Wallenstein

The Camp of Wallenstein is an introduction to the celebrated tragedy of that name; and, by its vivid portraiture of the state of the general's army, gives the best clue to the spell of his gigantic power. The blind belief entertained in the unfailing success of his arms, and in the supernatural agencies by which that success is secured to him; the unrestrained indulgence of every passion, and utter disregard of all law, save that of the camp; a hard oppression of the peasantry and plunder of the country, have all swollen the soldiery with an idea of interminable sway. But as we have translated the whole, we shall leave these reckless marauders to speak for themselves.

In the second play of the Wallenstein trilogy the viewpoint changes from that of the ordinary soldiers to that of the commanders who, awaiting orders, meet in an encampment near Pilsen. Most of them prefer Prince Wallenstein to the emperor. The former has repeatedly ignored the latter's orders, which is why he has ordered the prince to cede part of his huge army. Unwilling, Wallenstein considers resignation and, to pressure the emperor into making peace, is secretly negotiating with the Swedish enemy.

In the last part of the Wallenstein trilogy the conflict anticipated in the second play erupts and leads to a tragic conclusion. Having learned that the negotiators he has sent to bargain with the Swedes have been intercepted by imperial troops, Wallenstein supposes that the emperor now has damning evidence of his treason. After some hesitation and intense pressure exerted by Illo, Terzky and especially the latter's spouse, Countess Terzky, Wallenstein decides to burn his bridges: he will enter into official alliance with the Swedes.