Doing Recent History
On Privacy, Copyright, Video Games, Institutional Review Boards, Activist Scholarship, and History
Part of the Since 1970: Histories of Contemporary America series
Recent history-the very phrase seems like an oxymoron. Yet historians have been writing accounts of the recent past since printed history acquired a modern audience, and in the last several years interest in recent topics has grown exponentially. With subjects as diverse as Walmart and disco, and personalities as disparate as Chavez and Schlafly, books about the history of our own time have become arguably the most exciting and talked-about part of the discipline.
Despite this rich tradition and growing popularity, historians have engaged in little discussion about the specific methodological, political, and ethical issues related to writing about the recent past. The twelve essays in this collection explore the challenges of writing histories of recent events where visibility is inherently imperfect, hindsight and perspective are lacking, and historiography is underdeveloped.
Those who write about events that have taken place since 1970 encounter exciting challenges that are both familiar and foreign to scholars of a more distant past, including suspicions that their research is not historical enough, negotiation with living witnesses who have a very strong stake in their own representation, and the task of working with new electronic sources. Contributors to this collection consider a wide range of these challenges. They question how sources like television and video games can be better utilized in historical research, explore the role and regulation of doing oral histories, consider the ethics of writing about living subjects, discuss how historians can best navigate questions of privacy and copyright law, and imagine the possibilities that new technologies offer for creating transnational and translingual research opportunities. Doing Recent History offers guidance and insight to any researcher considering tackling the not-so-distant past.
Goldwater Girls to Reagan Women
Gender, Georgia, and the Growth of the New Right
Part of the Since 1970: Histories of Contemporary America series
Goldwater Girls to Reagan Women is a statewide study of women's part in the history of conservatism, the New Right, and the Republican Party in the state of Georgia. Robin M. Morris examines how the growth of the Republican Party in the 1960s and 1970s was due in large part to the political activism of white women. The book begins with the African American women who established the Georgia Federation of Republican Women and follows how they lost the organization and the party to white women moving to the Sunbelt South. Conservative white women developed a language and strategy of family values that they deployed to battle school busing, defeat the Equal Rights Amendment, and elect Republican leaders even in Jimmy Carter's home state.
Morris uses original interviews and archival research in personal papers of women activists in the Georgia New Right movement, including Lee Ague Miller, Beth Callaway, Kathryn Dunaway, Lee Wysong, and Hattie Greene, to reveal the motivations and actions that transformed the state from blue to red. In this era, perceived threats to family life and traditional values spurred women-led grassroots organization that enabled broad political shifts on the state level. Conservative women carved out their political niche as they consolidated and expanded their power and influence. Rather than a male-dominated, top-down approach, Morris centers her historical account on the middle-class white women whose actions changed the political landscape of the state and ultimately the country.
Black Revolutionaries
A History Of The Black Panther Party
Part of the Since 1970: Histories of Contemporary America series
Black Revolutionaries is an accessible yet rigorously argued history of the Black Panther Party (BPP), one of the emblematic organizations of the 1960s. Joe Street highlights the complexity of the BPP's history through three key themes: the BPP's intellectual history, its political and social activism, and the persecution its members endured. Together, these themes confirm the BPP's importance in understanding Black America's response to white oppression in the 1960s and 1970s.
Based on a wealth of archival material, Black Revolutionaries reveals the enduring importance of leftist political philosophy to 1960s and 1970s radicalism, and how the BPP helps us to understand more deeply the role of public space and public protest in the 1960s.Street shows how the BPP were key to the transformation of political activism in the post-civil rights era. As the BPP faced the psychological and organizational impacts of FBI surveillance, police repression, and imprisonment, Street examines how these negative forces helped to shape and destroy the BPP.
Most significantly, Black Revolutionaries demonstrates that an understanding of African American grassroots politics and protest, racial injustice, and police brutality in the post-civil rights era is only comprehensible through engagement with the BPP's history.
America's Other Automakers
A History of the Foreign-Owned Automotive Sector in the United States
Part of the Since 1970: Histories of Contemporary America series
In 2018 almost half of all vehicles made in North America were produced at foreign-owned plants, and the sector was on track to monopolize the market. Despite this, the industry has been overlooked compared with its domestic counterpart, both in scholarship and popular memory. Redressing this neglect, America’s Other Automakers provides a new history of the foreignowned auto sector, the first to extensively draw on archival sources and to articulate the human agency of participants, including workers, managers, and industry recruiters.
Timothy J. Minchin challenges the view that the industry’s growth primarily reflected incentives, stressing human agency and the complexity of individual stories instead. Deeply human in its approach, the book also explores the industry’s impact on grassroots communities, showing that it had more costs than supporters acknowledged. Drawing on a wide range of primary and secondary sources, America’s Other Automakers uncovers significant tensions over unionization, reports of discriminatory hiring, and unease about the industry’s rapid growth, critically exploring seven large assembly facilities and their impact on the communities in which they were built.
Deep Cut
Science, Power, and the Unbuilt Interoceanic Canal
Part of the Since 1970: Histories of Contemporary America series
The Atlantic-Pacific Central American sea-level canal is generally regarded as a spectacular failure. However, Deep Cut examines the canal in an alternative context, as an anticipated infrastructure project that captured attention from the nineteenth through the late twentieth centuries. Its advocates included naturalist Alexander von Humboldt, physicist Edward Teller, and U.S. presidents John F. Kennedy, Lyndon Johnson, and Jimmy Carter. The waterway did not come to fruition, but as a proposal it served important political and scientific purposes during different eras, especially the years spanning the Cold War and the "environmental decade" of the 1970s.
Historian Christine Keiner shows how the evolving plans for the sea-level ship canal performed distinct kinds of work for diverse historical actors in light of shifting scientific, environmental, and diplomatic values. Dismissing it as a failed scheme prevents us from considering the political, cultural, and epistemological processes that went into constructing the seaway as an innovative diplomatic solution to rising U.S.-Panama tensions, an exciting research opportunity for evolutionary biologists, a superior hydrocarbon highway for the oil industry, or a serious ecological threat to marine biodiversity.
Invoking past dreams and nightmares of peaceful nuclear explosives, invasive sea snakes, and the 1970s energy crisis, Deep Cut uses the Central American seaway proposal to examine the changing roles of environmental diplomacy and state-sponsored environmental impact assessment. More broadly, Keiner amplifies an emerging conversation around the environmental, scientific, and political histories and legacies of unrealized megaprojects.
Public Religions in the Future World
Postsecularism and Utopia
Part of the Since 1970: Histories of Contemporary America series
Public Religions in the Future World is the first book to map the utopian terrain of the political-religious movements of the past four decades. Examining a politically diverse set of utopian fictions, this book cuts across the usual Right/Left political divisions to show a surprising convergence: each political-religious vision imagines a revived world of care and community over and against the economization and fragmentation of neoliberalism. Understanding these religions as utopian movements in reaction to neoliberalism, Public Religions invites us to rethink the bases of religious identification and practice. Offering new insights on texts from the Left Behind series to the novels of Octavia Butler, Public Religions shows that the utopian energy of the present opens new opportunities for political organizing and genuine, lasting community building.
Public Religions in the Future World presents a literary history of the political-religious present, arguing that the power of public religion lies in the utopian visions that underlie religious beliefs. It shows that contemporary literary utopianism is deeply inflected with religious ideas, with the visions, values, and ambitions of Christianity, Islam, nature mysticism, and other traditions. Further, Public Religions demonstrates that this utopianism's religiosity is in turn politically inflected, that it resonates with and underwrites a range of competing political projects: those of imperialism, globalization, neoliberal capitalism, deep ecology, and the pro-migration movement.
David Morris constructs a working theory of how religion makes large-scale interventions in political debates. The novels in his study draw on religious traditions to articulate visions, programs, or missions for achieving some version of an improved world. In doing so, they undertake the work of literary postmodernism: to represent globality, to recover the voices of the underrepresented, and to imagine a future that escapes the destructiveness of global capitalism.