Religion, Theology and the Holocaust

Alan Scott Haft provides the first-hand testimony of his father, Harry Haft, a holocaust victim with a singular story of endurance, desperation, and unrequited love. Harry Haft was a sixteen-year-old Polish Jew when he entered a concentration camp in 1944. Forced to fight other Jews in bare-knuckle bouts for the perverse entertainment of SS officers, Harry quickly learned that his own survival depended on his ability to fight and win. Haft details the inhumanity of the "sport" in which he must perform in brutal contests for the officers. Ultimately escaping the camp, Haft's experience left him an embittered and pugnacious young man. Determined to find freedom, Haft traveled to America and began a career as a professional boxer, quickly finding success using his sharp instincts and fierce confidence. In a historic battle, Haft fights in a match with Rocky Marciano, the future undefeated heavyweight champion of the world. Haft's boxing career takes him into the world of such boxing legends as Rocky Graziano, Roland La Starza, and Artie Levine, and he reveals new details about the rampant corruption at all levels of the sport. In sharp contrast to Elie Wiesel's scholarly, pious protagonist in Night, Harry Haft is an embattled survivor, challenging the reader's capacity to understand suffering and find compassion for an antihero whose will to survive threatens his own humanity. Haft's account, at once dispassionate and deeply absorbing, is an extraordinary story and an invaluable contribution to Holocaust literature.

A remarkable story of a young Jewish girl's Holocaust survival outside of the Ghetto in Poland and Germany through sheer determination, resourcefulness, luck and the assistance of a few non-Jewish "helpers."

Fifty years after the war Dagmar Ostermann, a former prisoner at Auschwitz-Birkenau, and Hans Wilhelm Münch, former Nazi and SS physician, talk face to face. In this rare interview Münch- the only SS member acquitted during the 1947 Cracow war crimes trial refers to himself as a "victim," claiming that because he had to follow orders he was "no less a victim than his prisoners." The Meeting grew out of a documentary film in which Münch was first interviewed by Viennese filmmaker Bernhard Frankfurter. As head of the Waffen SS Hygiene Institute Münch had controlled hundreds of lives. Intrigued by Münch's responses, Frankfurter arranged for Ostermann, whose mother was German and her father Jewish, to conduct a book-length interview, for which he provided a concluding essay. The dramatic structure of the discussion follows the events of the Nazi occupation chronologically. As Ostermann initiates questions regarding reasons for Münch's involvement (Was it a conscious endeavor? Did he participate willingly?), the book adds important new information to the testimonial literature of the Holocaust.

The evocation of memory is wrought with emotional and historical significance in this distinctive holocaust memoir. With lyrical prose and remarkable candor, Helena Ganor narrates her story through a series of recently penned letters to the significant people in her life during her wartime girlhood: her sister, mother, father, and stepmother. Both Ganor's mother and sister perished during the war. The author's letters reveal much about living in pre-war Lvov, Poland. Her descriptions of relationships between local Jews, Poles, Ukrainians, and Gypsies in Lvov lend a broad historical context to the Holocaust. Ganor combines deeply personal reminiscences of trying to survive as a secular Jew under Nazi occupation with reflections on the varied ways that humans respond in the face of utter catastrophe. Punctuating her letters with poems, Ganor's story is an inspiring contribution to Holocaust literature.