Vagabonds (Pluto Press)

To see Palestine is to see the world. Since October 7th 2023, the forces of racial capitalism, settler colonialism and white supremacy have become all too visible in Israel's war on Gaza. Urban, networked Gazan youth have documented and shared their struggle with the world using social media strategies, derived from movements from Tahrir Square to Black Lives Matter. In To See In The Dark, Nicholas Mirzoeff explores how these videos and photos transmitted and viewed outside Palestine, via platforms like Instagram and TikTok, enabled a dramatic switch in public opinion, leading to the global uprising against genocide. In this groundbreaking analysis, he also connects the personal and the political via his own anti-Zionist Jewishness, weaving an autotheory of domestic, political and sexual violence. Through this exploration, he finds new collective anticolonial ways of seeing, combining online and embodied experiences.

An urgent and elegant text…excavating the many meanings of cuddling under racial capitalism. Antwi's writing is lyrical and powerful; the way he harnesses epistemology and polysemy to build both dancing prose and crucial political analysis, is revelatory.' Sophie K Rosa, author of Radical Intimacy'A necessary book about holding, being held and the hold(s) of the past. Playful, vulnerable, ever acute – Antwi gets down with the funk of language, history, and bodies to make fugitive sense of modernity as anti-Black grammar and embrace.' Nadine Attewell, scholar of intimacy, empire, and diasporic lifeFrom the terrifying embrace of the slave ship's hold to the racist encoding of 'cuddly' toys, On Cuddling is a unique combination of essay and poetry that contends with how racial violence is enacted through intimacy.Informed by Black feminist and queer poetics, Phanuel Antwi focuses his lens on the suffering of Black people at the hands of state violence and racial capitalism. As radical movements grow to advance Black liberation, so too must our ways of understanding how racial capitalism embraces us all. Antwi turns to cuddling, an act we imagine as devoid of violence, and explores it as a tense power transfer point.Through archival documents and multiple genres of writing, it becomes clear that the racial violence of the state and economy has always been about the (mis)management of intimacies, and we should face it with resistance and solidarity.Phanuel Antwi is Canada Research Chair in Black Arts and Epistemologies. He is an artist, teacher, and organizer concerned with race, poetics, movements, intimacy, and struggle. He works with text, dance, film, and photography to intervene in artistic, academic, and public spaces. He is a curator, activist, and associate professor at the University of British Columbia.

In many places around the world, the freedom to simply care for one another is under attack by the powerful, and acts of solidarity are being made illegal. In a moment of struggle defined by the rollback of social welfare programs, the criminalisation of migration, and the right-wing clampdown on bodily autonomy, radical networks of care are fighting back. From volunteer rescue boats in the Mediterranean to underground labs for preparing gender-affirming hormones, from the sharing of copyrighted health knowledge to the provision of abortion and contraception, people are reclaiming the means to care for one another in defiance of a system that devalues and exploits the labour of care. Against atomised despair, Pirate Care shows that fighting back isn't only about legal and legislative changes but also about organizing, direct action, and disobedient care.

In November 2019, a new strain of coronavirus appeared in Wuhan, China, and quickly spread across the world. Since then, the pandemic has exposed the brutal limits of care and health under capitalism. Pandemonium underscores the turning-points between neoliberalism and authoritarian government, crystallised by ineffective responses to the pandemic. In so doing, it questions capitalist understandings of order and disorder, of health and disease, and the new world borders which proliferate through distinctly capitalist definitions of risk and uncertainty. From the origins of the crisis at the crossroads of fossil-fuelled pollution and the privatisation of healthcare in China, Angela Mitropoulos follows the virus' spread as governments embraced reckless strategies of 'containment' and 'herd immunity.' Exoticist explanations of the pandemic and the recourse to quarantines and travel bans racialised the disease, while the reluctance to expand healthcare capacity displaced the risk onto private households and private wealth. Tracing iterations of borders through the histories of population theory, the political contract and epidemiology, Mitropoulos discusses the circuits of capitalist value in pharmaceuticals, protective equipment and catastrophe bonds. These and the treatment of populations as capitalist 'stock' in demands to 'reopen the economy' reveal a world where the very definition of 'the economy' and infrastructure are fundamentally shifting. Much will depend on how these are understood, and debts are reckoned, in the months and years to come.

In 2008, as the storms of the financial crash blew, Isabelle Fremeaux and Jay Jordan deserted the metropolis and their academic jobs, traveling across Europe in search of post-capitalist utopias. They wanted their art activism to no longer be uprooted. They arrived at a place French politicians had declared lost to the republic, otherwise know as the zad (the zone to defend): a messy but extraordinary canvas of commoning, illegally occupying 4,000 acres of wetlands where an international airport was planned. In 2018, the 40-year-long struggle snatched an incredible victory, defeating the airport expansion project through a powerful cocktail that merged creation and resistance. Fremeaux and Jordan blend rich eyewitness accounts with theory, inspired by a diverse array of approaches, from neo-animism to revolutionary biology, insurrectionary writings and radical art history. Published in collaboration with the Journal of Aesthetics & Protest.

In an era when capitalism leaves so many to suffer and to die, with neoliberal 'self-care' offering little more than a bandaid, how can we take health and care back into our hands? In The Hologram, Cassie Thornton puts forward a bold vision for revolutionary care: a viral, peer-to-peer feminist health network. The premise is simple: three people - a 'triangle' - meet on a regular basis, digitally or in person, to focus on the physical, mental and social health of a fourth - the 'hologram'. The hologram, in turn, teaches their caregivers how to give and also receive care; each member of their triangle becomes a hologram for another, different triangle, and so the system expands. Drawing on radical models developed in the Greek solidarity clinics during a decade of crisis, and directly engaging with discussions around mutual aid and the coronavirus pandemic, The Hologram develops the skills and relationships we desperately need for the anti-capitalist struggles of the present, and the post-capitalist society of the future. One part art, one part activism, one part science fiction, this book offers the reader a guide to establishing a Hologram network as well as reflections on this cooperative work in progress.

It's in our food, our cosmetics, our fuel and our bodies. Palm oil, found in half of supermarket products, has shaped our world. Max Haiven uncovers how the gears of capitalism are literally and metaphorically lubricated by this ubiquitous elixir. From its origins in West Africa to today's Southeast Asian palm oil superpowers, Haiven's sweeping, experimental narrative takes us on a global journey that includes looted treasures, the American system of mass incarceration, the history of modern art and the industrialisation of war. Beyond simply calling for more consumer boycotts, he argues for recognising in palm oil humanity's profound potential to shape our world beyond racial capitalism and neo-colonial dispossession. One part history, one part dream, one part theory, one part montage, this kaleidoscopic and urgent book asks us to recognise the past in the present and to seize the power to make a better world.