Soul Trilogy
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(5)
Detroit 67
The Year That Changed Soul
by Stuart Cosgrove
Part 1 of the Soul Trilogy series
First in the award-winning soul music trilogy-featuring Motown artists Diana Ross & the Supremes, Smokey Robinson, Marvin Gaye, and others.
Detroit 67 is "a dramatic account of twelve remarkable months in the Motor City" during the year that changed everything (Sunday Mail). It takes you on a turbulent journey through the drama and chaos that ripped through the city in 1967 and tore it apart in personal, political, and interracial disputes. It is the story of Motown, the breakup of the Supremes, and the damaging clashes at the heart of the most successful African American music label ever.
Set against a backdrop of urban riots, escalating war in Vietnam, and police corruption, the book weaves its way through a year when soul music came of age and the underground counterculture flourished. LSD arrived in the city with hallucinogenic power, and local guitar band MC5-self-styled holy barbarians of rock-went to war with mainstream America. A summer of street-level rebellion turned Detroit into one of the most notorious cities on earth, known for its unique creativity, its unpredictability, and self-lacerating crime rates.
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(4)
Memphis 68
The Tragedy of Southern Soul
by Stuart Cosgrove
Part 2 of the Soul Trilogy series
Second in the award-winning soul music trilogy following Detroit 67-featuring Memphis artists Isaac Hayes, Mahalia Jackson, Otis Redding, and others.
In the 1950s and 1960s, Memphis, Tennessee, was the launch pad for musical pioneers such as Aretha Franklin, Elvis Presley, Johnny Cash, Al Green, and Isaac Hayes, and by 1968, it was a city synonymous with soul music. It was a deeply segregated city, ill at ease with the modern world and yet to adjust to the era of civil rights and racial integration. Stax Records offered an escape from the turmoil of the real world for many soul and blues musicians, with much of the music created there becoming the soundtrack to the civil rights movement.
The book opens with the death of the city's most famous recording artist, Otis Redding, who died in a plane crash in the final days of 1967, and then follows the fortunes of Redding's label, Stax/Volt Records, as its fortunes fall and rise again. But as the tense year unfolds, the city dominates world headlines for the worst of reasons: the assassination of civil rights leader Martin Luther King Jr.
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