SUNY series in Italian/American Culture

Uncovers an overlooked aspect of the Italian American experience. In Beyond Memory, Dennis Barone uncovers the richness and diversity of the Italian Protestant experience and places it in the context of migration and political and social life in both Italy and the United States. Italian Protestants have received scant attention in the fields of Italian American studies, religious studies, and immigration studies, and through literary sources, church records, manuscript sources, and secondary sources in various fields, Barone introduces such forgotten voices as the Baptist Antonio Mangano, the Methodist Antonio Arrighi, and his great-grandfather Alfredo Barone, a Baptist minister to congregations in Italy and Massachusetts. Examining the complex histories of these and other Italian Protestants, Barone argues that Protestantism ultimately served as a means to negotiate between Old World and New World ways, even as it resulted in the double alienation of rejection by Roman Catholic immigrants and condescension by Anglo-Protestants. Though the book focuses on the years of high immigration (1890–1920), it also looks at precursors to post-reunification Protestants as well as Protestants in Italy today, now that the nation has become a country of in-migration. Dennis Barone is Professor of English and American Studies at the University of Saint Joseph. He is the author or editor of many books of poetry, prose, and criticism, including Sound/Hammer; On the Bus: Selected Stories; and Essays on Italian American Literature and Culture (with Peter Covino).

Explores the links between language, cultural identity, and creativity through the works of Emanuel Carnevali, one of the first Italian American authors to attain literary recognition. The Autobiography of a Language is an exploration of the deep and powerful ties between language and identity, focusing on an Italian American author and addressing global themes of modern writing. This is the first extensive, book-length work on Emanuel Carnevali (1897-1942), the first Italian American to attain literary recognition. It is a study on how an Italian immigrant to New York became an author and a key figure in transnational modernism. Most importantly, though, it's a study of contacts between American and Italian literatures in the modernist era, and an exploration of the challenges of writing in a second language. Carnevali's works are almost exclusively in English, even though he spent only eight years in the United States before returning to Italy. Combining literary analysis with some of the latest findings in applied linguistics and the study of bilingualism, this book contributes to a very active debate in the fields of comparative literature and translation studies: the implications of translingual writing. Andrea Ciribuco considers both the linguistic and cultural aspects of writing in a second language, examining its potential and pitfalls, and bringing Carnevali's works in touch with the sociocultural context of the great wave of Italian emigration.

Examines the liberating power of speech and its influence on generations of Italian American writers. In By the Breath of Their Mouths, Mary Jo Bona examines the oral uses of language and the liberating power of speech in Italian American writing, as well as its influences on generations of assimilated Italian American writers. Probing and wide-ranging, Bona's analysis reveals the lasting importance of storytelling and folk narrative, their impact on ethnic, working-class, and women's literatures, and their importance in shaping multiethnic literature. Drawing on a wide range of material from several genres, including oral biographies, fiction, film, poetry, and memoir, and grounded in recent theories of narrative and autobiography, postcolonial theory, and critical multiculturalism, By the Breath of Their Mouths is must reading for students in Italian American studies in particular and ethnic studies and multiethnic literature more generally.

A 1960s Bronx tomboy learns how to survive her brutal but humorous Italian family and all the rest that life throws her. The harder you hit the pavement, the higher you fly. This vivid memoir speaks the intense truth of a Bronx tomboy whose 1960s girlhood was marked by her father's lullabies laced with his dissociative memories of combat in World War II. At four years old, Annie Rachele Lanzillotto bounced her Spaldeen on the stoop and watched the boys play stickball in the street; inside, she hid silver teaspoons behind the heat pipes to tap calls for help while her father beat her mother. At eighteen, on the edge of ambitious freedom, her studies at Brown University were halted by the growth of a massive tumor inside her chest. Thus began a wild, truth-seeking journey for survival, fueled by the lessons of lasagna vows, and Spaldeen ascensions. From the stoops of the Bronx to cross-dressing on the streets of Egypt, from the cancer ward at Memorial Sloan-Kettering to New York City's gay club scene of the '80s, this poignant and authentic story takes us from underneath the dining room table to the stoop, the sidewalk, the street, and, ultimately, out into the wide world of immigration, gay subculture, cancer treatment, mental illness, gender dynamics, drug addiction, domestic violence, and a vast array of Italian American characters. With a quintessential New Yorker as narrator and guide, this journey crescendos in a reluctant return home to the timeless wisdom of a peasant, immigrant grandmother, Rosa Marsico Petruzzelli, who shows us the sweetest essence of soul. Annie Rachele Lanzillotto is a poet and performance artist living in New York. She teaches master classes in solo performance for the Acting Apprentice Company at Actors Theatre of Louisville. She is the author of a book of poetry, Schistsong.

Interdisciplinary analysis of concepts such as honor, power, will to power, respect, atonement, repentance, forgiveness, and leading a meaningful human life in The Godfather novels and films.

The constant dialogue between literary forms of the Old and the New World is the core concern of the essays in Through the Periscope, which examine these ever-changing historical, intellectual, and psychological landscapes through the lens of Italian American culture. Moving beyond Little Italy, the book widens the spectrum of "pure" immigrant studies. It analyzes the longue durée of the revolutionary energies of 1848, an arc that leads from Margaret Fuller to Bob Dylan via the Great Migration of European peoples and languages, as well as the merging of various immigrant voices in the "changing culture" of turn-of-the-century New York. It reclaims the importance of Dante for Italian American writers and follows the metamorphosis of a Romance language dense in masterworks and oral nuances through the multiple signs of a new "illiterature." Points of arrival are both the majestic proletarian novels of the 1930s and a contemporary poem like Robert Viscusi's Ellis Island. Martino Marazzi's volume underlines the richness of such an epic cultural transformation and its fundamental importance for a more thorough understanding of Euro-American relations.

A transformative look at a popular instrument and a hidden chapter of American history. The American guitar, that lightweight wooden box with a long neck, hourglass figure, and six metal strings, has evolved over five hundred years of social turmoil to become a nearly magical object-the most popular musical instrument in the world. In The Guitar and the New World, Joe Gioia offers a many-limbed social history that is as entertaining as it is informative. After uncovering the immigrant experience of his guitar-making Sicilian great uncle, Gioia's investigation stretches from the ancient world to the fateful events of the 1901 Buffalo Pan American Exposition, across Sioux Ghost Dancers and circus Indians, to the lives and works of such celebrated American musicians as Jimmy Rodgers, Charlie Patton, Eddie Lang, and the Carter Family. At the heart of the book's portrait of wanderings and legacies is the proposition that America's idiomatic harmonic forms-mountain music and the blues-share a single root, and that the source of the sad and lonesome sounds central to both is neither Celtic nor African, but truly indigenous-Native American. The case is presented through a wide examination of cultural histories, academic works, and government documents, as well as a close appreciation of recordings made by key rural musicians, black and white, in the 1920s and '30s. The guitar in its many forms has cheered humanity through centuries of upheaval, and The Guitar and the New World offers a new account of this old friend, as well as a transformative look at a hidden chapter of American history.

Studies the relationship between young Italian Americans and their Italian cultural and historical heritage. In Sense of Origins, Rosemary Serra explores the lives of a significant group of self-identified young Italian Americans residing in New York City and its surrounding areas. The book presents and examines the results of a survey she conducted of their values, family relationships, prejudices and stereotypes, affiliations, attitudes and behaviors, and future perspectives of Italian American culture. The core of the study focuses on self-identification with Italian cultural heritage and analyzes it according to five aspects-physical, personality, cultural, psychological, and emotional/affective. The data provides insights into today's young Italian Americans and the ways their perception of reality in everyday interactions is affected by their heritage, while shedding light on the value and symbolic references that come with an Italian heritage. Through her rendering of relevant facets that emerge from the study, Serra constructs interpretative models useful for outlining the physiognomy and characterization of second, third, fourth, and fifth generations of Italian Americans. In the current climate, questions of ethnicity and migrant identity around the world make Sense of Origins useful not only to the Italian American community but also to the descendants of the innumerable present-day migrants who find themselves living in countries different from those of their ancestors. The book will resonate in future explorations of ethnic identity in the United States.

Examines the history of the Italian anarchist movement in New London, Connecticut. In the early twentieth century, the Italian American radical movement thrived in industrial cities throughout the United States, including New London, Connecticut. Facing toward the Dawn tells the history of the vibrant anarchist movement that existed in New London's Fort Trumbull neighborhood for seventy years. Comprised of immigrants from the Marche region of Italy, especially the city of Fano, the Fort Trumbull anarchists fostered a solidarity subculture based on mutual aid and challenged the reigning forces of capitalism, the state, and organized religion. They began as a circle within the ideological camp of Errico Malatesta and evolved into one of the core groupings within the wing of the movement supporting Luigi Galleani. Their manifold activities ranged from disseminating propaganda to participating in the labor movement; they fought fascists in the streets, held countless social events such as festas, theatrical performances, picnics and dances, and hosted militant speakers, including Emma Goldman. Focusing on rank-and-file militants-carpenters, stonemasons, fishermen, housewives-rather than well-known figures, Richard Lenzi offers a microhistory of an ethnic radical group during the heyday of labor radicalism in the United States. He also places that history in the context of the larger radical movement, the Italian American community, and greater American society, as it moved from the Gilded Age to the New Deal and beyond.

A tribute to the Italian American family and its trying bonds of love. "I was born in 1944, but raised in the twelfth century." With that, Joanna Clapps Herman neatly describes the two worlds she inhabited while growing up as the child of Italian American immigrants in Waterbury, Connecticut, a place embedded with values closer to Homer's Greece than to Anglo-American New England, where the ethic of hospitality was and still is more Middle Eastern and North African than Anglo-European, and where the pageantry and ritual were more pagan Mediterranean than Western Christian. It was also a place where a stuffed monkey wearing a fedora sat and continues to sit on her grandmother's piano, and a place where, when the donkey got stubborn and wouldn't plow the field, her grandfather bit the animal in a fury. In essays filled with wry humor and affectionate yet probing insights, Herman maps and makes palpable the very particular details of this culture-its pride and its shame, its profound loyalty and its Byzantine betrayals. Joanna Clapps Herman teaches creative writing in the MAW program at Manhattanville College and at the Center for Worker Education, a division of City College of New York. She is the coeditor (with Carol Bonomo Albright) of Wild Dreams: The Best of Italian Americana and (with Lee Gutkind) of Our Roots Are Deep with Passion: Creative Nonfiction Collects New Essays by Italian-American Writers. She lives in New York City.

Makes the case for a distinctly Sicilian American literature. In The Heart and the Island, Chiara Mazzucchelli explores the strong bond between Sicilian American writers and the island of Sicily. Self-contained yet connected to the mainland, geographically separated from yet politically united to the rest of Italy, Sicily occupies a unique position. Throughout the twentieth century, the sense of a distinct sicilianità-or Sicilianness-has manifested itself in a corpus of texts that, although subsumed under the broader context of Italian literature, have distinguished themselves as examples of an exquisitely Sicilian literary experience. Mazzucchelli argues that a parallel phenomenon-sicilianamericanità-has emerged in the United States. Focusing on the island's geography, history, and culture, she examines how many American authors of Sicilian descent derive inspiration from their ethnic milieu and lay out a recognizable set of Sicilian culture markers in their works, thereby producing a literature that is distinctly Sicilian American. Drawing on both Italian and Italian American scholarship, The Heart and the Island is the first full-length study of Sicilian American literature, and it opens a space for new interdisciplinary discussions on what it means to be Italian on both sides of the ocean. Chiara Mazzucchelli is Assistant Professor of Italian Studies at the University of Central Florida.

Food-based reflections on Italian food, American culture, and globalization. Despite the inclusion of six classic recipes, Bitter Greens is not an ethnic cookbook but a Roman banquet of political satire, cultural criticism, and culinary memoir. Set primarily in the Empire State and arranged like the courses of a traditional Italian meal, Anthony Di Renzo's wide-ranging essays meditate on Italian food at the noon of American imperialism and the twilight of ethnicity, exploring such issues as the Wegmans supermarket chain's conquest of Sicily; assembly-line sausages; the fabled onion fields of Canastota, New York; the tripe shops of postwar Brooklyn; Hunts Point Market and Andy Boy broccoli rabe; and the fatal lure of Sicilian chocolate. Is the new global supermarket a democratic feast, Di Renzo asks, or a cannibal potluck where consumers are themselves consumed? Sip an aperitif, toast Horace and Juvenal, and enjoy Chef Di Renzo's catered symposium. It will feed your mind, tickle your ribs, and heal your spleen. Anthony Di Renzo, a fugitive from advertising, teaches classical rhetoric and professional writing at Ithaca College. Cited in Best American Essays, his work has appeared in Alimentum, Il Caffé,, Cottonwood Magazine, Feile-Festa, The Normal School, River Styx, Syracuse Scholar, and Voices in Italian Americana, and he is the author of American Gargoyles: Flannery O'Connor and the Medieval Grotesque and editor of If I Were Boss: The Early Business Stories of Sinclair Lewis. He lives in Ithaca, New York, with his wife and cats, and buys his broccoli rabe at the local farmers market.

Tracks the influence of Italian cinema on American film from the postwar period to the present. In The Transatlantic Gaze, Mary Ann McDonald Carolan documents the sustained and profound artistic impact of Italian directors, actors, and screenwriters on American film. Working across a variety of genres, including neorealism, comedy, the Western, and the art film, Carolan explores how and why American directors from Woody Allen to Quentin Tarantino have adapted certain Italian trademark techniques and motifs. Allen's To Rome with Love (2012), for example, is an homage to the genius of Italian filmmakers, and to Federico Fellini in particular, whose Lo sceicco bianco/The White Sheik (1952) also resonates with Allen's The Purple Rose of Cairo (1985) as well as with Neil LaBute's Nurse Betty (2000). Tarantino's Kill Bill saga (2003, 2004) plays off elements of Sergio Leone's spaghetti Western C'era una volta il West/Once Upon a Time in the West (1968), a transatlantic conversation about the Western that continues in Tarantino's Oscar-winning Django Unchained (2012). Lee Daniels's Precious (2009) and Spike Lee's Miracle at St. Anna (2008), meanwhile, demonstrate that the neorealism of Roberto Rossellini and Vittorio De Sica, which arose from the political and economic exigencies of postwar Italy, is an effective vehicle for critiquing social issues such as poverty and racism in a contemporary American context. The book concludes with an examination of American remakes of popular Italian films, a comparison that offers insight into the similarities and differences between the two cultures and the transformations in genre, both subtle and obvious, that underlie this form of cross-cultural exchange. Mary Ann McDonald Carolan is Associate Professor of Modern Languages and Literatures and Director of the Italian Studies Program at Fairfield University.

Examines literary expressions of allyship between Italian America and other diasporic communities in modern and contemporary US fiction. Intersecting Diasporas examines literary expressions of allyship between Italian America and other diasporic communities in modern and contemporary US fiction. Rewriting the Anglo-American genre of the "Italian novel," authors like James Baldwin, Bernard Malamud, Carolina De Robertis, and Chang-rae Lee have disrupted misconceptions of Italian and Italian American identity while confronting Italians' own complicity with white racism. Likewise, Italian American authors from John Fante to Tina De Rosa have written in solidarity with Black, Chicanx, Filipinx, Jewish, Romani, and Irish diasporic communities on US shores, unsettling stereotypes and dissecting Italian America's history of flawed allyship across diasporas. Suzanne Manizza Roszak traces these gestures of literary solidarity; considers how they relate to the writers' critiques of toxic masculinity, antiqueerness, and socioeconomic injustice; and proposes interdiasporic allyship as a practice of reconciliation and healing.

Hopelessly Alien is an in-depth study of Italian immigration to Chicago Heights, Illinois, between 1910 and 1950. Drawing upon oral histories, interviews, historical documents, and census materials, Louis Corsino examines the critical concept of hope, which most immigration studies have cast in privatized, psychological terms as the motivation to emigrate in search of a better life. This investigation offers a more contentious, sociological perspective, depicting hope as both an ideological lure to recruit and manage the "foreign element" and as a resource immigrants employed to purchase acceptance and avoid a disparaging label as a "hopelessly alien" stranger. These dialectical processes are illustrated through the Italian immigrants' pursuit of occupational mobility and homeownership, and the appropriation of their children's hopes. Each became forms of cultural capital that demonstrated a public commitment to the American ethos of "joyful striving." Each provided measures of success, but these individual pursuits came at the expense of upsetting the necessary tension between individual and communal hopes.

How does the mapping of Italian culture change when it is charted from the perspective of gender-variant people? Italian Trans Geographies tackles this question by retracing trans and gender-variant experiences within the Italian peninsula and along diasporic routes. The volume adopts a cross-disciplinary approach that combines scholarly analyses with grassroots engagement and creative work and centers the voices of Italian and Italian American transpeople through autobiographies, memoirs, interviews, poetry, and visual works. The contributions include works by key Italian trans activists, including Romina Cecconi, Porpora Marcasciano, and Helena Velena, as well as critical interpretations of scholars and artists (many of whom self-identify as trans). Ultimately, these voices show how trans people have contributed to shaping Italian places and cultures while, in turn, being shaped by those places and cultures. Through its attention to geospecific sites, the book highlights blind spots in the hegemonic Anglo-American discourse about gender and overlooked intersections between LGBTQIA+ global discourse and local realities.