Princeton Essays in Literature

In this book Robert Pinsky writes about contemporary poetry as it reflects its modernist and Romantic past. He isolates certain persistent ideas about poetry's situation relative to life and focuses on the conflict the poet faces between the nature of words and poetic forms on one side, and the nature of experience on the other. The author ranges for his often surprising examples from Keats to the great modernists such as Stevens and Williams, to the contents of recent magazines. He considers work by Ammons, Ashbery, Bogan, Ginsberg, Lowell, Merwin, O'Hara, and younger writers, offering judgments and enthusiasms from a viewpoint that is consistent but unstereotyped. Like his poetry, Robert Pinsky's criticism joins the traditional and the innovative in ways that are thoughtful and unmistakably his own. His book is a bold essay on the contemporary situation in poetry, on the dazzling achievements of modernism, and on the nature or "situation" of poetry itself. "The mind at work in The Situation of Poetry is lively, fresh, and critical without being obsessed by the rigor of criticism....Pinsky's book produces for our attention a wide range of contemporary poems, some for rebuke, but most for praise. His comments are brief, vivid, distinct without claiming finality, and his taste is excellent."---Denis Donoghue, New York Times Book Review "No one can read Pinsky's writing without being provoked to thought. He comes at poetry from the side of lived and observed life, and common speech: this approach, like its opposite which comes at poetry through intertexuality, has its place in the dialectic of criticism."---Helen Vendler, The Nation "Pinsky's careful explications of a wide selection of poems and penetrating discussions of the psychological and philosophical implications are both stimulating and informative. This book will serve ably as a guidebook for the general student of literature." "A first-rate piece of work. I can't imagine anyone capable of reading this book and not learning from it."-Hugh Kenner "Robert Pinsky belongs to that rarest category of talents, a poet-critic."-Robert Lowell

Fredric Jameson's survey of Structuralism and Russian Formalism is, at the same time, a critique of their basic methodology. He lays bare the presuppositions of the two movements, clarifying the relationship between the synchronic methods of Saussurean linguistics and the realities of time and history. "A densely but lucidly written critique of modern linguistic theory and its application in and implications for formalism and structuralism. . . . The Prison-House of Language ought to be purchased by every library and read by everyone interested in modern thought." "This is a brilliant and provocative book, perhaps most exciting in the suggestion of the new rigor and penetration possible in historical study when we have emerged on the other side of structuralism." "Jameson's intellectual stamina is altogether admirable, the breadth of his analysis impressive, and his expository skills, on occasion, remarkable. Moreover, his admiration for the achievements of the Russian Formalists and their 'cousins,' the French Structuralists, does not prevent him from offering some cogent strictures on the built-in pitfalls of Structuralist methodology."