Arc Translations

His narrative poems are precise, focusing on what may otherwise be overlooked. Whether fable-like in tone, or ruminating on the familiar such as lying in bed, bathing, drinking water and chatting, Vērdiņš's observation is sensual, often sexy. The erotic is as part of his experience as eating, perhaps the two are inseparable "beautiful as everything that enters your life", just as the world tips into surprising angles, where emotions are upended and light fills every shadow. Kārlis Vērdiņš was born in 1979 in Riga. He is the author of many academic papers and essays on literature, both Latvian and foreign, as well as a prolific literary critic. He has published four volumes of poetry, all to a great critical and popular acclaim and fetching top literary awards. Vērdiņš has also written librettos and song lyrics and has published translations of American Modernist poetry. His own poetry has been translated in many languages, including collections in Russian and Polish.

The latest in Arc's Translation Series brings poems from Sigurður Pálsson's ten collections written between 1980 and 2008 to a UK audience. Swirling with imagery, they reveal a poet committed to unearthing the joy of living and its connections to the natural world. This is a thrilling sweep across Pálsson's work: chronologies are upset, ideas run amok, views out onto the world close and open. Also available in limited-edition hardback: ISBN 9781906570590 (£12.99) This book is also available as a eBook. Buy it from Amazon here. Sigurður Pálsson was born in 1948 in Skinnastadur, Iceland. A writer, translator, professor and film producer, he won the Icelandic Literary Award in 2007, the same year he was made a Chevalier de l'Ordre National du Mérite by the President of France. Martin Regal lives in Reykjavik and teaches at the University of Iceland. His translation of Gisli Sursson's Saga and the Saga of the People of Eyri was published by Penguin Classics in 2003 (ISBN 9780140447729).

This book is also available as a eBook. Buy it from Amazon here. Using true stories from her own family annals, Wioletta Greg makes a literary journey through the last century, from Poland at the outbreak of the First World War to present-day Britain. In her own selection of verse and prose poems, set mostly in the geographical heart of Europe, she charts two world wars, life under Communism and the ensuing liberation, and her own experiences as a migrant living in the Isle of Wight.

In her follow-up to the critically-acclaimed Cold Spring in Winter, Valérie Rouzeau presents a language that is a hybrid of liberty and constraint. There are omissions and contractions, colloquialisms and archaisms, alongside wordplay, child-speak, exploded cliché, and a heightened awareness of the poetic tradition. Also available in limited-edition hardback: ISBN 9781908376176 (£12.99) Valérie Rouzeau was born in 1967 in Burgundy. Her most recent collection, Cold Spring in Winter (Arc, 2009; ISBN 9781904614593), was shortlisted for the 2010 Griffin Prize, the world's largest poetry prize. She lives in Saint-Ouen, near Paris. Susan Wicks also translated Cold Spring in Winter. She is the author of three Faber and three Bloodaxe poetry collections, most recently House of Tongues (Bloodaxe, 2011; ISBN 9781852249069), and has been shortlisted for the TS Eliot and Forward Prizes. She lives in Tunbridge Wells. This title is also available from Amazon as an eBook.

Vladimir Mayakovsky was one of the towering literary figures of pre- and post-revolutionary Russia, speaking as much to the working man as to other poets. His fascination with sound and form, linguistic metamorphosis and variation made him a sort of 'poet's poet', the doyen, if not the envy, of his contemporaries, (Pasternak among them). His poetry is strangely akin to modern rock poetry in its erotic thrust, bluesy complaints and cries of pain, not to mention its sardonic humour. It is often aggressive, mocking and yet tender, and can be fantastic or grotesque. That's What is a long love poem detailing the pain and suffering inflicted on the poet by his lover Maria and her final rejection of him. But as well as being an agonising parable of separation and betrayal, it is also a political work, highly critical of Lenin's reforms of Soviet Socialism. The publication of That's What is something of a landmark as this the first time that this seminal work has appeared in its entirety in translation. Included also are the 12 inspired photomontages that Rodchenko designed to interleave and illuminate the text, illustrations which inaugurate a world of new possibilities in combining verbal and visual forms of expression and which are reproduced in colour for the first time. "Arc have produced a handsome Russian-English edition of this personal epic of the early years of the Revolution, first published in the LEF journal (Left Front of the Arts) in 1923. George Hyde adds a lively note on 'Translating Mayakovsky's That's What'. His co-translator, Larisa Gureyeva, is the granddaughter of V.M. Molotov-Skryabin, co-signatory of the notorious pact with Germany of 1939. Hyde writes of the 'permissive' 1920s in the early Soviet Union. Following the recent splendid exhibition of Rodchenko and Popova at the Tate Modern, there are increasing signs of a growing interest in the early, tumultuous years of the Russian Revolution." The Spokesman Vladimir Mayakovsky was born in Georgia in 1893, but moved with his family to Moscow after his father's sudden death. By the time he was 20, he was a well-known literary figure, having toured Russia in the winter of 1913-14 with the Futurists (with whom he had identified). He made several trips abroad during the 1920s, including a long visit to America in 1925. A prolific writer, he still remains a popular poet among present-day Russian readers. He died in 1930 by his own hand, killing himself playing Russian roulette with a single bullet. Aleksander Rodchenko was a Russian artist, sculptor and photographer and one of the most versatile Constructivist and Productivist artists to emerge after the Russian Revolution. This book is also available as an ebook: buy it from Amazon here.

Although the Austrian poet Georg Trakl was born over a century ago, the mesmerising imagery and haunting visions of his highly sensitive and morbidly introspective poetry are as powerful today as they were when he poured forth his extraordinary and unclassifiable volume of work. A source of inspiration for artists, musicians and writers throughout the Expressionist period and beyond, Trakl's poetry – bleak, yet full of tenderness and hope, nightmarish yet eeriely beautiful – has steadfastly defied any coherent critical analysis. Will Stone's outstanding new translation, complete with contextualizing essays, promises to rekindle interest in the work of this seminal poet. GEORG TRAKL (1887-1914) was one of the most influential poets of his time. Born in Salzburg, Austria, he died at the tragically early age of 27 from an overdose of cocaine whilst being held for psychiatric observation in a military hospital in Krakow, Poland. WILL STONE is a poet and translator, whose translations of the work of Nerval, Rodenbach, Baudelarie, Verhaeren and Egon Schiele have been published in books and literary journals. He has published several pamphlet collections of poetry, and reviews by him have appeared in the TLS, Guardian and Independent on Sunday and in various literary magazines. This title is also available from Amazon as an eBook.