Writings of James Fenimore Cooper

The Bravo (1831) takes place in early eighteenth-century Venice, when the "Serene Republic" had lost much of its glory, leaving its oligarchs struggling to hold on to their family wealth by manipulating the government and people through secret councils and a figure-head doge. In 1844, Cooper called it "in spirit, the most American book I ever wrote" because of its depiction of the masses duped by demagoguery and the attempts of Congress to rein in President Jackson, who Cooper saw as representing the popular will. In the novel, the low-born hero, Jacopo Frontoni, is forced to become an agent of the state because his unjustly imprisoned father languishes in the infamous state prison. On the last page, Jacopo is executed as a scapegoat for the crimes attributed to him of which he is innocent, rendering his beloved insane. Only in a subplot does a noble couple escape Venice to enjoy marriage. The present text is based on all extant manuscript witnesses (including a lengthy deleted section) and offers extensive explanatory notes.

The Sea Lions (1849) is the twelfth and last of Cooper's sea novels, a genre he largely invented. Drawing upon memories from nearly three decades earlier of his own ventures in whaling and his reviews of accounts of exploring and hunting in cold seas, Cooper fashioned an exciting tale of two small vessels capturing seals near the Antarctic Circle. When the sealers are trapped by the ice and forced to winter over in extreme conditions, Cooper's hero undergoes a spiritual transformation amidst the sublime threat of hostile Nature. The editors argue that this transformation parallels Cooper's gradual shift from a religion of Nature to his embracing Trinitarian Christianity. In expanding the scope of his sea fiction to embrace spiritual questions, Cooper anticipates Melville, who reviewed the novel favorably. This scholarly edition, the thirtieth in The Writings of James Fenimore Cooper series, presents an accurate text that draws upon both the American first edition and the British first edition, for which the editors have determined Cooper provided some revisions not found in his American text. The edition provides extensive historical, cultural, and geographic explanatory notes. The editors also provide a full scholarly apparatus discussing their editorial choices, and the edition has been approved by scholarly peers in the Committee for Scholarly Editions of the Modern Language Association.

A thrilling novel of seafaring adventure, romance, and Napoleonic history, from the author of The Leatherstocking Tales. In 1842, James Fenimore Cooper returned to transatlantic themes with a thrilling historical novel set in the Mediterranean Sea, weaving together a characteristically exciting narrative of naval pursuit with a story of lovers separated by religious differences. As the novel unfolds, warships under the command of the recently ennobled Lord Nelson are thwarted in their attempt to capture the French privateer Raoul Yvard and his graceful lugger Le Feu-Follet, while Yvard himself is frustrated because the Italian girl he loves, loyal to the Church, refuses to marry a French deist. Cooper also worked into his story one of his most colorful Yankee characters, Ithuel Bolt, an impressed seaman who combines courage and righteousness with bitterness and greedy self-interest. What sets The Wing-And-Wing apart from Cooper's other maritime adventures is the setting: most of the action occurs in the genial Italian waters of the Bay of Naples and Gulf of Salerno, locations Cooper had visited in 1829-30 and later recalled as "the only region of the earth that I truly love." He combined the struggle for naval dominance just beginning between France and England with historical events occurring in the Kingdom of Naples, especially the role reluctantly played by Nelson, pressured by his lover Lady Hamilton, in the execution of the Neapolitan hero Admiral Caraccioli. The editors provide a historical introduction identifying Cooper's Italian sources as well as detailed explanatory notes to enable readers fully to appreciate the geographical and historical settings in the novel. This scholarly edition, the twenty-seventh in the Writings of James Fenimore Cooper, presents an accurate text drawing upon both the first edition and a lightly revised authorial text from 1850. The editors provide a full scholarly apparatus discussing their editorial choices, and the edition has been approved by scholarly peers in the Committee for Scholarly Editions of the Modern Language Association.

An exciting Revolutionary War tale of double agents and counterespionage in New York State in 1780. A year after his imitative first novel Precaution (1820) enjoyed only modest success, James Fenimore Cooper penned The Spy: A Tale of the Neutral Ground, a Revolutionary War narrative initiating the American historical romance, a novel and a genre that quickly put to rest the British critic Sydney Smith's 1820 quip, "In the four corners of the globe, who reads an American novel?" Beginning with The Spy, everyone did. The novel excited readers with the perilous adventures of the spy (Harvey Birch, the Yankee peddler) and his contact Mr. Harper (George Washington appearing incognito), both surfacing repeatedly in various disguises and engaged in counterespionage (very clearly a parallel to the John Andre and Benedict Arnold stories) with their guerilla nemeses, the loyalist Cow-Boys and renegade Skinners. The Spy revealed the clash of loyalties within families between public and private duty to country and to self, and served as a microcosm of the new American world, staged in the "neutral ground" between opposing forces in Westchester, New York. William Gilmore Simms, Cooper's admirer and imitator, declared "The publication of The Spy ...was an event," while Boston's North American Review agreed, "the American Revolution is an admirable basis, on which to found fictions of the highest order of romantic interest." This fresh tale generated good American press for the young Cooper, and so set the stage for Cooper's career-long contributions to the development of the American novel. The editors provide a historical introduction identifying Cooper's sources, as well as detailed explanatory notes to enable readers fully to appreciate the geographical and historical settings in the novel. This scholarly edition, the eighteenth in "The Writings of James Fenimore Cooper," presents an accurate text drawing upon eight texts, from the first edition (with two editorially revised reprintings soon following to satisfy public demand) through the heavily revised Bentley Standard Novels edition (1831) and the more lightly revised Putnam Author's edition (1849). The editors provide a full scholarly apparatus discussing their editorial choices, and the edition has been approved by scholarly peers in the Committee for Scholarly Editions of the Modern Language Association.