U.S.A. Trilogy

With 1919, the second volume of his U.S.A. trilogy, John Dos Passos continues his "vigorous and sweeping panorama of twentieth-century America" (Forum), lauded on publication of the first volume not only for its scope, but also for its groundbreaking style. Again, employing a host of experimental devices that would inspire a whole new generation of writers to follow, Dos Passos captures the many textures, flavors, and background noises of modern life with a cinematic touch and unparalleled nerve. 1919 opens to find America and the world at war, and Dos Passos's characters, many of whom we met in the first volume, are thrown into the snarl. We follow the daughter of a Chicago minister, a wide-eyed Texas girl, a young poet, a radical Jew, and we glimpse Woodrow Wilson, Theodore Roosevelt, and the Unknown Soldier. 1919 provides an incomparable portrait of America from the turn of the century to the Depression of 1929. "The single greatest novel any of us have written, yes, in this country in the last one hundred years." -- Norman Mailer

The Big Money completes John Dos Passos's three-volume. Here we come back to America after the war and find a nation on the upswing. Industrialism booms. The stock market surges. Lindbergh takes his solo flight. Henry Ford makes automobiles. From New York to Hollywood, love affairs to business deals, it is a country taking the turns too fast, speeding toward the crash of 1929. Ultimately, whether the novels are read together or separately, they paint a sweeping portrait of collective America and showcase the brilliance and bravery of one of its most enduring and admired writers.

A "linguistically adventurous national portrait for a precarious age," the first novel in the USA Trilogy captures American life in the early twentieth century (The New Yorker). Named among the best books of the twentieth century by the Modern Library, the U.S.A. Trilogy vividly portrays American men and women-both fictional and biographical-as they navigate a world transformed by war, imperialism, and new technologies. Told in stream-of-consciousness narratives and "newsreels" containing Chicago Tribune headlines of the day, The 42nd Parallel introduces Mac, a former newspaperman turned champion of the working man; Janey, a young secretary from Washington D.C.; a highhanded social climber named Eleanor; and Charley, an amiable auto mechanic. As their lives intersect with one another, as well as the likes of Eugene Debs, Thomas Edison, and Andrew Carnegie, a vivid vision of a bygone America arises as only John Dos Passos can portray it. "The single greatest novel any of us have written, yes, in this country in the last one hundred years." -Norman Mailer "A novel that excites and satisfies. . . . A sense of aliveness quickens every page." -The Atlantic

A new edition collects the three volumes of John Dos Passos's acclaimed U.S.A. trilogy, named one of the best books of the twentieth century by the Modern Library, and a “linguistically adventurous national portrait for a precarious age—his, and ours” (The New Yorker). The U.S.A. trilogy, comprised of the novels “The 42nd Parallel”, “1919”, and “The Big Money”, is a grand, kaleidoscopic portrayal of a nation that buzzes with history and life on every page. “The 42nd Parallel” unfolds in stories and “newsreels” consisting of front-page headlines and article fragments from the Chicago Tribune, revealing the lives and fortunes of five characters. Mac, Janey, Eleanor, Ward, and Charley are caught on the storm track of this parallel and blown New Yorkward. As their lives cross and double back again, the likes of Eugene Debs, Thomas Edison, and Andrew Carnegie also make appearances. “1919” opens to find America and the world at war, and Dos Passos's characters, many of whom we met in the first volume, are thrown into the snarl. We follow the daughter of a Chicago minister, a wide-eyed Texas girl, a young poet, and a radical Jew, as well as the glimpses of the more famous Woodrow Wilson, Theodore Roosevelt, and the Unknown Soldier. “The Big Money” comes back to America after the war to find a nation on the upswing. Industrialism booms, the stock market surges, Lindbergh takes his solo flight, and Henry Ford makes automobiles. From New York to Hollywood, love affairs to business deals, it is a country taking the turns too fast, speeding toward the crash of 1929. Employing a host of experimental devices that would inspire a whole new generation of writers to follow, Dos Passos captures the many textures, flavors, and background noises of modern life with a cinematic touch and unparalleled nerve.