EBOOK
About
Sarah Roger (Editor)
Sarah Roger est professeure associée d'études anglaises et théâtrales à l'Université de Guelph et gestionnaire de projet pour LINCS. Elle détient un doctorat de l'Université d'Oxford et est l'auteure de Borges and Kafka (OUP, 2017).
Paul Barrett (Editor)
Paul Barrett est professeur adjoint d'études anglaises et théâtrales à l'Université de Guelph. Il détient un doctorat de l'Université Queen's et est l'auteur de Blackening Canada (UTP, 2015).
Kiera Obbard (Contributor)
Kiera Obbard is a poet and PhD candidate in the School of English and Theatre Studies at the University of Guelph. Her SSHRC-funded project, "The Instagram Effect: Contemporary Canadian Poetry Online," examines the complex social, cultural, technological, and economic conditions that have enabled the success of social media poetry in Canada, how the technological affordances of social media platforms mediate reading and writing, and the relationship between social media poetry and data mining practices. She completed her MA in Cultural Studies and Critical Theory at McMaster University and her honours BA with a joint major in English and Communication at the University of Ottawa. She is currently a graduate research assistant for the Translating Digital Canadas project, a fellow at The Humanities Interdisciplinary Collaboration (THINC) Lab, and an editorial board member for the Centre for Media and Celebrity Studies.
Sandra Djwa (Contributor)
Sandra Djwa is a scholar of Canadian Literature and author of ten books, including The Politics of the Imagination: A Life of F.R. Scott (McClelland and Stewart, 1987), Professing English: A Life of Roy Daniells (University of Toronto Press, 2002), and Journey with No Maps: A Life of P.K. Page (McGill-Queen's University Press, 2012; winner of the 2013 Governor General Award for Non-fiction). She co-founded the Association of Canadian and Quebec Literatures in 1973. She has been a member of the Royal Society of Canada since 1994.
Roopika Risam (Contributor)
Roopika Risam is Associate Professor of Film and Media Studies and of Comparative Literature and Faculty of Digital Humanities and Social Engagement at Dartmouth College. She is the author of New Digital Worlds: Postcolonial Digital Humanities in Theory, Praxis, and Pedagogy (Northwestern University Press, 2018). Among her edited collections, The Digital Black Atlantic, part of the Debates in the Digital Humanities series, was published by University of Minnesota Press in 2021. Risam is the co-editor of Reviews in Digital Humanities, a journal offering peer review of digital scholarship, and director of the Digital Ethnic Futures Consortium, a Mellon Foundation-funded initiative to support teaching and research at the intersections of ethnic studies and digital humanities. More information is available at http://roopikarisam.com.
Andrea Zeffiro (Contributor)
Andrea Zeffiro is Assistant Professor in critical technology studies in the Department of Communication Studies and Media Arts and Academic Director for the Lewis & Ruth Sherman Centre for Digital Scholarship at McMaster University. Her work has appeared in Cultural Analytics, the Canadian Journal of Communications, Journalism & Mass Communication Quarterly, Convergence, Studies in Social Justice, and many edited collections.
Deanna Fong (Contributor)
Deanna Fong is a SSHRC-funded researcher at Concordia University, where she directs the digital archive of Canadian poet Fred Wah (fredwah.ca). With a team of student researchers and Systems Librarian Tomasz Neugebauer, she is working on visualizing the site's social metadata, which represents the roles and activities that go into literary production. With Cole Mash, she is the co-editor of a forthcoming collection of essays, interviews, and art titled Resistant Practices in Communities of Sound (McGill-Queen's University Press, 2023). Her book of interviews, Concer
Sarah Roger est professeure associée d'études anglaises et théâtrales à l'Université de Guelph et gestionnaire de projet pour LINCS. Elle détient un doctorat de l'Université d'Oxford et est l'auteure de Borges and Kafka (OUP, 2017).
Paul Barrett (Editor)
Paul Barrett est professeur adjoint d'études anglaises et théâtrales à l'Université de Guelph. Il détient un doctorat de l'Université Queen's et est l'auteur de Blackening Canada (UTP, 2015).
Kiera Obbard (Contributor)
Kiera Obbard is a poet and PhD candidate in the School of English and Theatre Studies at the University of Guelph. Her SSHRC-funded project, "The Instagram Effect: Contemporary Canadian Poetry Online," examines the complex social, cultural, technological, and economic conditions that have enabled the success of social media poetry in Canada, how the technological affordances of social media platforms mediate reading and writing, and the relationship between social media poetry and data mining practices. She completed her MA in Cultural Studies and Critical Theory at McMaster University and her honours BA with a joint major in English and Communication at the University of Ottawa. She is currently a graduate research assistant for the Translating Digital Canadas project, a fellow at The Humanities Interdisciplinary Collaboration (THINC) Lab, and an editorial board member for the Centre for Media and Celebrity Studies.
Sandra Djwa (Contributor)
Sandra Djwa is a scholar of Canadian Literature and author of ten books, including The Politics of the Imagination: A Life of F.R. Scott (McClelland and Stewart, 1987), Professing English: A Life of Roy Daniells (University of Toronto Press, 2002), and Journey with No Maps: A Life of P.K. Page (McGill-Queen's University Press, 2012; winner of the 2013 Governor General Award for Non-fiction). She co-founded the Association of Canadian and Quebec Literatures in 1973. She has been a member of the Royal Society of Canada since 1994.
Roopika Risam (Contributor)
Roopika Risam is Associate Professor of Film and Media Studies and of Comparative Literature and Faculty of Digital Humanities and Social Engagement at Dartmouth College. She is the author of New Digital Worlds: Postcolonial Digital Humanities in Theory, Praxis, and Pedagogy (Northwestern University Press, 2018). Among her edited collections, The Digital Black Atlantic, part of the Debates in the Digital Humanities series, was published by University of Minnesota Press in 2021. Risam is the co-editor of Reviews in Digital Humanities, a journal offering peer review of digital scholarship, and director of the Digital Ethnic Futures Consortium, a Mellon Foundation-funded initiative to support teaching and research at the intersections of ethnic studies and digital humanities. More information is available at http://roopikarisam.com.
Andrea Zeffiro (Contributor)
Andrea Zeffiro is Assistant Professor in critical technology studies in the Department of Communication Studies and Media Arts and Academic Director for the Lewis & Ruth Sherman Centre for Digital Scholarship at McMaster University. Her work has appeared in Cultural Analytics, the Canadian Journal of Communications, Journalism & Mass Communication Quarterly, Convergence, Studies in Social Justice, and many edited collections.
Deanna Fong (Contributor)
Deanna Fong is a SSHRC-funded researcher at Concordia University, where she directs the digital archive of Canadian poet Fred Wah (fredwah.ca). With a team of student researchers and Systems Librarian Tomasz Neugebauer, she is working on visualizing the site's social metadata, which represents the roles and activities that go into literary production. With Cole Mash, she is the co-editor of a forthcoming collection of essays, interviews, and art titled Resistant Practices in Communities of Sound (McGill-Queen's University Press, 2023). Her book of interviews, Concer