plank's matchmaking? In this fourth novel in the Sam Plank series, set in the chilly spring of 1827, Plank and his junior constable William Wilson meet Frenchmen in London and daring blockademen in Kent to uncover smuggling and even more dangerous ambitions. I have been in love with words ever since I realised, at age three, that those squiggles on the page actually meant something. I edited the school newspaper (is here the place to confess that I was also the author of the section giving all the gossip on who was going out with whom?) and did lots more reading and writing at university (where, of course, I studied English).For twenty-five years I ran my own anti-money laundering consultancy, which gave me almost limitless opportunity to write about my very favourite subject: money laundering. And the obsession with understanding the mechanics and motivations of financial crime has only grown.I have spent years haunting the streets of Regency London, in the company of magistrates' constable Sam Plank. He is the narrator of my series of historical financial crime novels set in consecutive years in the 1820s - just before Victoria came to the throne, and in the policing period after the Bow Street Runners and before the Metropolitan Police.The fourth Sam Plank novel - "Portraits of Pretence" - was given the "Book of the Year 2017" award by influential book review website Discovering Diamonds. And the fifth - "Faith, Hope and Trickery" - was shortlisted for the Selfies Award 2019.And I am now researching the first in a new series set in Cambridge in the 1820s, narrated by a university constable called Gregory Hardiman. Constable Sam Plank is a magistrates' constable working in London in the 1820s. He tries to understand the "why" of crime as well as the "what", and has a particular interest in financial crime. He is aided at work by his junior constable, William Wilson, and at home by his wife Martha.

Rose Welford, the wife of a bootmaker, is smothered in her bed in the summer of 1828. Her husband quickly confesses to the crime, claiming that a message from beyond the grave told him to do it. At ever more popular gatherings in fields, factories and fine houses, a charismatic preacher with a history of religious offences seems to be at the heart of it all – but who, and what, can be believed when fortunes are at stake? In this fifth novel in the series, Constable Sam Plank is drawn into matters beyond his understanding when his wife Martha hears a message of her own and his junior constable Wilson makes a momentous choice.

Rose Welford, the wife of a bootmaker, is smothered in her bed in the summer of 1828. Her husband quickly confesses to the crime, claiming that a message from beyond the grave told him to do it. At ever more popular gatherings in fields, factories and fine houses, a charismatic preacher with a history of religious offences seems to be at the heart of it all – but who, and what, can be believed when fortunes are at stake?In this fifth novel in the series, Constable Sam Plank is drawn into matters beyond his understanding when his wife Martha hears a message of her own and his junior constable Wilson makes a momentous choice. I have been in love with words ever since I realised, at age three, that those squiggles on the page actually meant something. I edited the school newspaper (is here the place to confess that I was also the author of the section giving all the gossip on who was going out with whom?) and did lots more reading and writing at university (where, of course, I studied English).For twenty-five years I ran my own anti-money laundering consultancy, which gave me almost limitless opportunity to write about my very favourite subject: money laundering. And the obsession with understanding the mechanics and motivations of financial crime has only grown.I have spent years haunting the streets of Regency London, in the company of magistrates' constable Sam Plank. He is the narrator of my series of historical financial crime novels set in consecutive years in the 1820s - just before Victoria came to the throne, and in the policing period after the Bow Street Runners and before the Metropolitan Police.The fourth Sam Plank novel - "Portraits of Pretence" - was given the "Book of the Year 2017" award by influential book review website Discovering Diamonds. And the fifth - "Faith, Hope and Trickery" - was shortlisted for the Selfies Award 2019.And I am now researching the first in a new series set in Cambridge in the 1820s, narrated by a university constable called Gregory Hardiman. Constable Sam Plank is a magistrates' constable working in London in the 1820s. He tries to understand the "why" of crime as well as the "what", and has a particular interest in financial crime. He is aided at work by his junior constable, William Wilson, and at home by his wife Martha.

In the autumn of 1829, the body of a wealthy young man is found dumped in a dust-pit behind one of London's most exciting new venues. Constable Sam Plank's enquiries lead him from horse auctions to houses of correction, and from the rarefied atmosphere of the Bank of England to the German-speaking streets of Whitechapel. And when he comes face to face with an old foe, he finds himself considering shocking compromises...The new and highly organised Metropolitan Police are taking to the streets, calling into question the future of the magistrates' constables. Sam's junior constable, William Wilson, is keen, but what is an old campaigner like Sam to do when faced with the new force and its little black book of instructions? I have been in love with words ever since I realised, at age three, that those squiggles on the page actually meant something. I edited the school newspaper (is here the place to confess that I was also the author of the section giving all the gossip on who was going out with whom?) and did lots more reading and writing at university (where, of course, I studied English).For twenty-five years I ran my own anti-money laundering consultancy, which gave me almost limitless opportunity to write about my very favourite subject: money laundering. And the obsession with understanding the mechanics and motivations of financial crime has only grown.I have spent years haunting the streets of Regency London, in the company of magistrates' constable Sam Plank. He is the narrator of my series of historical financial crime novels set in consecutive years in the 1820s - just before Victoria came to the throne, and in the policing period after the Bow Street Runners and before the Metropolitan Police.The fourth Sam Plank novel - "Portraits of Pretence" - was given the "Book of the Year 2017" award by influential book review website Discovering Diamonds. And the fifth - "Faith, Hope and Trickery" - was shortlisted for the Selfies Award 2019.And I am now researching the first in a new series set in Cambridge in the 1820s, narrated by a university constable called Gregory Hardiman. Constable Sam Plank is a magistrates' constable working in London in the 1820s. He tries to understand the "why" of crime as well as the "what", and has a particular interest in financial crime. He is aided at work by his junior constable, William Wilson, and at home by his wife Martha.