Emma Press Prose Pamphlets

In 2015, suffering from a dreadful case of writer's block, novelist and short story writer Jan Carson set herself the challenge of spending an entire year writing short pieces of microfiction on postcards and mailing these to friends around the world. When 2016 ended, she found it impossible to stop writing postcard stories. The stories in this collection represent the best of some five hundred postcard stories Jan has written since.

In a new home, relationships shift, and ties fray. Bound: A Memoir of Making and Remaking is a collection of essays about sewing and knowing who you are. Each chapter in this sewist's diary charts the crafting of a different garment. From a lining embroidered with the Cantonese names of her female ancestors to a dressing gown holding the body of a beloved friend, Maddie Ballard navigates love, personal connections, and self-care, drafting her own patterns for ways of living. Lyrical, probing, soothing and wise, Bound is a strikingly original debut and a quiet celebration of the remarkable, everyday process of making and re-making: of cloth, of clothing, and of ourselves.

Each day of 2015 Jan Carson wrote a short story on the back of a postcard and mailed it to a friend. Each of these tiny stories was inspired by an event, an overheard conversation, a piece of art or just a fleeting glance of something worth thinking about further. In this collection of highlights, Carson presents a panoramic view of contemporary Belfast – its streets, coffee shops, museums and airports – through a series of small but perfectly formed snapshots of her home.

A child waits for the tooth fairy; a mother spends a night watching a recording of the previous night; two women face the ghosts that haunted their grandmothers. The nights in these ten stories are thick and substantial, ambiguous and alluring. Eerie, magical, hushed and surprisingly alive, this anthology shows the night as a place where connections are made and daylit lives can be changed.

A man jumps, the platform empties, then the stories begin. Filled with tales of tragedy, love, hope and frustration, Malachi McIntosh's debut collection of short stories offers surreal and satirical accounts of the many perils of contemporary life. From resistant mothers and unexpected corporate climbers, to doomed weddings and unwelcome visitors, these dark, comedic and uncanny stories contend with timeless concerns of parenthood, family, race and identity in the here and now. Whether characters are absorbed in social media or burying their grief, raising themselves up or taking others down, Parables, Fables, Nightmares brings a light to our interactions in an ailing world and heralds the arrival of a unique new voice in fiction.

The stories in First fox offer an everyday world tinged with the dreamlike qualities of fairy tales. Radojkovich explores the complex dynamics of families with a blend of dry wit and startling imagery. Disappointments and consolations meet with fantastical moments, winding their way into the realm of possibility.

On the cusp of womanhood, Daina Tabūna's heroines are constantly confronted with the unexpected. Adult life seems just around the corner, but so are the kinds of surprise encounter which might change everything. Two siblings realise they're too old to be playing with paper dolls. A girl develops a fixation with Jesus. And a disaffected young woman stumbles into an awkward relationship with an office worker. The narrators of these three stories each try, in their own way, to make sense of how to behave in a world that doesn't give any clear answers.

Leanne Radojkovich's writing is full of crisp, precise details, and often contains a sting. In Hailman, the follow-up to her 2017 debut First fox, the stories still have a dreamy, mythic feel, but are now rooted more firmly in the dusty suburbs and countryside of Aotearoa. In the title story, a child builds a snowman out of ice with her mum's friend Joyce and skirts round the edge of some adult truths. In 'Growing', a daughter visits her mother in the nursing home and tries to bond with her over flower seeds. In 'Double Dose', Patsy makes a Covid-y journey back to her hometown and touches on unpleasant memories of the past. All the rest home doors have name tags. Mum's has a typo: Irina. Although Irena isn't her born name – only she knows what that is, and she's never told, never discussed the war. Says she was born the day she reached Wellington harbour with papers stating she was a ten-year-old Polish orphan. Dad said not to ask about the European years, and my brother and I never did. Now they've both died and there's just me and Mum, and she's in a rest home with a mis-spelled name on her door.

20-something and uncertain about her future, Florentyna Leow is exhilarated when an old acquaintance offers her an opportunity for work and cohabitation in a little house in the hills of Kyoto. Florentyna begins a new job as a tour guide, taking tourists on elaborate and expensive trips around Kyoto's cultural hotspots. Amidst the busy tourist traps and overrun temples, Florentyna develops her own personal map of the city: a favourite smoky jazz kissa; a top-shelf katsuobushi loving cat; an elderly lady named Yamaguchi-san, who shares her sweets and gives Florentyna a Japanese name. Meanwhile, her relationship with her new companion develops an intensity as they live and work together. Their little kitchen, the epicenter of their shared life, overlooks a community garden dominated by a fruitful persimmon tree. Their relationship burns bright, but seasons change, the persimmon tree out back loses its fruit, and things grow strange between the two women. How Kyoto Breaks Your Heart is a collection about the ways in which heartbreak can fill a place and make it impossible to stay.

Tiny Moons is a collection of essays about food and belonging. Nina Mingya Powles journeys between Wellington, Kota Kinabalu and Shanghai, tracing the constants in her life: eating and cooking, and the dishes that have come to define her. Through childhood snacks, family feasts, Shanghai street food and student dinners, she attempts to find a way back towards her Chinese-Malaysian heritage.