South Carolina Poetry Book Prize

Selected by David Baker, Green Revolver is the fifth annual winner of the South Carolina Poetry Book Prize and the first published collection by Worthy Evans. These verses resulted from a spontaneous outpouring of poems, pent up during a fourteen-year hiatus from the craft during which Evans worked as a professional reporter, writer, and editor. Much informed by the rapid-fire pace and cadence of his journalism background, Evans's narrative poems are grounded in concrete images of our shared reality and explore a range of imaginative versions of the poet as confident or frightened, loving or hateful, bold or timid, lost or profound. These poems seek a distinguishing personal truth-a sense of belonging in a world not altogether welcoming, or even that familiar, where violent impulses are as threatening as workday drudgery. In these daydreams given form, Henry Fonda wields the same authority as Henry V or Ward Cleaver. In this landscape where the familiar arches longingly toward the surreal, a cockeyed visionary might just find the right fantasy with which to escape the stultifying confinement of banal modernity, as represented by corporate office space and khaki dress slacks, army motor pools and basic training maneuvers, sprawling cityscapes and the omnipresent pestering responsibilities of adulthood in postmillennial America.

Selected by Afaa Weaver as the third annual winner of the South Carolina Poetry Book Prize, Signals is the first book-length collection from Ed Madden. Deeply rooted in the recognizable landscapes and legacies of the American South, these lyric poems couple daring engagements in topics of race and sexuality with tender reflections on personal and cultural histories. Madden's adopted home of South Carolina rises to the surface in poems set at Folly Beach, Fort Moultrie, Lake Keowee, and Middleton Place. His interrogations of social oppression conjure the ubiquitous iconography of the bygone Confederacy, a first encounter with the miniseries Roots, and a cameo appearance by Strom Thurmond. In the collection's central section, Madden turns to issues of sexual difference, community formation, and the place of gay men in contemporary Southern culture. Throughout Madden repeatedly turns to the artifacts that demarcate his memories of youth in the rural South to ask how we define home, how we form meaning out of the silences and losses of the past, and what rituals and relationships might sustain us as we inch forward across a rough terrain of shifting emotional and moral challenges.

A leading sociologist's brilliant and revelatory argument that the future of politics, work, immigration, and more may be found in California Once upon a time, any mention of California triggered unpleasant reminders of Ronald Reagan and right-wing tax revolts, ballot propositions targeting undocumented immigrants, and racist policing that sparked two of the nation's most devastating riots. In fact, California confronted many of the challenges the rest of the country faces now-decades before the rest of us. Today, California is leading the way on addressing climate change, low-wage work, immigrant integration, overincarceration, and more. As white residents became a minority and job loss drove economic uncertainty, California had its own Trump moment twenty-five years ago, but has become increasingly blue over each of the last seven presidential elections. How did the Golden State manage to emerge from its unsavory past to become a bellwether for the rest of the country? Thirty years after Mike Davis's hellish depiction of California in City of Quartz, the award-winning sociologist Manuel Pastor guides us through a new and improved California, complete with lessons that the nation should heed. Inspiring and expertly researched, State of Resistance makes the case for honestly engaging racial anxiety in order to address our true economic and generational challenges, a renewed commitment to public investments, the cultivation of social movements and community organizing, and more.

DéLana R. A. Dameron searches for answers to spiritual quandaries in her first collection of poems, How God Ends Us, selected by Elizabeth Alexander as the fourth annual winner of the South Carolina Poetry Book Prize. Dameron's poetry forms a lyrical conversation with an ominous and omnipotent deity, one who controls all matters of the living earth, including death and destruction. The poet's acknowledgement of the breadth of this power under divine jurisdiction moves her by turns to anger, grief, celebration, and even joy. From personal to collective to imagined histories, Dameron's poems explore essential, perennial questions emblemized by natural disasters, family struggles, racism, and the experiences of travel abroad. Though she reaches for conclusions that cannot be unveiled, her investigations exhibit the creative act of poetry as a source of consolation and resolution.

Selected by 2011 National Book Award winner Nikky Finney as the seventh annual winner of the South Carolina Poetry Book Prize, Hold Like Owls is the first book-length collection from Julia Koets. Full of imagery deeply embedded in memories of growing up in the American South, Koets explores what it means to hold-to carry memories-and what to hold onto and what to let go. Birds turn into paper, a voice fits inside a chestnut shell, and moths eat stars through a woolen sky as the collection evokes nuance within the ordinary, reframes childhood memory, and engages the themes of the night, sensuality, and desire. Whether questioning personal histories, language, sexual identity, or love, the collection honors the gentle corners of the night that allow for questioning and uncertainty to exist.