Science and Fiction

Every age has characteristic inventions that change the world. In the 19th century it was the steam engine and the train. For the 20th, electric and gasoline power, aircraft, nuclear weapons, even ventures into space. Today, the planet is awash with electronic business, chatter, and virtual-reality entertainment so brilliant that the division between real and simulated is hard to discern. But one new idea from the 19th century has failed, so far, to enter reality-time travel, using machines to turn the time dimension into a two-way highway. Will it come true, as foreseen in science fiction? Might we expect visits to and from the future, sooner than from space? That is the Time Machine Hypothesis, examined here by futurist Damien Broderick, an award-winning writer and theorist of the genre of the future. Broderick homes in on the topic through the lens of science as well as fiction, exploring some fifty different time-travel scenarios and conundrums found in the science fiction literature and film.

Invisibility has fascinated people since time immemorial, but only a decade ago did invisibility become a serious subject of scientific investigation. This lively novel, authored by an expert in the field, takes the reader on a journey to fascinating places and - en passant - on an intellectual adventure involving some of the most fascinating subjects of optics. While enjoying the fun and action of a travel story, the reader will gain an accurate notion of the real science of invisibility, of the light and shade of the business of science, as well as glimpses into different cultures. From the first page, you will gradually become immersed in a different world, the world of the science of light. The book includes an appendix providing interested readers with deeper insights into the fundamental physics of space-time, gravity and light.

In the near future, Earth is suffering from climate change, famines, and fundamentalism. A global nuclear war is imminent. Interstellar probes from the Breakthrough Starshot project initiated by J. Milner and S. Hawking have discovered a habitable planet in the stellar system Proxima Centauri, just in time for the exodus of the elites. On board the EXODUS starship, the crew starts to experience strange things. The voyage to Atlantis, the new home for mankind, enters a mysterious and disquieting territory, where conspiracy theories about what is real and what is virtual emerge. THE EXODUS INCIDENT is a novel about an interstellar journey, which connects science to virtual realities and epistemology. In the guise of a final investigative report, a scientific treatise discusses the physics and mathematics behind the story: the starship, the fusion thruster, the target planet, and the journey, addressing anomalous effects which involve relativistic speed and deep space environments.

Carolyn's parents did not, after all, make genomics history by synthesizing her genome in a lab. She has known she is the "Human Hoax" ever since a high school genetics exercise revealed she has trisomy X-a chromosomal abnormality-yet no synthetically constructed genome would have such clear traces of natural conception. Many years later, as molecular biologist, she hopes her colleagues never learn of her embarrassing origins. But when someone ransacks her office and lab, she finds professional embarrassment is the least of her worries. Someone believes she has the results of her parents' last, secret experiments, and is willing to kill to get them. But all she has from her parents are their genes-can she find what else they may have left her before somebody else does? In a not-so-distant society, where corporations wield as much power as nations and the line between corporate employee and state authority is blurred, the chase is on. Carolyn may have just too little time at hand to unravel the mystery of her parents' final days and to realize the deep consequences for the future of mankind. This fast-paced novel is followed by an extensive science chapter where the author provides a non-technical primer on modern genetics and on the speculative biology behind Carolyn's code.

Bringing together literary scholars, computer scientists, ethicists, philosophers of mind, and scholars from affiliated disciplines, this collection of essays offers important and timely insights into the pasts, presents, and, above all, possible futures of Artificial Intelligence. This book covers topics such as ethics and morality, identity and selfhood, and broader issues about AI, addressing questions about the individual, social, and existential impacts of such technologies. Through the works of science fiction authors such as Isaac Asimov, Stanislaw Lem, Ann Leckie, Iain M. Banks, and Martha Wells, alongside key visual productions such as Ex Machina, Westworld, and Her, contributions illustrate how science fiction might inform potential futures as well as acting as a springboard to bring disciplinary knowledge to bear on significant developments of Artificial Intelligence. Addressing a broad, interdisciplinary audience, both expert and non-expert readers gain an in-depth understanding of the wide range of pressing issues to which Artificial Intelligence gives rise, and the ways in which science fiction narratives have been used to represent them. Using science fiction in this manner enables readers to see how even fictional worlds and imagined futures have very real impacts on how we understand these technologies. As such, readers are introduced to theoretical positions on Artificial Intelligence through fictional works as well as encouraged to reflect on the diverse aspects of Artificial Intelligence through its many philosophical, social, legal, scientific, and cultural ramifications.

How do James Bond's X-ray glasses work, the ones he uses to see whether the lady at the roulette table has a pistol concealed in her underwear? Is it really possible to launch oneself into the air and catch up with a plane that is free-falling towards the earth? Or to shoot down a helicopter with a pistol? In this lively and informative book, Germany's boldest physics professor Metin Tolan analyses the stunts and gadgets of the 007 films and even answers the question of all questions: Why does Bond drink his vodka martini shaken, not stirred?

This book presents the reader with some of the earliest classic SF short stories—all of them published between 1858 and 1934, featuring both well-known and long-forgotten writers—dealing for the first time with topics to which science had (some) answers only at much later stages. This includes aspects of alien life forms, transmogrification, pandemics, life on Mars, android robots, big data, matter transmission and impact events to name but a few. The short stories are reprinted in full alongside extensive commentaries which also examine some of the latest scientific thinking surrounding the story's main theme and provide the reader with suggestions for further reading.

People are used to seeing "fake physics" in science fiction—concepts like faster-than-light travel, antigravity and time travel to name a few. The fiction label ought to be a giveaway, but some SF writers—especially those with a background in professional science—are so adept at "technobabble" that it can be difficult to work out what is fake and what is real. To confuse matters further, Isaac Asimov's 1948 piece about the fictitious time-travelling substance thiotimoline was written, not as a short story, but in the form of a spoof research paper. The boundaries between fact and fiction can also be blurred by physicists themselves-sometimes unintentionally, sometimes with tongue-in-cheek, sometimes to satirize perceived weaknesses in research practices. Examples range from hoaxes aimed at exposing poor editorial standards in academic publications, through "thought experiments" that sound like the plot of a sci-fi movie to April Fools' jokes. Even the latter may carry a serious message, whether about the sociology of science or poking fun at legitimate but far-out scientific hypotheses. This entertaining book is a joyous romp exploring the whole spectrum of fake physics—from science to fiction and back again.

The material in this book forms the basis of an interdisciplinary, college-level course, which uses science fiction film as a vehicle for exploring science concepts. Unlike traditional introductory-level courses, the science content is arranged according to major themes in science fiction, with a deliberate progression from the highly objective and discipline-specific (e.g. Reference Frames; Physics of Space Travel and Time Travel) to the very multi-disciplinary and thought-provoking (e.g. Human Teleportation; Science and Society). Over 100 references to science fiction films and television episodes are included, spanning more than 100 years of cinematic history. Some of these are conducive to calculations (solutions included).

The Cold War saw scientists in East and West racing to create amazing new technologies, the like of which the world had never seen. Yet not everyone was taken by surprise. From super-powerful atomic weapons to rockets and space travel, readers of science fiction (SF) had seen it all before. Sometimes reality lived up to the SF vision, at other times it didn't. The hydrogen bomb was as terrifyingly destructive as anything in fiction, while real-world lasers didn't come close to the promise of the classic SF ray gun. Nevertheless, when the scientific Cold War culminated in the Strategic Defence Initiative of the 1980s, it was so science-fictional in its aspirations that the media dubbed it "Star Wars". This entertaining account, offering a plethora of little-known facts and insights from previously classified military projects, shows how the real-world science of the Cold War followed in the footsteps of SF — and how the two together changed our perception of both science and scientists, and paved the way to the world we live in today.

In the 25th Century, the effects of overpopulation and global warming on Earth have led to the formation of human colonies on the Moon, Mars and elsewhere in the Solar System, yet the limited number of viable places forces humanity to look to the stars. A crash program has been developed to send Protos 1, a giant multigenerational star ship, to a newly discovered Earth-like planet orbiting a nearby star. The plan is for awake crewmembers to run the ship and for people in suspended animation to be roused before planet fall to use their skills in exploration and colony formation. To fulfill the goals of the mission and ensure that the in-flight population does not deplete the limited resources, the Protos Mandate is set up to govern a tightly controlled social system for the duration of the journey, which will take several generations. But problems threaten to sabotage the mission during its launch and transit and what finally awaits the crewmembers shocks them in an unpredictable way. This novel chronicles the trials and tribulations of this epic first interstellar mission. The scientific appendix at the end of the book discusses the challenges of such an interstellar mission based on an extensive literature review and it links these challenges to specific episodes in the novel. Issues that are considered include interstellar propulsion systems, economic considerations of interstellar flight, psychological and sociological factors inherent in a multigenerational space mission, problems with suspended animation, current knowledge of exoplanets and issues related to colonizing a distant planet and the possible discovery of extraterrestrial life. A history of interstellar missions in science fiction is also reviewed.

This book is about the American moon-landings – and about the doubts expressed ever since concerning the reality of these landings. Were the images of men on the moon really just a huge and cleverly executed hoax? Eversberg explains the best-known claims and conspiracy theories, and analyses the evidence with the help of detailed full-colour images, as well as numerous film documents that can be accessed directly from the book. He addresses both the persistent older claims and more recently devised doubts. The book will inform and entertain a wide range of readers interested in space exploration and tells a gripping story covering physics, politics and history.

Like many fields of science, the future of medicine is frequently predicted by the science fiction writers of today, very much as many of today's medical advances were presaged by science fiction stories of the past. In this book, physician and science fiction author Brad Aiken conveys his own speculations about our medical future through nine highly entertaining and thought-provoking short stories. Touching upon a great variety of themes, including but not limited to telemedicine and remote surgery, vaccination strategies against unknown deathly pathogens, nanomedicine to cure diseases and retard ageing, bionics, cloning and euthanasia, we get a glimpse of what might be awaiting humanity. Yet, in these stories it is always the protagonists, humans after all, who remain at the center stage, not the new technologies. This provides the fictional material with a unique blend of science fiction and social fantasy. It also warns us to be wary of the pitfalls of too much reliance on dehumanizing technology and to make sure it remains our helper, not our master. Last but not least, an extensive scientific essay investigates the interplay between science fiction and both past and current advances in medical sciences and technology, making the link to the fictional material in the book as well as to the relevant scientific literature. Brad Aiken is the Medical Director for Rehabilitation at Baptist Hospital in Miami, Florida. He has published several scientific articles, and has presented to both professional and non-professional groups on a variety of topics. Dr. Aiken has received numerous science awards, including the Navy Science Award, as well as awards from the Army, the Air Force and NASA. He began writing science fiction while in college at Boston University, and published his first book, Starscape: The Silver Bullet, in 2000. His latest book, Zone of the Tenth Degree, was published in August 2012. His short stories have appeared in Analog Science Fiction and Fact, Padwolf Presents, and the vampire anthology New Blood.

The 24th century: humankind has become a spacefaring civilization, colonizing the solar system and beyond. While no alien forms of life have yet been encountered in this expansion into space, colonists suddenly encounter machines of alien origin - huge robots able to reproduce themselves. Called replicators by the colonists, they seem to have but a single goal: to destroy all organic life they come in contact with. Since the colonial governments have no means to fight this menace directly, they instead promise huge rewards to whoever destroys a replicator. As a result, the frontier attracts a new kind of adventurers, the Hunters, who work to find and destroy the replicators. Mike Edwards, a skilled young maintenance technician and robotics expert at a faraway outpost, will not only become one of them - but be the very first one to unlock the secret behind the replicators' origin and mission. The scientific and technical aspects underlying the plot - in particular space travel, robotics and self-replicating spacecraft - are introduced and discussed by the author in an extensive non-technical appendix.

The 20th century saw radical changes in the way serious music is composed and produced, including the advent of electronic instruments and novel compositional methods such as serialism and stochastic music. Unlike previous artistic revolutions, this one took its cues from the world of science. Creating electronic sounds, in the early days, required a well-equipped laboratory and an understanding of acoustic theory. Composition became increasingly "algorithmic", with many composers embracing the mathematics of set theory. The result was some of the most intellectually challenging music ever written—yet also some of the best known, thanks to its rapid assimilation into sci-fi movies and TV shows, from the electronic scores of Forbidden Planet and Dr Who to the other-worldly sounds of 2001: A Space Odyssey. This book takes a close look at the science behind "science fiction" music, as well as exploring the way sci-fi imagery found its way into the work of musicians like Sun Ra and David Bowie, and how music influenced the science fiction writings of Philip K. Dick and others.

This novel is set in the near future, where human genome editing has become routine. First adopted to fight a lethal virus, it is now widely used to prevent diseases and favor other traits. Ben, Eiko, Celia, Raphael and Leo have just had their coming-of-age genome reading and are struggling with this new information for each their own reasons. Soon, they are cast into the middle of a crisis that threatens the future of their society and pits it against a parallel, but strictly separated, society where genome manipulation is forbidden on religious grounds. The book includes an essay on the potential of human genome engineering and related genome-based choices.

Can a computer have a soul? Are religion and science mutually exclusive? Is there really such a thing as free will? If you could time travel to visit Jesus, would you (and should you)? For hundreds of years, philosophers, scientists and science fiction writers have pondered these questions and many more. In Holy Sci-Fi!, popular writer Paul Nahin explores the fertile and sometimes uneasy relationship between science fiction and religion. With a scope spanning the history of religion, philosophy and literature, Nahin follows religious themes in science fiction from Feynman to Foucault and from Asimov to Aristotle. An intriguing journey through popular and well-loved books and stories, Holy Sci-Fi! shows how sci-fi has informed humanity's attitudes towards our faiths, our future and ourselves.

The year is 2035, and the crew from the first expedition to Mars is returning to Earth. The crew members are anxious to get home, and ennui pervades the ship. The mood is broken by a series of mysterious events that jeopardize their safety. Someone or something is threatening the crew. Is it an alien being? A psychotic crewmember? A malfunctioning computer? The truth raises questions about the crewmembers' fate and that of the human race. In this novel, the intent is to show real psychological issues that could affect a crew returning from a long-duration mission to Mars. The storyline presents a mystery that keeps the reader guessing, yet the issues at stake are based on the findings from the author's research and other space-related work over the past 40+ years. The novel touches on actual plans being discussed for such an expedition as well as notions involving the search for Martian life and panspermia. The underlying science, in particular the psychological, psychiatric, and interpersonal elements, are introduced and discussed by the author in an extensive appendix.

SAINT JOAN OF NEW YORK is a novel about a math prodigy who becomes obsessed with discovering the Theory of Everything. Joan Cooper, a 17-year-old genius traumatized by the death of her older sister, tries to rebuild her shattered world by studying string theory and the efforts to unify the laws of physics. But as she tackles the complex equations, she falls prey to disturbing visions of a divine being who wants to help her unveil the universe's mathematical design. Joan must enter the battle between science and religion, fighting for her sanity and a new understanding of the cosmos.

What happens with something becomes someone? In the aftermath of an asteroid impact, Earth's power grid is damaged nearly beyond recovery. The survival of our world may well depend on energy sources collected from an abandoned undersea settlement beneath the icy surface of Enceladus. Earth-raised Colonel Carter Rhodes, in charge of Earth's recovery efforts, calls upon Gwen Baré, a Venusian engineer, to regain control of the deserted moon outpost and collect fuel for Earth's collapsing power grids. However, what Gwen discovers churning in Enceladus's subsurface waters brings her and Colonel Rhodes' straightforward plans to a crashing halt. Soon, Gwen finds herself in the middle of an interplanetary standoff. Win, and give the last humans on Earth a chance to survive. Lose, and risk the permanent dismantling of human society across the Solar System. Forced to take sides in this war for power, resources, and species survival, Gwen must make choices that not only affect her own life, but also force her to question what "life" itself might really mean. Will the promise of Enceladus energy be enough to salvage what is left of Earth's society? Are these humans worthy of salvation?