Ruth Galloway

The first entry in the acclaimed Ruth Galloway series follows the "captivating"* archaeologist as she investigates a child's bones found on a nearby beach, thought to be the remains of a little girl who went missing ten years before. Forensic archeologist Dr. Ruth Galloway is in her late thirties. She lives happily alone with her two cats in a bleak, remote area near Norfolk, land that was sacred to its Iron Age inhabitants-not quite earth, not quite sea. But her routine days of digging up bones and other ancient objects are harshly upended when a child's bones are found on a desolate beach. Detective Chief Inspector Nelson calls Galloway for help, believing they are the remains of Lucy Downey, a little girl who went missing a decade ago and whose abductor continues to taunt him with bizarre letters containing references to ritual sacrifice, Shakespeare, and the Bible. Then a second girl goes missing and Nelson receives a new letter-exactly like the ones about Lucy. Is it the same killer? Or a copycat murderer, linked in some way to the site near Ruth's remote home? *Louise Penny

It's been only a few months since archaeologist Ruth Galloway found herself entangled in a missing persons case, barely escaping with her life. But when construction workers demolishing a large old house in Norwich uncover the bones of a child beneath a doorway-minus its skull-Ruth is once again called upon to investigate. Is it a Roman-era ritual sacrifice, or is the killer closer at hand? Ruth and Detective Harry Nelson would like to find out-and fast. When they realize the house was once a children's home, they track down the Catholic priest who served as its operator. Father Hennessey reports that two children did go missing from the home forty years before-a boy and a girl. They were never found. When carbon dating proves that the child's bones predate the home and relate to a time when the house was privately owned, Ruth is drawn ever more deeply into the case. But as spring turns into summer it becomes clear that someone is trying very hard to put her off the trail by frightening her, and her unborn child, half to death. The Janus Stone is a riveting follow-up to Griffiths's acclaimed The Crossing Places.

In "a wonderful, atmospheric mystery" featuring forensic archaeologist Ruth Galloway and DCI Harry Nelson, six bodies of men killed during World War II turn up in Brighton bringing with them a long-buried, nefarious secret (Milwaukee Journal Sentinel). Just back from maternity leave, forensic archeologist Ruth is finding it hard to juggle motherhood and work when she is called in to investigate human bones that have surfaced on a remote Norfolk beach. The presence of DCI Harry Nelson, the married father of her daughter, does not help. The bones, six men with their arms bound, turn out to date back to World War II, a desperate time on this stretch of coastland. As Ruth and Nelson investigate, Home Guard veteran Archie Whitcliffe reveals the existence of a secret the old soldiers have vowed to protect with their lives. But then Archie is killed and a German journalist arrives, asking questions about Operation Lucifer, a plan to stop a German invasion, and a possible British war crime. What was Operation Lucifer? And who is prepared to kill to keep its secret?

In this thrilling mystery, "brilliant, feisty, independent" forensic archaeologist Ruth Galloway and DCI Harry Nelson investigate a seemingly cursed collection of Aboriginal skulls that are causing people to die from a mysterious fever??-??and the next person to fall ill is Nelson himself (Richmond Times-Dispatch). When Ruth Galloway arrives to supervise the opening of a coffin containing the bones of a medieval bishop, she finds the museum's curator lying dead on the floor. Soon after, the museum's wealthy owner is also found dead, in his stables. DCI Harry Nelson is called in to investigate, thrusting him into Ruth's path once more. When threatening letters come to light, events take an even more sinister turn. But as Ruth's friends become involved, where will her loyalties lie? As her convictions are tested, Ruth and Nelson must discover how Aboriginal skulls, drug smuggling, and the mystery of the "Dreaming" hold the answers to these deaths, as well as the keys to their own survival.

Forensic archeologist Ruth Galloway investigates a heart-stopping case: an old university friend and fellow archeologist murdered in an arson attack. When Ruth Galloway learns that her old university friend Dan Golding has died in a house fire, she is shocked and saddened. But when she receives a letter that Dan had written just before he died, her sadness turns to suspicion. The letter tells of a great archaeological discovery, but Dan also says that he is scared for his life. Was Dan's death linked to his find? The only clue is his mention of the Raven King, an ancient name for King Arthur. When she arrives in Lancashire, Ruth discovers that the bones reveal a shocking fact about King Arthur??-??and that the bones have mysteriously vanished. The case draws in DCI Nelson, determined to protect Ruth and their eighteen-month-old daughter, Kate. But someone is willing to kill to keep the bones a secret, and it is beginning to look as if no one is safe.

Ruth Galloway uncovers the bones of what might be a notorious Victorian child murderess and a baby snatcher known as "The Childminder" threatens modern-day Norfolk in this irresistible mystery from Elly Griffiths. The service of the Outcast Dead is held annually in Norwich, commemorating the bodies in the paupers' graves. This year's proceedings hold special interest for forensic archaeologist Ruth Galloway, who has just unearthed the notorious Mother Hook, hanged in 1867 at Norwich Castle for killing multiple children. Now Ruth is reluctantly starring in a TV special, working alongside the alluring historian Dr. Frank Barker. Nearby, DCI Harry Nelson is investigating the case of three children found dead in their home when another child is abducted. A kidnapper dubbed the Childminder claims responsibility, but is the Childminder behind the deaths too? The team races to find out and after a child close to everyone involved disappears, the stakes couldn't be higher.

The chilling discovery of a downed World War II plane with a body inside leads Ruth and DCI Nelson to uncover a wealthy family’s secrets in the seventh Ruth Galloway mystery. Norfolk is suffering from record summer heat when a construction crew unearths a macabre discovery—a downed World War II plane with the pilot still inside. Forensic archaeologist Ruth Galloway quickly realizes that the skeleton couldn’t possibly be the pilot, and DNA tests identify the man as Fred Blackstock, a local aristocrat who had been reported dead at sea. When the remaining members of the Blackstock family learn about the discovery, they seem strangely frightened by the news. Events are further complicated by a TV company that wants to make a film about Norfolk’s deserted air force bases, the so-called Ghost Fields, which have been partially converted into a pig farm run by one of the younger Blackstocks. As production begins, Ruth notices a mysterious man lurking on the outskirts of Fred Blackstock’s memorial service. Then human bones are found on the family’s pig farm. Can the team outrace a looming flood to find a killer? Laced with dry humor and anchored by perennial fan favorite Ruth, The Ghost Fields will delight fans new and old.

A vision of the Virgin Mary foreshadows a string of cold-blooded murders, revealing a dark current of religious fanaticism in an old medieval town in this Ruth Galloway mystery. When Ruth's friend Cathbad sees a vision of the Virgin Mary-in a white gown and blue cloak-in the graveyard next to the cottage he is house-sitting, he takes it in his stride. Walsingham has strong connections to Mary, and Cathbad is a druid after all, visions come with the job. But when the body of a woman in a blue dressing-gown is found dead the next day in a nearby ditch, it is clear Cathbad's vision was all too human-and that a horrible crime has been committed. DCI Nelson and his team are called in for the murder investigation and soon establish that the dead woman was a recovering addict being treated at a nearby private hospital. Ruth, a devout atheist, has managed to avoid Walsingham during her seventeen years in Norfolk. But then an old university friend, Hilary Smithson, asks to meet her in the village, and Ruth is amazed to discover that her friend is now a priest. Hilary has been receiving vitriolic anonymous letters targeting women priests- letters containing references to local archaeology and a striking phrase about a woman "clad in blue, weeping for the world." Then another woman is murdered-a priest. As Walsingham prepares for its annual Easter re-enactment of the Crucifixion, the race is on to unmask the killer before they strike again...

Far below Norwich is a maze of old mining tunnels. When Ruth Galloway is called to examine a set of human remains in one of them, she notices the bones are almost translucent, a sign they were boiled soon after death. Once more, she finds herself at the helm of a murder investigation. Meanwhile, DCI Nelson is looking for a homeless woman who he hears has gone "underground." Could she have disappeared into the labyrinth? And if so, is she connected to the body Ruth found? As Ruth and Nelson investigate the tunnels, they hear rumors of secret societies, cannibalism, and ritual killings. And when a dead body is found with a map of what seems to be the full maze, they realize their hunt for the killer has only just begun-and that more bodies may be underfoot.

In this highly atmospheric mystery, Ruth Galloway-whom #1 New York Times bestselling author Louise Penny calls "a captivating amateur sleuth"-has her summer vacation disrupted by a murder in a medieval Italian town where dark secrets are buried as deep as bones. When archaeologist Angelo Morelli asks Ruth Galloway to come to the Italian countryside to help identify bones found in picturesque Fontana Liri, she jumps at the chance to go-and brings her daughter along for what she assumes will be a working vacation. Upon arriving, Ruth hears murmurs of Fontana Liri's strong resistance movement during World War II and begins to sense that the townspeople are harboring an age-old secret. But how, if at all, could this chapter in history be connected to the human remains that Angelo has unearthed? Just as she's getting her footing in the dig, DCI Nelson appears, unexpectedly and for no clear reason. When Ruth's findings lead her and her crew to a modern-day murder, their holiday turns into anything but as they race to find out what darkness is lurking in this seemingly peaceful place... and who may be on their trail.

Ruth's partner in crime, DCI Nelson, has been receiving threatening letters. They are anonymous, yet reminiscent of ones he has received in the past, from the person who drew him into a case that's haunted him for years. At the same time, Ruth receives a letter purporting to be from that very same person-her former mentor, and the reason she first started working with Nelson. But the author of those letters is dead. Or is he? The past is reaching out for Ruth and Nelson, and its grip is deadly.

Forensic archaeologist Ruth Galloway changed her life-until a convicted killer tells her that four of his victims were never found, drawing her back to the place she left behind. Everything has changed for Ruth Galloway. She has a new job, home, and partner, and she is no longer north Norfolk police's resident forensic archaeologist. That is, until convicted murderer Ivor March offers to make DCI Nelson a deal. Nelson was always sure that March killed more women than he was charged with. Now March confirms this and offers to show Nelson where the other bodies are buried-but only if Ruth will do the digging. Curious, but wary, Ruth agrees. March tells Ruth that he killed four more women and that their bodies are buried near a village bordering the fens, said to be haunted by the Lantern Men, mysterious figures holding lights that lure travelers to their deaths. Is Ivor March himself a lantern man, luring Ruth back to Norfolk? What is his plan, and why is she so crucial to it? And are the killings really over?

From the internationally bestselling author of the Ruth Galloway Mysteries, an eclectic, thrilling collection of short stories, featuring many characters that readers have come to know and love. Elly Griffiths has always written short stories to experiment with different voices and genres as well as to explore what some of her fictional creations such as Ruth Galloway, Harbinder Kaur, and Max Mephisto might have done outside of the novels. The Man in Black gathers these bite-sized tales all together in one splendid volume. There are ghost stories, cozy mysteries, tales of psychological suspense, and poignant vignettes of love and loss. In the title story, Ruth Galloway crosses paths with a mysterious man in a bookstore, setting in motion a rescue mission that hinges on the legends and lore of Norfolk. Looking into the past, a young magician in 1920s Leeds wonders just what happened to his missing landlady in “Max Mephisto and the Disappearing Act.” In “Justice Jones and the Etherphone,” a witty girl detective investigates the dire prediction of a fortune teller in dreary postwar London. A flashback in time reveals Harbinder Kaur as a Detective Sergeant surviving her first day on the job at Shoreham DCI. To celebrate the holidays, Ruth gets her very first Christmas tree, and her beloved cat narrates his own seasonal story in “Flint’s Fireside Tale.” And readers can armchair travel with stories set on the Amalfi Coast, in Capri, and in Egypt as Ruth and DCI Nelson experience their very own version of Death on the Nile. The Man in Black illustrates the breadth and variety of Elly Griffiths’s talent for blood-chilling, page-turning stories all with her trademark humor and heart.

There's nothing Ruth Galloway hates more than amateur archaeologists, but when a group of them stumble upon Bronze Age artifacts alongside a dead body, she finds herself thrust into their midst-and into the crosshairs of a string of murders circling ever closer. Ruth is back as head of archaeology at the University of North Norfolk when a group of local metal detectorists-the so-called Night Hawks-uncovers Bronze Age artifacts on the beach, alongside a recently deceased body, just washed ashore. Not long after, the same detectorists uncover a murder-suicide-a scientist and his wife found at their farmhouse, long thought to be haunted by the Black Shuck, a humongous black dog, a harbinger of death. The further DCI Nelson probes into both cases, the more intertwined they become, and the closer they circle to David Brown, the new lecturer Ruth has recently hired, who seems always to turn up wherever Ruth goes.

Pandemic lockdowns have Ruth Galloway feeling isolated from everyone but a new neighbor-until Nelson comes calling, investigating a decades-long string of murder-suicides that's looming ever closer. Three years after her late mother's death, Ruth is finally sorting through her things when she finds a curious relic: a decades-old photograph of Jean's Norfolk cottage with a peculiar inscription. Ruth returns to the cottage to uncover its meaning as Norfolk's first cases of COVID-19 make headlines, leaving her and Kate to shelter in place there. They struggle to stave off isolation by clapping for frontline workers each evening and befriending a kind neighbor, Zoe, from a distance. But when Nelson breaks quarantine to rush to Ruth's cottage and enlist her help in investigating a series of murder-suicides he has connected to an archeological discovery, he finds Zoe is hardly who she says she is. The further Nelson investigates these deaths, the closer they lead him to Ruth's friendly neighbor-until Ruth, Zoe, and Kate all go missing, and Nelson is left scrambling to find them before it's too late.

The discovery of a missing woman's bones force Ruth and Nelson to finally confront their feelings for each other as they desperately work to exonerate one of their own in this not-to-be-missed last act of the beloved Ruth Galloway series from USA Today bestselling author Elly Griffiths. When builders discover a human skeleton in the wall during a renovation of a café, they immediately call in DCI Harry Nelson and Dr. Ruth Galloway. The bones turn out to be modern-the remains of Katherine Sands, who went missing in the 90s. Right before she disappeared, Katherine attended a spiritual wellness course led by none other than Ruth's dear friend Cathbad. The police start asking questions and discover that there are other missing women connected to the wellness group. Suspicion soon falls on Cathbad, but believing the druid is innocent, Nelson follows a trail to the famous Neolithic flint mines in Grimes Graves and to an archaeology club. Ruth agrees to infiltrate their ranks to try to save her friend and while there she meets a pivotal figure from her own past. When he realizes that Ruth is in danger, Nelson is finally forced to face his feelings for her. What can the future hold for them after all this time?

Looking for a new mystery series to suck you in? Dive into the inaugural novels of the captivating Ruth Galloway mysteries with this starter pack. Archaeologist Dr. Ruth Galloway turns amateur sleuth once Detective Chief Inspector Nelson calls her for help when a child's bones are found on a desolate beach. Gone are the days of digging up artifacts and living alone with her cats-Ruth is pulled into the world of shadowy murders, resurfaced bones, historical mysteries, twisted secrets, and a dash of romance. THE CROSSING PLACES Join Dr. Ruth Galloway in her first foray into the world of forensic archaeology when a child's bones are found on a beach. Ruth is called in to help decipher whether they are the remains of Lucy Downey, a little girl who went missing a decade ago and whose abductor continues to taunt Detective Chief Inspector Nelson with bizarre letters containing references to ritual sacrifice, Shakespeare, and the Bible. Then a second girl goes missing and Nelson receives a new letter-exactly like the ones about Lucy. Is it the same killer? Or a copycat murderer, linked in some way to the site near Ruth's remote house? THE JANUS STONE It's been only a few months since archaeologist Ruth Galloway found herself entangled in a missing persons case, barely escaping with her life. But when construction workers demolishing a large old house in Norwich uncover the bones of a child beneath a doorway-minus its skull-Ruth is once again called upon to investigate. Is it a Roman-era ritual sacrifice, or is the killer closer at hand? THE HOUSE AT SEA'S END Just back from maternity leave, forensic archaeologist Ruth is finding it hard to juggle motherhood and work when she is called in to investigate human bones that have surfaced on a remote Norfolk beach. The bones-six men with their arms bound-it turns out, date back to World War II, a desperate time on this stretch of coastland.