Seedbank

Acclaimed poet and translator Dan Beachy-Quick offers this newest addition to the Seedbank series: a warm, vivid rendering of the earliest Greek intellects, inviting us to reconsider writing, and thinking, as a way of living meaningfully in the world.  "We have lost our sense of thinking as the experience that keeps us in the world," writes Beachy-Quick, and the figures rendered in The Thinking Root-Heraclitus, Anaximander, Empedocles, Parmenides, and others-are among the first examples we have in Western civilization of thinkers who used writing as to record their impressions of a world where intuition and observation, and spirit and nature, have yet to be estranged. In these pages, we find clear-eyed ideas searching for shapes and forms with which to order the world, and to reveal our life in flux.  Drawn from "words that think," these ancient Greek texts are fresh and alive in the hands of Beachy-Quick, who translates with the empathy of one who knows that "a word is its own form of life." In aphorisms, axioms, vignettes, and anecdotes, these first theories of the world articulate a relationship to the world that precedes our story of its making, a world where "the beginning and the end are in common."  A remarkable collection from one of our most accomplished poets, The Thinking Root renders a primary apprehension of life amidst life, a vision that echoes our gaze upon the stars.

Acclaimed poet and translator Dan Beachy-Quick offers this newest addition to the Seedbank series: a warm, vivid rendering of the earliest Greek intellects, inviting us to reconsider writing, and thinking, as a way of living meaningfully in the world. "We have lost our sense of thinking as the experience that keeps us in the world," writes Beachy-Quick, and the figures rendered in The Thinking Root-Heraclitus, Anaximander, Empedocles, Parmenides, and others-are among the first examples we have in Western civilization of thinkers who used writing as to record their impressions of a world where intuition and observation, and spirit and nature, have yet to be estranged. In these pages, we find clear-eyed ideas searching for shapes and forms with which to order the world, and to reveal our life in flux. Drawn from "words that think," these ancient Greek texts are fresh and alive in the hands of Beachy-Quick, who translates with the empathy of one who knows that "a word is its own form of life." In aphorisms, axioms, vignettes, and anecdotes, these first theories of the world articulate a relationship to the world that precedes our story of its making, a world where "the beginning and the end are in common." A remarkable collection from one of our most accomplished poets, The Thinking Root renders a primary apprehension of life amidst life, a vision that echoes our gaze upon the stars.

"A masterpiece of travel and topographical writing, and an incomparable and enthralling meditation on times past."-John Banville "He knows this world as no one else does, and writes about it with awe and love, but also with measured grace, an artist's eye and a scientist's sensibility."-Colm Tóibín In its landscape, history, language, and folklore, the Connemara region on Ireland's wild and windswept West Coast is a dramatic and breathtaking place. From its fabled villages, seaside cliffs, bogs, lakes, coral beaches, stark mountains, and ever-meandering country roads lined with stone walls, this rugged kingdom surprises and inspires, and nobody knows this more than artist, cartographer, and celebrated writer Tim Robinson. In A Little Gaelic Kingdom, Robinson brings this enchanting Irish peninsula rapturously to life. Setting off, he embarks on a walking journey, traversing and exploring the natural world, while revealing the history, mystery, language, and people that have indelibly shaped this much-mythologized countryside. From the glacial valley of Maam to the fishing villages and rocky shorelines of the region's archipelago, Robinson carries encyclopedic knowledge, great curiosity, and a deep love of place and its inhabitants with him on this engaging and evocative journey. Beautifully crafted and intimately rendered, A Little Gaelic Kingdom is a timeless and revelatory work of travel and nature writing.

A NEW YORK TIMES BEST POETRY BOOK OF 2018 A WORLD LITERATURE TODAY NOTABLE TRANSLATION In the beginning, the world is spoken into existence with one word: "Earth." There are no inhabitants, and no sun-only the broad sky, silent sea, and sovereign Framer and Shaper. Then come the twin heroes Hunahpu and Xbalanque. Wielding blowguns, they begin a journey to hell and back, ready to confront the folly of false deities as well as death itself, in service to the world and to humanity. This is the story of the Mayan Popol Vuh, "the book of the woven mat," one of the only epics indigenous to the Americas. Originally sung and chanted, before being translated into prose-and now, for the first time, translated back into verse by Michael Bazzett-this is a story of the generative power of language. A story that asks not only Where did you come from? but How might you live again? A story that, for the first time in English, lives fully as "the phonetic rendering of a living pulse." By turns poetic and lucid, sinuous and accessible, this striking new translation of The Popol Vuh-the first in the Seedbank series of world literature-breathes new life into an essential tale.

The latest in the Seedbank series, the debut in English of a groundbreaking Indigenous poet of the Americas.In a fiercely personal yet authoritative voice, prolific contemporary poet Mikeas Sánchez explores the worldview of the Zoque people of southern Mexico. Her paced, steely lyrics fuse cosmology, lineage, feminism, and environmental activism into a singular body of work that stands for the self and the collective in the same instant. "I am woman and I celebrate every vein," she writes, "where I guard my ancestors' secrets / every Zoque man's word in my mouth / every Zoque woman's wisdom in my spit."How to Be a Good Savage and Other Poems examines the intersection of Zoque struggles against colonialism and empire, and those of North African immigrants and refugees. Sánchez encountered the latter in Barcelona as a revelation, "spreading their white blankets on the ground / as if they'll soon return to sea / flying the sail of the promised land / the land that became a mirage." Other works bring us just as close to similarly imperiled relatives, ancestors, gods, and archetypal Zoque men and women that Sánchez addresses with both deeply prophetic and childlike love.Coming from the only woman to ever publish a book of poetry in Zoque and Spanish, this timely, powerful collection pairs the bilingual originals with an English translation for the first time. This book is for anyone interested in poetry as knowledge, proclaimed with both feet squarely set on ancient ground.