Travelers' Tales

Leave the Lipstick, Take the Iguana is the 9th book in the bestselling Travelers' Tales humor series which began with There's No Toilet Paper on the Road Less Traveled followed by the now classic "underwear" women's humor series which began with top seller and still-selling Sand in My Bra.

Two major trends have recently swept the travel world: the first, an overwhelming desire (thanks to Elizabeth Gilbert's bestseller, Eat, Pray, Love) to write one's own memoir; the second, an explosion of social media, blogs, twitter and texts, which allow travelers to document and share their experiences instantaneously. Thus, the act of chronicling one's journey has never been more popular, nor the urge stronger. Writing Away: A Creative Guide to Awakening the Journal-Writing Traveler, will inspire budding memoirists and jetsetting scribes alike. But Writing Away doesn't stop there-author Lavinia Spalding spins the romantic tradition of keeping a travelogue into a modern, witty adventure in awareness, introducing the traditional handwritten journal as a profoundly valuable tool for self-discovery, artistic expression, and spiritual growth. Writing Away teaches you to embrace mishaps in order to enrich your travel experience, recognize in advance what you want to remember, tap into all your senses, and connect with the physical world in an increasingly technological age. It helps you overcome writer's block and procrastination; tackle the discipline, routine, structure, and momentum that are crucial to the creative process; and it demonstrates how traveling-while keeping a journal along the way-is the world's most valuable writing exercise.

In A Sense of Place, journalist/travel writer Michael Shapiro goes on a pilgrimage to visit the world's great travel writers on their home turf to get their views on their careers, the writer's craft, and most importantly, why they chose to live where they do and what that place means to them. The book chronicles a young writer's conversations with his heroes, writers he's read for years who inspired him both to pack his bags to travel and to pick up a pen and write. Michael skillfully coaxes a collective portrait through his interviews, allowing the authors to speak intimately about the writer's life, and how place influences their work and perceptions. In each chapter Michael sets the scene by describing the writer's surroundings, placing the reader squarely in the locale, whether it be Simon Winchester's Massachusetts, Redmond O'Hanlon's London, or Frances Mayes's Tuscany. He then lets the writer speak about life and the world, and through quiet probing draws out fascinating commentary from these remarkable people. For Michael it's a dream come true, to meet his mentors; for readers, it's an engaging window onto the twin landscapes of great travel writers and the world in which they live.

"If you look at a map, you will see that the island chain known as the Caribbean, or, to confuse you, the West Indies, lies between Florida and South America and resembles a string of gems or possibly drool." And so begins author Gary Buslik's tale of tropical adventure. Each chapter of this often hilarious and sometimes poignant travelogue recounts another island-hopping, culture-clashing crisis that pits the homesick author against falling coconuts, hospitals that remove wrong organs, insects as big and dangerous as stealth bombers, ticket agents that put him on hold for hours, mysteriously calculated currency exchanges, over-proofed rum, livestock, singing Rastafarians, garbage-bin sex, peanut-crazed children, Idi Amin, flesh-eating monkeys, dentists, cricket, steel drum bands, and the French. Fortunately, even when making fun of his West Indian hosts, the curmudgeonly author's essential good nature and devotion to his wife twinkle through, and in the end his stubborn geocentricity gives way to a heartfelt appreciation of his island hosts.