Outspoken Authors

Hugo and Nebula award-winner Terry Bisson is best known for his short stories, which range from the southern sweetness of "Bears Discover Fire" to the alienated aliens of "They're Made Out of Meat." He is also a 1960's New Left vet with a history of activism and an intact (if battered) radical ideology. The Left Behind novels (about the so-called "Rapture" in which all the born-agains ascend straight to heaven) are among the bestselling Christian books in the United States, describing in lurid detail the adventures of those "left behind" to battle the Anti-Christ. Put Bisson and the born-agains together, and what do you get? The Left Behind, a sardonic, merciless, tasteless, take-no-prisoners satire of the entire apocalyptic enterprise that spares no one-predatory preachers, goth lingerie, Pacifica Radio, Indian casinos, gangsta rap, and even "art cars" at Burning Man. Plus, "Special Relativity," a one-act drama that answers the question: When Albert Einstein, Paul Robeson, and J. Edgar Hoover are raised from the dead at an anti-Bush rally, which one wears the dress? As with all Outspoken Author books, there is a deep interview and autobiography: at length, in-depth, no-holds-barred and all-bets off: an extended tour through the mind and work, the history and politics of our Outspoken Author. Surprises are promised.

Combining dazzling speculation with a profoundly humanist vision, Kim Stanley Robinson, is known as not only the most literary, but also the most progressive (read "radical") of today's top rank SF authors. His bestselling Mars Trilogy tells the epic story of the future colonization of the red planet, and the revolution that inevitably follows. The Years of Rice and Salt, is based on a devastatingly simple idea: If the medieval plague had wiped out all of Europe, what would our world look like today? His novel Galileo's Dream is a stunning combination of historical drama and far-flung space opera, in which the ten dimensions of the universe itself, are rewoven to ensnare history's most notorious torturers.

Having grown up in late-sixties South Central Los Angeles, Gary Phillips vividly recalls stories of what happened to brothers who ran afoul of the "polices" of the 77th Division. Small wonder that in his teens he organized against police abuse, later became active in the antiapartheid movement, was down against the contras, did duty as a labor rep, worked for a political action committee, and taught incarcerated youth. So of course matters of race, class, and the social fabric, along with influences of blaxploitation films and Jack Kirby comic books, permeate his crime and mystery stories. The Underbelly is a novella about a semi-homeless Vietnam vet searching for a disabled friend gone missing from Skid Row. It's a solo sortie where the flashback-prone protagonist must deal with gentrification, kick-ass community organizers, an elderly sexpot, a magical skull, chronic-lovin' knuckleheads, and the perils of chili-cheese fries at midnight. The Underbelly is illustrated with photos and drawings. Plus... A rollicking interview wherein Phillips riffs on Ghetto Lit, politics, noir and the proletariat, the good negroes and bad knee-grows of pop culture, Redd Foxx and Lord Buckley, and wrestles with the future of books in the age of want.

"A declaration of rights is indispensable in order to halt the ravages of despotism." So wrote the revolutionary Antoine Barnave in support of the Declaration of the Rights of Man and of the Citizen (1789). Over two-centuries after the Great French Revolution, Raoul Vaneigem writes that today, "in a situation comparable to the condition of France on the eve of its Revolution," we cannot limit ourselves to demanding liberties. The so-called bourgeois freedoms, that came into being with free trade, for now the free exchange of capital is the totalitarian form of a system which reduces human beings and the earth itself to merchandise. The time has come to give priority to the real individual rather than to Man in the abstract, the citizen answerable to the State and to the sole dictates of God's successor, the economy. Sometimes playful or poetic, always provocative, Vaneigem reviews the history of bills of rights before offering his own call, with commentary, for fifty-eight rights yet to be won in a world where the "freedoms accorded to Man" are no longer merely "the freedoms accorded by man to the economy." Every human being has the right, for example: to become human and to be treated as such; to dispose freely of their time; to comfort and luxury; to free modes of transport set up by and for the collectivity; to permanent control over scientific experimentation; to association by affinity; to bend toward life what was turned toward death; to the flux of passions and the freedoms of love; to a natural life and a natural death; to hold nothing sacred; to excess and to moderation; to desire what seems beyond the realm of the possible. Readers of Vaneigem's now-classic work The Revolution of Everyday Life will find much to engage with in this unique work of subversive utopianism.

As the editor of London’s revolutionary New Worlds magazine in the swinging sixties, Michael Moorcock has been credited with virtually inventing modern Science Fiction: publishing such figures as Norman Spinrad, Samuel R. Delany, Brian Aldiss and J.G. Ballard. Moorcock’s own literary accomplishments include his classic Mother London, a romp through urban history conducted by psychic outsiders; his comic Pyat quartet, in which a Jewish antisemite examines the roots of the Nazi Holocaust; Behold The Man, the tale of a time tourist who fills in for Christ on the cross; and of course the eternal hero Elric, swordswinger, hellbringer and bestseller. And now Moorcock’s most audacious creation, Jerry Cornelius—assassin, rock star, chronospy and maybe-Messiah—is back in Modem Times 2.0, a time-twisting odyssey that connects 60s London with post-Obama America, with stops in Palm Springs and Guantanamo. Modem Times 2.0 is Moorcock at his most outrageously readable—a masterful mix of erudition and subversion. Plus: The non-fiction essay “My Londons” and an Outspoken Interview with literature’s authentic Lord of Misrule.

Ursula K. Le Guin is the one modern science fiction author who truly needs no introduction. In the half century since The Left Hand of Darkness, her works have changed not only the face but the tone and the agenda of SF, introducing themes of gender, race, socialism, and anarchism, all the while thrilling readers with trips to strange (and strangely familiar) new worlds. She is our exemplar of what fantastic literature can and should be about. Her Nebula winner The Wild Girls, newly revised and presented here in book form for the first time, tells of two captive "dirt children" in a society of sword and silk, whose determination to enter "that possible even when unattainable space in which there is room for justice" leads to a violent and loving end. Plus: Le Guin's scandalous and scorching Harper's essay, "Staying Awake While We Read," (also collected here for the first time) which demolishes the pretensions of corporate publishing and the basic assumptions of capitalism as well. And of course our Outspoken Interview, which promises to reveal the hidden dimensions of America's best-known SF author. And delivers.

The original "Mad Professor" of cyberpunk, Rudy Rucker (along with fellow outlaws William Gibson and Bruce Sterling) transformed modern science fiction, tethering the "gnarly" speculations of quantum physics to the noir sensibilities of a skeptical and disenchanted generation. In acclaimed novels like Wetware and The Hacker and the Ant, he mapped a neotopian future that belongs not to sober scientists but to drug-addled, sex-crazed youth. And, won legions of fans doing it. In his outrageous new story "The Men in the Back Room at the Country Club," Dr. Rucker infiltrates fundamentalist Virginia to witness the apocalyptic clash between Bible-thumpers and Saucer Demons at a country club barbecue. He shoots erotica into orbit with "Rapture in Space" to explore the future of foreplay in freefall. In his gonzo nonfiction masterpiece "Surfing the Gnarl," he documents the role of the Transreal in transforming both the personal and the political, distinguishes with mathematical precision between "high gnarl" and "low gnarl" in literature and life, and argues for remaking popular culture as a revolutionary project. And, Featuring, PM's exclusive Outspoken Interview, in which the author explains Infinity, deconstructs his own outrageous film career, answers one Jeopardy question, and (finally!) reveals the truth about Time. All under oath. You'll never be the same. Is that good or bad? Your call.

Cory Doctorow burst on the SF scene in 2000 like a rocket, inspiring awe in readers (and envy in other writers) with his bestselling novels and stories, which he insisted on giving away via Creative Commons. Meanwhile, as coeditor of the wildly popular blog Boing Boing, he became the radical new voice of the Web, boldly arguing for internet freedom from corporate control. Doctorow's activism and artistry are both on display in this Outspoken Author edition. The crown jewel is his novella The Great Big Beautiful Tomorrow, the high-velocity adventures of a transhuman teenager in a toxic post-Disney dystopia, battling wireheads and wumpuses (and having fun doing it!) until he meets the "meat girl" of his dreams, and is forced to choose between immortality and sex. Plus a live transcription of Cory's historic address to the 2010 World SF Convention, "Creativity vs. Copyright," dramatically presenting his controversial case for open-source in both information and art. Also included is an international Outspoken Interview (Skyped from England, Canada, and the U.S.) in which Doctorow reveals the surprising sources of his genius.

Nalo Hopkinson has been busily (and wonderfully) “subverting the genre” since her first novel, Brown Girl in the Ring, won a Locus Award for SF and Fantasy in 1999. Since then she has acquired a prestigious World Fantasy Award, a legion of adventurous and aware fans, a reputation for intellect seasoned with humor, and a place of honor in the short list of SF writers who are tearing down the walls of category and transporting readers to previously unimagined planets and realms. Never one to hold her tongue, Hopkinson takes on sexism and racism in publishing in “Report from Planet Midnight,” a historic and controversial presentation to her colleagues and fans. Plus... “Message in a Bottle,” a radical new twist on the time travel tale that demolishes the sentimental myth of childhood innocence; and “Shift,” a tempestuous erotic adventure in which Caliban gets the girl. Or does he? And Featuring: Our Outspoken Interview, an intimate one-on-one that delivers a wealth of insight, outrage, irreverence, and top-secret Caribbean spells.

Ken MacLeod is one of the brightest and most progressive of Britain's "Hard SF" stars who navigate exciting new futures to the delight of legions of fans around the world. His works combine cutting-edge scientific speculation, socialist and anarchist themes, and a deeply humanistic vision. Described by fans and adversaries alike as a "techno-utopian socialist," MacLeod thrusts his characters into uncanny encounters that have included AI singularities, divergent human evolution, and post-human cyborg, resurrection. In his novella The Human Front, a young Scottish guerrilla fighter, is drawn into low-intensity sectarian war in a high-intensity dystopian future, and the arrival of an alien intruder (complete with saucer!) calls for new tactics and strange alliances. Its companion piece, "Other Deviations," first published in this edition, reveals the complex origins of MacLeod's alternate history. Plus: "The Future Will Happen Here, Too," in which a Hebridean writer celebrates the landscapes that shaped his work, measures Scotland's past against humanity's future, and peers into the eyes of an eel. And, Featuring: our irreverent Outspoken Interview, a candid and often cantankerous conversation that showcases our author's deep erudition and mordant wit.

Mixing outlaw humor, SF adventure, and cutting social criticism, Shirley draws upon his entire arsenal of narrative and commentary. The title essay, "New Taboos" is his prescription for a radical revisioning of America. A new novella, A State of Imprisonment, is a horrifying and grimly hilarious look at the privatization of the prison industry. "Why We Need Forty Years of Hell," Shirley's 2011 TEDx address, presents his proudly contrarian view of the near future. Also featured is our Outspoken Interview showcasing the author's transgressive sensibility, deep humanity, and mordant wit.

Widely respected in the so-called "mainstream" for her New York Times bestselling novels, Karen Joy Fowler is also a formidable, often controversial, and always exuberant presence in Science Fiction. Here she debuts a provocative new story written especially for this series. Set in the days of Darwin, "The Science of Herself" is a marvelous hybrid of SF and historical fiction: the almost-true story of England's first female paleontologist who took on the Victorian old-boy establishment armed with only her own fierce intelligence-and an arsenal of dino bones. Plus... "The Pelican Bar," a homely tale of family ties that makes Guantánamo look like summer camp; "The Further Adventures of the Invisible Man," a droll tale of sports, shoplifting and teen sex; and "The Motherhood Statement," a quietly angry upending of easy assumptions that shows off Fowler's deep radicalism and impatience with conservative homilies and liberal pieties alike. And, Featuring: our Outspoken Interview in which Fowler prophesies California's fate, reveals the role of bad movies in good marriages, and intimates that girls just want to have fun (which means make trouble).

As an ambitious, alienated, and awesomely talented kid from the Bronx, Norman Spinrad rode the revolutionary "New Wave" of 1960s science fiction to fame, if not fortune. His usually angry, often hilarious, and always radical novels changed the field forever. Once devoted to interplanetary adventure, SF began to explore the uneasy intersection between today's illusions and tomorrow's dystopian disasters. It grew dark, grew wild, grew up. An all-new novella designed to take a poke at both Christian fundamentalists and corporate CEOs, Raising Hell is a rousing account of the fight to improve working conditions in Hell, for both demons and the damned, with the help of such deceased immortals as Jimmy Hoffa, John L. Lewis, and César Chávez. Plus... "The Abnormal New Normal," an impolite inquiry into today's high-finance low-jinks, which unmasks the manipulations of the 1% and proposes a radical fix. And, Featuring: our Outspoken Interview, the usual mix of intimate revelation, gossip, and tales from the front lines of writing and publishing.

Patty Hearst & The Twinkie Murders is a darkly satiric take on two of the most famous cases of our era: the kidnapping of heiress, Patty Hearst, and the shocking assassination of San Francisco Mayor George Moscone and gay leader Harvey Milk. As a reporter for the Berkeley Barb, Paul Krassner was ringside at the spectacular California trials. Krassner's deadpan, hilarious style captures the nightmare reality behind the absurdities of the courtroom circus. Using his infamous satiric pen and investigative chops, Krassner gets to the truth behind the events: the role of the police and FBI, the real deal with Patty and the SLA, and what really happened in Patty's infamous closet. Plus, A merciless exposé of the "Taliban" wing of the gay movement and their scandalous attacks on alt-rock star Michelle Shocked. Also featured, is our Outspoken Interview, an irreverent and fascinating romp through the secret history of America's radical underground. Names, will be named.

In a candid and intimate new collection of essays, poems, memoirs, reviews, rants, and railleries, Piercy discusses her own development as a working-class feminist, the highs and lows of TV culture, the ego-dances of a writer's life, the homeless and the housewife, Allen Ginsberg and Marilyn Monroe, feminist utopias (and why she doesn't live in one), why fiction isn't physics; and of course, fame, sex, and money, not necessarily in that order. The short essays, poems, and personal memoirs intermingle like shards of glass that shine, reflect-and cut. Always personal yet always political, Piercy's work is drawn from a deep well of feminist and political activism. Also featured is our Outspoken Interview, in which the author lays out her personal rules for living on Cape Cod, finding your poetic voice, and making friends in Cuba.

Since his debut in Terry Carr's legendary Ace Specials of the 1980s, Carter Scholz has occupied an enviable, if demanding, position on the cutting edge of modern speculative literature (vulgarly called SF). Proudly debuting in this volume, Gypsy is his first major work since his 2002 nuclear thriller Radiance. An interstellar adventure grounded in the hard science of accurate physics and biology, Gypsy soars far beyond the heliosphere of conventional science fiction. Jettisoning the easy warp-drives of fantasy and space opera, Scholz chronicles with chilling realism the epic voyage of a team of far-seeing scientists, who crowdsource a secret starship and abandon the doomed Earth for the Alpha Centauri system, our nearest stellar neighbor and last desperate chance. Heartbreak and hope collide in this moving and visionary tale. Plus... An epistolary story about a story, "The Nine Billion Names of God," uses a classic SF text to deconstruct literary deconstruction itself, with hilarious results. In the wickedly droll "Bad Pennies," a spy tasked with trashing a foreign economy testifies before a complacent Congress. Quietly furious, "The United States of Impunity" is an alarming look under the tent of today's political sideshow. Adults only. And, Featuring: "Gear. Food. Rocks.", our Outspoken Interview, in which a postmodern Renaissance man charts the synergies and dissonances of a career that embraces both literary and musical composition, reveals the hidden link between winemaking and deep space astronomy, and tells you how to steal his car.

Arguably (and who doesn't like to argue?) the world's bestselling cult author, Joe R. Lansdale is celebrated across several continents for his dark humor, his grimly gleeful horror, and his outlaw politics. Welcome to Texas. With hits like Bubba Ho-Tep and The Drive-In the Lansdale secret was always endangered, and the spectacular new Hap and Leonard Sundance TV series is busily blowing whatever cover Joe had left. Backwoods noir some call it; others call it redneck surrealism. Joe's signature style is on display here in all its grit, grime, and glory, beginning with two (maybe three) previously unpublished Hap and Leonard tales revealing the roots of their unlikely partnership. Plus... A hatful and a half of Joe's notorious Texas Observer pieces that helped catapult him from obscurity into controversy; and "Miracles Ain't What They Used to Be," Lansdale's passionately personal take on the eternal tussles between God and Man, Texas and America, racism and reason-and religion and common sense. And, Featuring: Our Outspoken Interview, in which piney woods dialect, Bible thumpery, martial arts, crime classics and Hollywood protocols are finally awarded the attention they deserve. Or, don't.

Hand, Elizabeth, or Liz as she's known to her colleagues, students, and devoted fans, is a maverick in modern fiction: a fearless literary sojourner whose award-winning novels and short stories mix murder and magic, high fantasy and post-punk noir in extravagant and unforgettable new ways. The title story, "Fire.", written especially for this volume, is a harrowing post-apocalyptic adventure in a world threatened by global conflagration. Based on Hand's real-life experience as a participant in a governmental climate change think tank, it follows a ragtag cadre of scientists and artists racing to save both civilization and themselves from fast-moving global fires. "The Woman Men Didn't See" is an expansion of Hand's acclaimed critical assessment of author Alice Sheldon, who wrote award-winning SF as "James Tiptree, Jr." in order to conceal identity from both the SF community and her CIA overlords. Another nonfiction piece, "Beyond Belief," recounts her difficult passage from alienated teen to serious artist.

John Crowley's all-new essay "Totalitopia" is a wry how-to guide for building utopias out of the leftovers of modern science fiction. "This Is Our Town," written especially for this volume, is a warm, witty, and wonderfully moving story about angels, cousins, and natural disasters based on a parochial school third-grade reader. One of Crowley's hard-to-find masterpieces, "Gone" is a Kafkaesque science fiction adventure about an alien invasion that includes door-to-door leafleting and yard work. Perhaps the most entertaining of Crowley's "Easy Chair" columns in Harper's, "Everything That Rises" explores the fractal interface between Russian spiritualism and quantum singularities, with a nod to both Columbus and Flannery O'Connor.

The title novella, "The Atheist in the Attic," appearing here in book form for the first time, is a suspenseful and vivid historical narrative, recreating the top-secret meeting between the mathematical genius Leibniz and the philosopher Spinoza caught between the horrors of the cannibalistic Dutch Rampjaar and the brilliant "big bang" of the Enlightenment. Plus, equal parts history, confession, complaint, gossip, and personal triumph, Delany's "Racism and Science Fiction" combines scholarly research and personal experience in the unique true story of the first major African American author in the genre. And, featuring: a bibliography, an author biography, and our candid, uncompromising, and customary Outspoken Interview.

The innovative novels and stories of Michael Blumlein, MD, have introduced new levels of both terror and wonder into the fiction of scientific speculation. His work as a medical researcher and internist at San Francisco's UCSF Medical Center informs his tales of biotech, epigenetics, brain science, and what it means to be truly if only temporarily human. Our title piece, "Thoreau's Microscope," inspired by a historic High Sierra expedition with Kim Stanley Robinson and Gary Snyder and first published here, is a stunning mix of hypothesis and history, in which the author inhabits Thoreau's final days to examine the interaction of impersonal science and personal liberation. A journey as illuminating as it is intimate. Plus...A selection of short stories with Blumlein's signature mix of horror, "hard" science, and wicked humor. "Fidelity" coolly deconstructs adultery with the help of an exuberant tumor, an erotic cartoon, and a male malady. "Y(ou)r Q(ua)ntifi(e)d S(el)f" will reset your Fitbit and your workout as well. "Paul and Me" is a love story writ extra-large, in which an Immortal from Fantasy comes down with a distinctly human disorder. In the chilling "Know How, Can Do" a female Frankenstein brings romance to life in the cold light of the lab. And Featuring, Our overly intrusive Outspoken Interview, in which the ethics of experimental medicine, animal surgery, the poetry of prose, cult film acclaim, Charles Ludlam, Darwin, and gender dysphoria all submit to examination.

Rachel Pollack is a sorceress, a wizard with words who spins together the spiritual, the political, and the passionate in her unique, indeed inimitable, tales. An award-winning SF and Fantasy author, she is also an esteemed Tarot Grand Master with devotees and students around the world. A progressive voice in the transgender community and a trusted guide to the ancient traditions of shamanism, she writes of shimmering and dangerous worlds, which have never been imagined before, much less explored. Her queer cult favorite "The Beatrix Gates" draws on magic realism, quantum science, memoir, and myth to tell the story of a girl born not in the wrong body but in the wrong universe. Plus..."Trans Central Station," written especially for this volume, is Pollack's personal and penetrating take on the transgender experience then and now-and tomorrow? "Burning Beard" is a fiercely revisionist Old Testament tale of plague and prophecy told through a postmodern prose of, shall we say, many colors. "The Woman Who Didn't Come Back" is about just what it says it's about. And, Featuring, Our Outspoken Interview, which tells us all about comics history, the automotive origins of Tarot, the benefits of Nerd celebrity, and why the Sun exists. It will be on the test.

Paul Park is one of modern fiction's major innovators. With exotic settings and characters truly alien and disturbingly normal, his novels and stories explore the shifting interface between traditional narrative and luminous dream, all in the service of a deeper humanism. "Climate Change," original to this volume, is an intimate and erotic take on a global environmental crisis. "A Resistance to Theory" chronicles the passionate (and bloody) competition between the armed adherents of postmodern literary schools. "A Conversation with the Author" gives readers a harrowing look behind the curtains of an MFA program. In "A Brief History of SF" a fan encounters the ruined man who first glimpsed the ruined cities of Mars. "Creative Nonfiction" showcases a professor's eager collaboration with a student intent on wrecking his career. The only nonfiction piece, "A Homily for Good Friday," was delivered to a stunned congregation at a New England church. Plus: Our candid and colorful Outspoken Interview with one of today's most accomplished and least conventional authors, in which personal truth is evaded, engaged, and altered, all in one shot.

Nisi Shawl's steampunk-flavored alternate history of the "Belgian" Congo, Everfair, has taken the science fiction and fantasy world by storm. No surprise there. Their swift, sure, and savvy short stories had already established them as a cutting-edge Afrofuturist icon whose politically charged fiction is in the grand feminist tradition of Ursula K. Le Guin, Octavia Butler, and Suzy McKee Charnas. In these previously uncollected stories, Shawl explores the unexpected possibilities and perils opened up by SF&F's new intersectionality. In Shawl's side-slippery world, sex can be both commerce and worship, complete with ancient rites, altars, and ointments ("Women of the Doll"); a virtual reality high school is a proving ground for girl packs and their unfortunate adversaries ("Walk like a Man"); and a British rock singer finds an image in a mirror that reflects both future hits and ancient horrors ("Something More"). Also included is a presentation at a southern university, in which they patiently (and gleefully) deconstructs the academic and arcane intersections between ancient rites and modern tech. If, anyone? Plus, Our Outspoken Interview with Shawl, in which unapologetics are proffered, riddles are unraveled, and icons are, as always, clasted.

When the Bastille was stormed on July 14, 1789, it wasn't a crowd of breeches-wearing professionals that attacked the prison, freed the internees, and killed its superintendent, carrying off his head on a pike. It was the working people of Paris, who didn't wear breeches, the sans-culottes. In the course of the French Revolution, the sans-culottes questioned the economic system, the nature of property, the role and even the legitimacy of religion, and for the first time placed class relations at the heart of a revolutionary upheaval. They did so in an often-inchoate fashion, but they were new players on the stage of history, and the Revolution constituted their learning curve. The Permanent Guillotine is an anthology of figures who expressed the will and wishes of this nascent revolutionary class, in all its rage, directness, and contradictoriness. Taken together, these documents provide a full portrait of the left of the left of the Revolution, of the men whose destruction by Robespierre allowed for Robespierre himself, to be destroyed and for all the progressive measures they advocated and he implemented to be rolled back. The Revolution they made was ultimately stolen from them, but their attempt was a fertile one, as their ideas flourished in the actions of generations of French revolutionaries.

Upending and recombining familiar genres with fearless abandon, Nick Mamatas is known for his wicked satires, in which Horror rides shotgun with SF as they power through Fantasy's rush-hour traffic. Lanes are crossed, speed limits exceeded, and minds often blown. Our title piece, original to this volume, is something entirely new. Trust me. "The Planetbreaker's Son" is a starship novella in which interstellar emigrants maintain their stadium-sized vessel with dreams and play. On the fly. Think Pinocchio meets Ender's Game. "Ring, Ring, Ring, Ring, Ring, Ring, Ring" is a cautionary tale about the perilous interface between ancient wizardry and modern ringtones. And, it's for you. "The Term Paper Artist" is Nick's celebrated and hilarious how-to on embellishing the academic establishment with equal parts imitation and duct tape. Based on a true story of lies. And, Featuring: of course, our casually candid Outspoken Interview, in which Greek sailors, Japanese manga mavens, Doc Martens, Lovecraft, Grandma, and Kerouac mingle and mix. Care to dance?

James Patrick Kelly is known for finding the future unnervingly nearby, and he enters with his deep empathy and dry humor at the ready. A longtime favorite of SF readers is at the top of his game here. In the title story, a college acid trip becomes a window into an unexpected and apparently unavoidable future. In "Itsy Bitsy Spider" a disappointed woman's robotic girlhood takes her by the hand and leads her back to the destiny that eluded her. Two short plays render alien invasion terrifyingly mundane and death annoyingly impermanent. "The Best Christmas Ever" is celebrated by sims and droids instead of the usual jolly elves. Our Outspoken Interview and a bibliography round out this long-awaited new collection.

Our non-fiction title piece, "Utopias of the Third Kind," is a first look at actual utopias that are responding to our looming dystopian nightmare. "Hunger" is a short story that finds both understanding and forgiveness for humankind's original sin. Our Outspoken Interview and a bibliography round out this new collection.

Wry, dark humor burnishes visionary SF in these often prophetic, sometimes troubling, but always fascinating tales that combine and masterfully conflate the disparate worlds of corporate tech and literary art. "After the Thaw" is a hi-tech take on an ancient idea: immortality. "Terrible Trudy on the Lam" based on actual events, is a modern fable about a zoo escape, a private eye, a vaudeville act and keeping your mouth shut. "Night Shift at NanoGobblers," written for a NASA website, is about asteroid-altering AIs and their world-weary earthbound handlers. "Transitions" deals with jet lag when your flight is decades late. Gunn's long-awaited third collection is rounded out by incisive and affectionate portraits of her SF colleagues, mentors, and friends, beginning with Ursula Le Guin. All illuminated of course by our artfully intimate interview.

Having stormed mainstream literature from the outskirts, Lethem has won a readership both wide and deep, all of whom appreciate his literary excellence, his mordant but compassionate humor, and the cultish attentiveness of his SF origins. He has earned the right to tread anywhere, and his many admirers are ready to follow. This collection compiles his intensely personal thoughts on the most interesting and deplorable topics in post-postmodern America. It moves from original new fiction to insights on popular culture, cult and canonical authors, and problematic people. Plus… "David Bowman and the Furry-Girl School of American Fiction" is a personal true adventure, as Lethem tries (with the help of a seeming expert) to elbow his way into literary respectability. "The Collapsing Frontier" and "In Mugwump Four" are fictions mapping ominous new realms. "Calvino's 'Lightness' and the Feral Child of History" is an intimate encounter with a legendary author. In "My Year of Reading Lemmishly" and "Snowden in the Labyrinth" he explores courage, art, and the search for truth, with wildly different results. And Featuring: Our usual Outspoken Interview, in which Lethem reveals the secret subtext of his books, how he spent his MacArthur award money, and how a Toyota he owned was used in the robbery of a fast-food restaurant.

Mixing satire, farce, and dystopia, the stories in John Kessel's The Presidential Papers deconstruct the character and politics of five imagined presidents, some of whom bear striking resemblance to individuals who have occupied the Oval Office over the last thirty years. Who are these men and what makes them so funny, when they are not terrifying? How damaged does a person need to be to seek such power, why do we vote for them, and what do they think about the 1959 Washington Senators? In "The Franchise," aging career minor leaguer George H.W. Bush faces ace New York Giants pitcher Fidel Castro in the 1959 World Series. "The Last American" outlines the career of the final president of the United States and his thirty-three years in office. Can the megalomaniac President of the Solar System evade the consequences of his moronic rule in the original play "A Brief History of the War with Venus"? In our Outspoken Interview we learn about crossing Mary Shelley with Jane Austen, about having classic SF writer James Gunn as a mentor, about being a spy in the English department, and about industrial capitalism, immigrants, and Buffalo, New York.