Studies in Theology and the Arts

Many consider Georges Rouault (1871–1958) to be one of the most important religious painters of the last few centuries. Yet both the secular art world and the church have struggled to engage with his work, which is profoundly shaped by his Christian faith and also starkly explores the pain and darkness of human experience. In this volume, a group of theologians, artists, and historians seek to bring Rouault out of the shadows. They offer a deeper understanding of the theological impulse of modern art and of Rouault's distinct contributions. Chapters explore how Rouault's unique work was influenced by his historical context, by personal suffering, and by biblical themes, especially the Passion of Christ. Essays are interspersed with original artistic responses to Rouault in the form of images and poetry, with contributions from Sandra Bowden, William A. Dyrness, Thomas Hibbs, Soo Kang, and others. Rouault displays our need for mercy within a world of anguish. This book explores how his prophetic creativity continues to inspire artists and thinkers seeking to understand the powerful intersection of lament and hope. The Studies in Theology and the Arts  series encourages Christians to thoughtfully engage with the relationship between their faith and artistic expression, with contributions from both theologians and artists on a range of artistic media including visual art, music, poetry, literature, film, and more.

Discover a New Dimension of Faith and Cinema with The Wages of Cinema In a captivating realm where cinematic narratives enchant countless viewers, how can one harmonize their faith with the craft of filmmaking? The Wages of Cinema encourages a deep dive into this relationship, drawing upon the significant reflections of Dorothy L. Sayers defending the authenticity of art and truth's manifestation. The Wages of Cinema uses examples ranging from the timeless genius of Charlie Chaplin to the cultural phenomenon of Barbie, illustrating how film theory can be enriched by the truths of the Christian faith. The Wages of Cinema will help readers appreciate artistry through: - Enlightening Models: Learn how Christians can discuss films intelligently, transcending simple content critique. - Historical Insights: Delve into the history of cinema and the evolution of film theories. - Sayers's Legacy: Uncover little-known evidence of Dorothy Sayers's engagement with cinema, shedding light on her passion for truth and artistic integrity. Dive into The Wages of Cinema and transform your movie-watching into a meaningful dialogue between faith and art. Whether you're a student of film or a passionate movie lover, The Wages of Cinema will broaden your horizon and deepen your appreciation of cinema.

How might film reveal God? In its most basic form, film is a series of images displayed over time. Of course, film has developed greatly since the Lumière brothers by adding components such as sound, special effects, digital recording, and more to create an increasingly complex artistic medium. Historically, film studies have often focused on the narrative aspect of film as it seeks to tell a story. More recent studies, however, have turned attention to other elements of film, such as the musical score. Yet, film remains, in a sense, a series of images. In this study, the latest in IVP Academic's Studies in Theology and the Arts (STA) series, theologian Richard Goodwin considers how the images that constitute film might be a conduit of God's revelation. By considering works by Carl Theodor Dreyer, Stanley Kubrick, Paul Thomas Anderson, Robert Bresson, Martin Scorsese, Terrence Malick, and more, Goodwin argues that by inviting emotional responses, film images can be a medium of divine revelation. Blessed are those who have seen God... through film.