UnCivil Wars

James Tanner may be the most famous person in nineteenth-century America that no one has heard of. During his service in the Union army, he lost the lower third of both his legs and afterward had to reinvent himself. After a brush with fame as the stenographer taking down testimony a few feet away from the dying President Abraham Lincoln in April 1865, Tanner eventually became one of the best-known men in Gilded Age America. He was a highly placed Republican operative, a popular Grand Army of the Republic speaker, an entrepreneur, and a celebrity. He earned fame and at least temporary fortune as "Corporal Tanner," but most Americans would simply have known him as "The Corporal." Yet virtually no one-not even historians of the Civil War and Gilded Age- knows him today. America's Corporal rectifies this startling gap in our understanding of the decades that followed the Civil War. Drawing on a variety of primary sources including memoirs, lectures, newspapers, pension files, veterans' organization records, poetry, and political cartoons, James Marten brings Tanner's life and character into focus and shows what it meant to be a veteran- especially a disabled veteran-in an era that at first worshipped the saviors of the Union but then found ambiguity in their political power and insistence on collecting ever-larger pensions. This biography serves as an examination of the dynamics of disability, the culture and politics of the Gilded Age, and the aftereffects of the Civil War, including the philosophical and psychological changes that it prompted. The book explores the sometimes corrupt, often gridlocked, but always entertaining politics of the era, from Tanner's days as tax collector in Brooklyn through his short-lived appointment as commissioner of pensions (one of the biggest jobs in the federal government of the 1880s). Marten provides a vivid case study of a classic Gilded Age entrepreneur who could never make enough money. America's Corporal is a reflection on the creation of celebrity-and of its ultimate failure to preserve the memory of a man who represented so many of the experiences and assumptions of the Gilded Age.

From 1845 to 1865 the Gulf of Mexico was at the center of American expansion and southern imperialism. A Continuous State of War tells the story of several communities, such as Galveston, New Orleans, and Pensacola as well as countries such as Mexico and

The Blue, the Gray, and the Green is one of only a handful of books to apply an environmental history approach to the Civil War. This book explores how nature-disease, climate, flora and fauna, and other factors-affected the war and also how the war shaped Americans' perceptions, understanding, and use of nature. The contributors use a wide range of approaches that serve as a valuable template for future environmental histories of the conflict. In his introduction, Brian Allen Drake describes the sparse body of environmental history literature related to the Civil War and lays out a blueprint for the theoretical basis of each essay. Kenneth W. Noe emphasizes climate and its effects on agricultural output and the battlefield; Timothy Silver explores the role of disease among troops and animals; Megan Kate Nelson examines aridity and Union defeat in 1861 New Mexico; Kathryn Shively Meier investigates soldiers' responses to disease in the Peninsula Campaign; Aaron Sachs, John C. Inscoe, and Lisa M. Brady examine philosophical and ideological perspectives on nature before, during, and after the war; Drew Swanson discusses the war's role in production and landscape change in piedmont tobacco country; Mart A. Stewart muses on the importance of environmental knowledge and experience for soldiers, civilians, and slaves; Timothy Johnson elucidates the ecological underpinnings of debt peonage during Reconstruction; finally, Paul S. Sutter speculates on the future of Civil War environmental studies. The Blue, the Gray, and the Green provides a provocative environmental commentary that enriches our understanding of the Civil War.

This book tells the stories of freeborn northern African Americans in Philadelphia struggling to maintain families while fighting against racial discrimination. Taking a long view, from 1850 to the 1920s, Holly A. Pinheiro Jr. shows how Civil War military service worsened already difficult circumstances due to its negative effects on family finances, living situations, minds, and bodies. At least seventy-nine thousand African Americans served in northern USCT regiments. Many, including most of the USCT veterans examined here, remained in the North and constituted a sizable population of racial minorities living outside the former Confederacy. In The Families' Civil War, Holly A. Pinheiro Jr. provides a compelling account of the lives of USCT soldiers and their entire families but also argues that the Civil War was but one engagement in a longer war for racial justice. By 1863 the Civil War provided African American Philadelphians with the ability to expand the theater of war beyond their metropolitan and racially oppressive city into the South to defeat Confederates and end slavery as armed combatants. But the war at home waged by white northerners never ended. Civil War soldiers are sometimes described together as men who experienced roughly the same thing during the war. However, this book acknowledges how race and class differentiated men's experiences too. Pinheiro examines the intersections of gender, race, class, and region to fully illuminate the experiences of northern USCT soldiers and their families.

The Civil War acted like a battering ram on human beings, shattering both flesh and psyche of thousands of soldiers. Despite popular perception that doctors recklessly erred on the side of amputation, surgeons labored mightily to adjust to the medical quagmire of war. And as Brian Craig Miller shows in Empty Sleeves, the hospital emerged as the first arena where southerners faced the stark reality of what amputation would mean for men and women and their respective positions in southern society after the war. Thus, southern women, through nursing and benevolent care, prepared men for the challenges of returning home defeated and disabled. Still, amputation was a stark fact for many soldiers. On their return, southern amputees remained dependent on their spouses, peers, and dilapidated state governments to reconstruct their shattered manhood and meet the challenges brought on by their newfound disabilities. It was in this context that Confederate patients based their medical care decisions on how comrades, families, and society would view the empty sleeve. In this highly original and deeply researched work, Miller explores the ramifications of amputation on the Confederacy both during and after the Civil War and sheds light on how dependency and disability reshaped southern society.

In the popular imagination, Civil War disability is virtually synonymous with amputation. But war affects the body in countless ways, many of them understudied by historians. In Bodies in Blue, Sarah Handley-Cousins expands and complicates our understanding of wartime disability by examining a variety of bodies and ailments, ranging from the temporary to the chronic, from disease to injury, and encompassing both physical and mental conditions. She studies the cases of well-known individuals, such as Union general Joshua Lawrence Chamberlain, alongside many cases drawn from the ranks to provide a more comprehensive view of how soldiers, civilians, and institutions grappled with war-related disability in the Civil War-era North. During the Civil War and long after, the bodies of Union soldiers and veterans were sites of powerful cultural beliefs about duty and sacrifice. However, the realities of living with a disability were ever at odds with the expectations of manhood. As a consequence, men who failed to perform the role of wounded warrior properly could be scrutinized for failing to live up to standards of martial masculinity. Under the gaze of surgeons, officers, bureaucrats, and civilians, disabled soldiers made difficult negotiations in their attempts to accommodate impaired bodies and please observers. Some managed this process with ease; others struggled and suffered. Embracing and exploring this apparent contradiction, Bodies in Blue pushes Civil War history in a new direction.

Buying and Selling Civil War Memory explores the ways in which Guilded Age manufacturers, advertisers, publishers, and others commercialized Civil War memory. Advertisers used images of the war to sell everything from cigarettes to sewing machines; an entire industry grew up around uniforms made for veterans rather than soldiers; publishing houses built subscription bases by tapping into wartime loyalties; while old and young alike found endless sources of entertainment that harkened back to the war. Moving beyond the discussions of how Civil War memory shaped politics and race relations, the essays assembled by James Marten and Caroline E. Janney provide a new framework for examining the intersections of material culture, consumerism, and contested memory in the everyday lives of late nineteenth-century Americans. Each essay offers a case study of a product, experience, or idea related to how the Civil War was remembered and memorialized. Taken together, these essays trace the ways the buying and selling of the Civil War shaped Americans’ thinking about the conflict, making an important contribution to scholarship on Civil War memory and extending our understanding of subjects as varied as print, visual, and popular culture; finance; and the histories of education, of the book, and of capitalism in this period. This highly teachable volume presents an exciting intellectual fusion by bringing the subfield of memory studies into conversation with the literature on material culture. The volume’s contributors include Amanda Brickell Bellows, Crompton B. Burton, Kevin R. Caprice, Shae Smith Cox, Barbara A. Gannon, Edward John Harcourt, Anna Gibson Holloway, Jonathan S. Jones, Margaret Fairgrieve Milanick, John Neff , Paul Ringel, Natalie Sweet, David K. Thomson, and Jonathan W. White.

The War after the War is a lively military history and overview of Reconstruction that illuminates the new war fought immediately after the American Civil War. This Southern Civil War was distinct from the American Civil War and fought between southerners for control of state governments. In the South, African American and white unionists formed a successful biracial coalition that elected state and local officials. White supremacist insurrectionaries battled with these coalitions and won the Southern Civil War, successfully overthrowing democratically elected governments. The repercussions of these political setbacks would be felt for decades to come. With this book John Patrick Daly examines the political and racial battles for power after the Civil War, as white supremacist terror, guerrilla, and paramilitary groups attacked biracial coalitions in their local areas. The Ku Klux Klan was the most infamous of these groups, but ex-Confederate extremists fought democratic change in the region under many guises. The biracial coalition put up a brave fight against these insurrectionary forces, but the federal government offered the biracial forces little help. After dozens of battles and tens of thousands of casualties between 1865 and 1877, the Southern Civil War ended in the complete triumph of extremist insurrection and white supremacy. As the United States marks the 150th anniversary of the Southern Civil War, its lessons are more vital than ever.

Final Resting Places brings together some of the most important and innovative scholars of the Civil War era to reflect on what death and memorialization meant to the Civil War generation-and how those meanings still influence Americans today. In each essay, a noted historian explores a different type of gravesite-including large marble temples, unmarked graves beneath the waves, makeshift markers on battlefields, mass graves on hillsides, neat rows of military headstones, university graveyards, tombs without bodies, and small family plots. Each burial place tells a unique story of how someone lived and died; how they were mourned and remembered. Together, they help us reckon with the most tragic period of American history. CONTRUBUTORS: Terry Alford, Melodie Andrews, Edward L. Ayers, DeAnne Blanton, Michael Burlingame, Katherine Reynolds Chaddock, John M. Coski, William C. Davis, Douglas R. Egerton, Stephen D. Engle, Barbara Gannon, Michael P. Gray, Hilary Green, Allen C. Guelzo, Anna Gibson Holloway, Vitor Izecksohn, Caroline E. Janney, Michelle A. Krowl, Glenn W. LaFantasie, Jennifer M. Murray, Barton A. Myers, Timothy J. Orr, Christopher Phillips, Mark S. Schantz, Dana B. Shoaf, Walter Stahr, Michael Vorenberg, and Ronald C. White

Lens of War grew out of an invitation to leading historians of the Civil War to select and reflect upon a single photograph. Each could choose any image and interpret it in personal and scholarly terms. The result is a remarkable set of essays by twenty-seven scholars whose numerous volumes on the Civil War have explored military, cultural, political, African American, women's, and environmental history. The essays describe a wide array of photographs and present an eclectic approach to the assignment, organized by topic: Leaders, Soldiers, Civilians, Victims, and Places. Readers will rediscover familiar photographs and figures examined in unfamiliar ways, as well as discover little-known photographs that afford intriguing perspectives. All the images are reproduced with exquisite care. Readers fascinated by the Civil War will want this unique book on their shelves, and lovers of photography will value the images and the creative, evocative reflections offered in these essays.

Visions of Glory brings together twenty-two images and twenty-two brisk essays, each essay connecting an image to the events that unfolded during a particular year of the Civil War. The book focuses on a diverse set of images that include a depiction of former slaves whipping their erstwhile overseer distributed by an African American publisher, a census graph published in the New York Times, and a cutout of a child's hand sent by a southern mother to her husband at the front. The essays in this collection reveal how wartime women and men created both written accounts and a visual register to make sense of this pivotal period. The collection proceeds chronologically, providing a nuanced history by highlighting the multiple meanings an assorted group of writers and readers discerned from the same set of circumstances. In so doing, this volume assembles contingent and fractured visions of the Civil War, but its differing perspectives also reveal a set of overlapping concerns. A number of essays focus in particular on African American engagements with visual culture. The collection also emphasizes the role that women played in making, disseminating, or interpreting wartime images. While every essay explores the relationship between image and word, several contributions focus on the ways in which Civil War images complicate an understanding of canonical writers such as Emerson, Melville, and Whitman.

Long-lost letters tell the story of an illegal slave shipment, a desperate Savannah businessman, and the lead-up to the Civil War. In 1858 Savannah businessman Charles Lamar, in violation of U.S. law, organized the shipment of hundreds of Africans on the luxury yacht Wanderer to Jekyll Island, Georgia. The four hundred survivors of the Middle Passage were sold into bondage. This was the first successful documented slave landing in the United States in about four decades, and it shocked a nation already on the path to civil war. Nearly thirty years later, the North American Review published excerpts from thirty of Lamar's letters, reportedly taken from his letter book, which describe his criminal activities. However, the authenticity of the letters was in doubt until very recently. In the twenty-first century, researcher Jim Jordan found a cache of private papers belonging to Charles Lamar's father, stored for decades in an attic in New Jersey. Among the documents was Charles Lamar's letter book-confirming him as the author. The first part of this book recounts the flamboyant and reckless life of Lamar himself, including involvement in southern secession, the slave trade, and a plot to overthrow the government of Cuba. A portrait emerges at odds with Lamar's previous image as a savvy entrepreneur and principled rebel. Instead, we see a man who was often broke and whose volatility sabotaged him at every turn. His involvement in the slave trade was driven more by financial desperation than southern defiance. The second part presents the "Slave-Trader's Letter-Book." Together with annotations, these seventy long-lost letters shed light on the lead-up to the Civil War from the remarkable perspective of a troubled, and troubling, figure.

Few men of the Civil War era were as complicated or infamous as William Clarke Quantrill. Most who know him recognize him as the architect of the Confederate raid on Lawrence, Kansas, in August 1863 that led to the murder of 180 mostly unarmed men and boys. Before that, though, Quantrill led a transient life, shifting from one masculine form to another. He played the role of fastidious schoolmaster, rough frontiersman, and even confidence man, developing certain notions and skills on his way to becoming a proslavery bushwhacker. Quantrill remains impossible to categorize, a man whose motivations have been difficult to pin down. Using new documents and old documents examined in new ways, A Man by Any Other Name paints the most authentic portrait of Quantrill yet rendered. The detailed study of this man not only explores a one-of-a-kind enigmatic figure but also allows us entry into many representative experiences of the Civil War generation. This picture brings to life a unique vision of antebellum life in the territories and a fresh view of guerrilla warfare on the border. Of even greater consequence, seeing Quantrill in this way allows us to examine the perceived essence of American manhood in the mid-nineteenth century.