Detective Mollel

The Maasai believe in two gods. Enkai Narok, the Black God, is benign. Enkai Nanyokie, the Red God, is the god of anger, vengeance, and death. Nairobi, 2007. In Africa's sprawling megacity, a small elite holds power over an impoverished, restless majority. Corruption, exploitation, and ethnic rivalry are part of everyday life. Amid claims of vote rigging and fraud, the presidential elections could be the spark that sets this city ablaze. With chaos looming, few care about one dead prostitute. But Detective Mollel does. For Mollel is a former Maasai warrior, and the dead girl was a Maasai, too. As he ventures from slums to skyscrapers, from suburbs to sewers, Mollel begins to realize that there is more at stake than just this murder. But even as he is forced to confront his turbulent past, he begins to doubt his warrior's instincts. Can Mollel manage to find the killer and solve the case before the Red God consumes all? With the sophistication of Ian Rankin and Colin Harrison, and set against the backdrop of Kenya's turbulent 2007 elections, Richard Crompton's Hour of the Red God brings Nairobi vividly to life: gritty and modern, with an extraordinary blend of tribal and urban elements. In this dark thriller, tradition and power collide, arriving at a shocking, unforgettable end. And in the Maasai hero Mollel, a new detective icon is born.

It must have been Otieno's idea of a joke. Too many offended egos back at headquarters, too many influential people unhappy with him in Nairobi. And yet, with his record, he was almost impossible to dismiss. So, Otieno had sent Mollel straight to Hell. When we first met Detective Mollel in Hour of the Red God, he was heralded as "a wonderfully complex and tragic protagonist" (Booklist), and Richard Crompton's novel called "spellbinding" (The Christian Science Monitor) and "a fantastic read" (The Plain Dealer [Cleveland]). Now Mollel returns in Hell's Gate, only this time the Maasai warrior-turned-detective has been banished from Nairobi, Kenya's bustling metropolis, to a small, fly, blown town on the edge of a national park. His career, he thinks, has taken a nosedive. His colleagues on the police force are a close-knit group and they have not taken kindly to a stranger in their midst. Mollel suspects they are guilty of the extortion and bribery that plague the force. But, when the body of a flower worker turns up in the local lake, he begins to wonder if they might be involved in something even more disturbing. For all is not as it seems in Hell's Gate. Amid rumors of a local death squad, disappearances, and blackmail, Mollel is forced not only to confront his Maasai heritage but also to ask himself where justice truly lies. In upholding the law, is he doing what is right? Crompton captures contemporary Kenya in all its complexity, and Hell's Gate is a captivating novel that you won't be able to put down.