I Like Big Dragons

Keifer Vassago, The Prince of Dragons, has enough on his plate without adding a brunette with a bad attitude to the mix. Fate has a way of screwing all his plans, though, whether he wants them screwed or not. One second he's fetching his brother from yet another situation that could possibly compromise the Vassago name, and the next that brunette is grabbing his assets. Blythe isn't after anyone's assets, though. She's a good girl. All she wants is to graduate from nursing school, get a job, and move out of her hell-hole apartment. What she does not have time to deal with is a sexy bearded man that accuses her of grabbing his junk. She tries to forget about the encounter, but fate's a cruel bitch. One second she's a normal college student barely living paycheck to paycheck, and the next she's setting her panties on fire with powers from an ancient immortal dragon. To add insult to injury, she's hearing voices, and none of them are figments of her imagination. Blythe's life is turned upside down, and Keifer forces her to adapt even though she doesn't want to. She likes her life just the way it is. Not to mention that she wants nothing to do with that arrogant asshole. She doesn't care that he rides a dragon. She also could care less about his stupid beard, and his sexy eyes. Yeah, who was she kidding? She wasn't convincing anybody. Contains mature themes.

Dragon Prince Nikolai Vassago's day starts out fairly normal: get up, kick some ass, fondle his beard, take some names. One minute he's participating in a run-of-the-mill mission, and the next minute, he's rescuing Brooklyn, the woman that is fated to be his, from the clutches of a criminal mastermind. Nikolai is quite pleased with his fated mate. Unfortunately, the same can't be said for Brooklyn. Living in a religious commune for the majority of her life meant Brooklyn wasn't exposed to all of the outside world's craziness. The moment she turned eighteen, she was off and running towards whatever new experiences the outside world could give her. In her quest to experience it all, she tends to jump into situations without weighing the potential consequences until it's too late. Brooklyn just wants to be free to make her own decisions and live her life as she pleases. But in her quest to save herself from the limitations of her old commune life, she lands herself in a dangerous situation, and Nikolai swoops in to her rescue, throwing her on the back of his dragon and flying off into the night. He's a man-with-a-plan kind of guy, and she's a fly-by-the-seat-of-her-pants (not on the back of a dragon!) kind of girl. Nikolai, however, has fate on his side, and whether she is ready to accept her fate or not, it won't be denied. Brooklyn's stubborn, though, and Nikolai will need to use all of his powers to show her that she's exactly where she needs to be. Contains mature themes.

The reclusive Ian barely participates in life, only doing so when his powers demand that he use them or pay the consequences. It seems that there's not a single person on this planet who doesn't want something from him, but the pain and suffering of others is nearly unbearable at times, leaving him no choice but to act. That is, until Wink unwittingly walks into his life, completely unaware that she's stepped straight into the dragon's den. Wink is just trying to get home after a long day of work. Her plans for the evening do not include stumbling upon a man with blood on his hands hovering over a dead woman in her hallway. There are three things that someone in Wink's position should've done in that instance. 1. Slowly back away from the hot, bearded killer and run the other way. 2. Call the cops. 3. Not come back until the scene was safe. Instead, she stops, takes a picture-drawing the man's attention to her-and then takes off at the speed of a fat, blind and possibly intoxicated penguin. Ian tries to let her go, but the moment that she runs, every single one of his predatory instincts surge to the surface and the hunt is on. Ian always catches his prey, this time is no different. What is different is that, for the first time in his life, he is consumed with the need to keep his catch. Contains mature themes.