Mint Editions

The History of a Crime (1877) is a book-length essay by Victor Hugo. While Hugo is famous today for his status as a leading French poet and novelist of the nineteenth century, he was also a gifted historian and memoirist who served on the National Assembly of the Second Republic. Following the coup d'état of Napoleon III in 1851, Hugo was among the insurrectionists who revolted against military forces on the streets of Paris. Despite their efforts, the coup was successful, leading to Hugo's exile until 1870. "To outrage Right, to suppress the Assembly, to abolish the Constitution, to strangle the Republic, to overthrow the Nation, to sully the Flag, to dishonor the Army, to suborn the Clergy and the Magistracy, to succeed, to triumph, to govern, to administer, to exile, to banish, to transport, to ruin, to assassinate, to reign, with such complicities that the law at last resembles a foul bed of corruption. What! All these enormities were to be committed! And by whom?" The French Second Republic was already in danger when Napoleon III was elected President of France in 1848. A populist, he was in constant conflict with the National Assembly and, nearing the end of his term, sought to seek reelection through constitutional change. When this avenue was denied, he began preparations for Operation Rubicon, a secret plan to conduct a coup d'état with the help of the Army and other high-ranking officials. On December 2nd, 1851, the anniversary of his uncle Napoleon Bonaparte's coronation and victory at Austerlitz, the coup took place. Hugo, a National Assembly member, took to the streets of Paris with thousands of his fellow insurrectionaries, many of whom were beaten, arrested, and murdered for their actions. Despite their efforts, the coup was successful, leading to the reestablishment of the French Empire in 1852. Hugo's essay-part history, part memoir-is a brilliant retelling of one of democracy's darkest moments. With a beautifully designed cover and professionally typeset manuscript, this edition of Victor Hugo's The History of a Crime is a classic work of French literature reimagined for modern readers.

The play is based on the story of Chitrangada and Arjuna from Sanskrit epic Mahabharata. "I am Chitra, the daughter of the kingly house of Manipur. With godlike grace Lord Shiva promised to my royal grandsire an unbroken line of male descent. Nevertheless, the divine word proved powerless to change the spark of life in my mother's womb-so invincible was my nature, woman though I be." Her whole life, Chitra has tried to live up to her father's name. Raised as the son he never had, she becomes a fearsome warrior and legendary hero, yet still longs for something more. When she meets the handsome Arjuna, Chitra petitions the god of love to make her beautiful. Mercifully, they allow her to be with her lover for one whole year.

My Reminiscences was written by Tagore in his fiftieth-year, as he prepared to embark on a journey around the world. "I know not who paints the pictures on memory's canvas, but whoever he may be, what he is painting are pictures, by which I mean that he is not there with his brush simply to make a faithful copy of all that is happening. He takes in and leaves out according to his taste…In short he is painting pictures, and not writing history." In this collection of memories, Tagore is at his philosophical, poetic best, reflecting earnestly and with ease on matters public and private. Looking back on a life at the center of Indian culture, Tagore moves fluidly and fluently from youth to young adulthood, recalling family, friends, servants, and strangers with clarity and curiosity. Afloat in his houseboat, lying on a rooftop at night, or exploring the outer limits of his mind, Tagore shares his insight with us all.

The White Wampum (1895) is the debut poetry collection of E. Pauline Johnson. Originally published in London, The White Wampum launched her career as one of Canada's most distinguished artists. Revered as one the foremost indigenous poets of her time, Johnson was a prolific writer whose works explored her Mohawk heritage while shedding light on the racism and persecution faced by indigenous peoples across North America. The White Wampum captures Johnson's range as a poet in tune with the Romantic tradition without erasing her dualistic sense of identity as a woman of Mohawk and English heritage. Choosing to emphasize the former, Johnson, who also went by Tekahionwake, her great-grandfather's name, adopts the persona of a Mohawk wife devoted to her husband, a powerful warrior: "I am Ojistoh, I am she, the wife / Of him whose name breathes bravery and life / And courage to the tribe that calls him chief. / I am Ojistoh, his white star, and he / Is land, and lake, and sky-and soul to me." When members of the rival Huron tribe capture Ojistoh, their plan for retribution fails to account for her own strength and willpower. Outnumbered and unarmed, she remains certain she will return to her husband alive. In "The Camper," Johnson invokes the beauty and simplicity of life on the plains, erasing for a moment all distinction between man and god, heaven and earth: "Night neath the northern skies, lone, black, and grim: / Nought but the starlight lies twixt heaven, and him. / Of man no need has he, of God, no prayer; / He and his Deity are brothers there." With a beautifully designed cover and professionally typeset manuscript, this edition of E. Pauline Johnson's The White Wampum is a classic of Canadian literature reimagined for modern readers.

“From the Darkness Cometh the Light” (1891) is a memoir by Lucy A. Delaney. Published in St. Louis in the last year of Delaney's life, the work is regarded as an essential slave narrative and the only firsthand account of a freedom suit, by which some enslaved African Americans were able to achieve their freedom prior to emancipation. Twentieth century scholars of feminism and African American literature in particular have upheld her work and continue to celebrate her influence on the historical and cultural development of the nation. "On a dismal night in the month of September, Polly, with four other colored persons, were kidnapped, and, after being securely bound and gagged, were put into a skiff and carried across the Mississippi River to the city of St. Louis. Shortly after, these unfortunate negroes were taken up the Missouri River and sold into slavery." Tracing her mother's life back to this tragic event, Lucy A. Delaney tells a story of enslavement, hardship, and perseverance, the story of her family's struggle for freedom. As a young woman, Polly brought two lawsuits to court in St. Louis in the hopes of freeing herself and her daughter from slavery. Following their historic victory, mother and daughter remained together as Lucy attempted to start a family of her own. Despite losing her first husband and several children from her second marriage, Lucy remained dedicated to serving God and her community as a leader in her church and president of several organizations for the empowerment of African American women.

Hawaiian Legends of Ghosts and Ghost-Gods (1915) is a collection of Hawaiian folktales and myths by W. D. Westervelt. Connecting the origin story of Hawaii to the traditions of other Polynesian cultures, Westervelt provides an invaluable resource for understanding the historical and geographical scope of Hawaiian culture. Drawing on the work of David Malo, Samuel Kamakau, and Abraham Fornander, Westervelt, originally from Ohio, became a leading authority on the Hawaiian Islands, publishing extensively on their legends, religious beliefs, and folk tales. "The legends of the Hawaiian Islands are as diverse as those of any country in the world. They are also entirely distinct in form and thought from the fairy tales, which excite the interest and wonder of the English and German children. The mythology of Hawaii follows the laws upon which all myths are constructed." Part ethnography, part geological description, Westervelt's work is a powerful celebration of the cultural traditions of the Hawaiian Islands. In these legends, ghosts and gods interact with the environment and the daily lives of islanders, shaping human society and the land itself. Highlights include the story of the Wauhaula heiau, or temple, the legend of the enraged Hau-pu and the Rock of Kauai, and the tale of Nanaue, the shark-man of Waipio Valley.

Utopia (1516) is a work of political satire by Thomas More. Published in Latin while More was serving as Privy Counsellor under King Henry VIII, the text is stylized as a true account of a new civilization discovered in the New World by traveler Raphael Hythlodaeus. While there have been varying interpretations of Utopia over the centuries, it is most consistently regarded as a work of political philosophy in the tradition of Plato's Republic that satirizes European society by contrast with the laws and traditions of the Utopian people. "The island of Utopia is in the middle two hundred miles broad, and holds almost at the same breadth over a great part of it, but it grows narrower towards both ends. Its figure is not unlike a crescent." For centuries, Utopia has been seen as an essential work of Renaissance humanism for its vision of a just and highly organized political system characterized by the abolition of private property, communal values, full employment, and free accessible healthcare. While scholars have long debated whether More envisioned his Utopia as a positive representation of society or as merely an unattainable vision of life on earth, his work remains an essential contribution to political discourse that continues to inform readers today. With a beautifully designed cover and professionally typeset manuscript, this edition of Thomas More's Utopia is a classic work of English literature reimagined for modern readers.

The Civilization of the Renaissance in Italy (1860) is a work of art history by Swiss historian Jacob Burckhardt. Recognized today as the founder of modern art history and as one of the key thinkers of the nineteenth century, Burckhardt changed not only the way we think about the Renaissance in relation to European and world history, but the value placed on art as a tool for understanding historical developments. The Civilization of the Renaissance in Italy begins with a section on the historical events which sparked the Renaissance, focusing especially on the frequent military conflicts which marred the era as well as on the constant political upheavals undergone by such Italian regions and cities as Rome, Venice, and Florence. Burckhardt then moves to a philosophical discussion of the development of individuality in Italian culture, arguing that the political circumstances of those living in the Republics enabled such thinkers as Dante and Petrarch to create art that corresponded with that newfound sense of individuality. The third section discusses one of the key elements of Renaissance culture: the revival of interest in the cultural products of the ancient world, especially Greece and Rome. Part four focuses on the prominence of discovery in Renaissance culture, for which Burckhardt looks to the colonial expedition of Columbus, the growth of the natural sciences, and the achievements of such poets and writers as Dante, Petrarch, and Boccaccio in discovering new ways to describe humanity and the human spirit. In the fifth section, the importance of societal customs and festivals is discussed, and in the sixth and final part, Burckhardt observes the profound shifts undergone by religion and morality in Italy at the time. The Civilization of the Renaissance in Italy is a thorough, dynamic work of art history that not only changed the study of history at universities around the world, but elevated the status of art in understanding the process of cultural change. With a beautifully designed cover and professionally typeset manuscript, this edition of Jacob Burckhardt's The Civilization of the Renaissance in Italy is a classic of European art history reimagined for modern readers.

In his landmark collection Gitanjali, Tagore explored the realm of the spirit, paring down language to its clearest, purest form. In The Gardener, he gives expression to more worldly themes. Here, he is a fisherman, a restless wanderer, a servant and queen, an observer of life in all forms.

Caste and Outcast (1923) is an autobiography by Dhan Gopal Mukerji. Published the year after Mukerji moved from San Francisco to New York City, Caste and Outcast is a moving autobiographical narrative from the first Indian writer to gain a popular audience in the United States.

The Skeleton Count, or The Vampire Mistress (1828) is a penny dreadful by Elizabeth Caroline Grey. Although the novel's authorship is frequently disputed, The Skeleton Count, or The Vampire Mistress is likely the first vampire tale to be written and published by a woman. Like most penny dreadfuls, the novel makes up for a lack in style with an abundance of horror and romance. "When he had concluded the impious formula, an awful silence reigned in the turret, and he perceived the sheet gently agitated by the quivering of the limbs, which betokened returning animation. Then a shudder pervaded his frame in spite of himself, as he perceived the eyes of the corpse slowly open, and the dark dilated pupils fix their gaze on him with a strange and stolid glare." Desperate to live to eternity, Count Rodolph makes a dangerous deal with the devil. Invigorated with his newfound power, Rodolph reanimates the corpse of the beautiful Bertha, a fitting bride to accompany him in his quest for everlasting life. Will she be a loyal and irresistible vampire mistress, or will the Count's creation turn against him? The Skeleton Count, or The Vampire Mistress is an entertaining tale of terror and the occult from a prolific author of nineteenth century penny dreadfuls. With a beautifully designed cover and professionally typeset manuscript, this edition of Elizabeth Caroline Grey's The Skeleton Count, or The Vampire Mistress is a classic penny dreadful reimagined for modern readers.

The Book of Tea (1906) is a book-length essay by Okakura Kakuzō. Connected to the author's overall project of celebrating Japanese culture and emphasizing the role of the East in creating the modern world, The Book of Tea is considered a classic work on the subject. His description of chadō, or teaism, remains incredibly influential in England and around the Western world. "[Teaism] insulates purity and harmony, the mystery of mutual charity, the romanticism of the social order. It is essentially a worship of the Imperfect, as it is a tender attempt to accomplish something possible in this impossible thing we know as life." Part philosophy, part history, The Book of Tea explores the role of tea in shaping the arts and culture of Japan, China, and the world. Beginning with an investigation of the historical uses of tea, Okakura reflects on the specific techniques of tea brewing, the connections between tea and religion, and the interconnection of tea and the creative arts. Informative and meditative, The Book of Tea is an essential work for tea drinkers everywhere.

The Man Who Lost Himself (1920) is a novel by Henry De Vere Stacpoole. Although he is more widely known for his novel The Blue Lagoon (1908), which inspired the 1980 hit drama starring Brooke Shields, Stacpoole was a prolific bestselling author whose dozens of literary works continue to inspire and entertain a century after they first appeared in print. "With no financial foundation, Victor and a Philadelphia gentleman had competed for a contract to supply the British Government with Harveyised steel struts, bolts, and girders, he had come over to London to press the business, he had interviewed men in brass hats, slow moving men who had turned him over to slower moving men. [...] [T]his morning their tender had been rejected." In this thrilling tale of mistaken identity, Stacpoole moves away from his favorite setting of the South Pacific to the frenzied streets and barrooms of London's financial district. There, a desperate businessman learns that his proposal to secure a lucrative contract has been denied. With no money and a slew of creditors to appease, Victor Jones heads for the hotel bar to drown his sorrows. In his bleakest moment, he meets his doppelganger, an Englishman named Mr. Rochester. After a night of hard drinking, Jones awakens in a strange bedroom surrounded by the finest furniture money can buy. Before he can gather his senses, a servant enters with the paper and greets him as the Earl of Rochester. What he learns next will change his life forever. The Man Who Lost Himself was adapted into a 1920 silent film as well as a 1941 Hollywood feature starring Brian Aherne and Kay Francis. With a beautifully designed cover and professionally typeset manuscript, this edition of Henry De Vere Stacpoole's The Man Who Lost Himself is a classic of British literature reimagined for modern readers.

Magnolia Leaves (1897) is a collection of poems by Mary Weston Fordham. Published toward the end of her life, Fordham's only collection appeared in print with an introduction by Booker T. Washington, who saw in its author an undeniable gift which could prove "[t]he Negro's right to be considered worthy of recognition in the field of poetic effort." Meditating on such themes as morality, labor, maternity, liberty, and faith, Mary Weston Fordham displays not only a mastery of poetic form, but a hard-earned wisdom and talent for observing life in all its forms. "With hands all reddened and sore, / With back and shoulders low bent, / She stands all day, and part of the night / Till her strength is well-nigh spent." In "The Washerwoman," Fordham depicts a woman whose life on earth revolves around labor, for whom life after death means the promise of hard-earned rest, to "be found on the other shore." While many, if not all, of Fordham's poems revolve around Christian imagery and themes, some, including "Chicago Exposition Ode," "Stars and Stripes," and "Alaska," reflect on the promise of freedom and liberty in the aftermath of the Civil War. Her poems strive to depict the diversity of nineteenth century America, such as in "Atlanta Exposition Ode," which celebrates the end of war and the coming together of former slaves, Union soldiers, and Confederate forces alike. "Song to Erin" and "Highland Mary" depict the immigrant experience, while "The Cherokee" mourns the murder and displacement of America's indigenous peoples. In sixty-six poems, Mary Weston Fordham distils the experience of a lifetime and the wisdom of one who has experienced loss and found the strength to move forward. With a beautifully designed cover and professionally typeset manuscript, this edition of Mary Weston Fordham's Magnolia Leaves is a classic of African American literature reimagined for modern readers.

Mr. and Mrs. Dunbar: Poems, Plays and Prose (2021) is a selection of the literary works of Paul Laurence Dunbar and Alice Dunbar Nelson. With such collections Oak and Ivy (1892) and Majors and Minors (1896), Paul Laurence Dunbar earned a reputation as an artist with a powerful vision of faith and perseverance who sought to capture and examine the diversity of the African American experience. In her poems, plays, and stories, Alice Dunbar Nelson explores themes of class, prejudice, faith, and romance while paying particular attention to the phenomenon of racial passing. Mr. and Mrs. Dunbar: Poems, Plays and Prose includes dozen of their individual literary works in a compact, carefully curated volume. Throughout his oeuvre, Dunbar explores the role of the poet in society, grounding each poem within his identity as a Black man in America. In "Frederick Douglass," an elegy written for the occasion of the great man's passing, Dunbar makes clear the consequences of pride and defiance in a nation built by slaves: "He dared the lightning in the lightning's track, / And answered thunder with his thunder back." In "The Place Where the Rainbow Ends," Dunbar, perhaps reflecting on his proximity to death, provides a simple song with a cautionary, utopian vision of hope and happiness: "Oh, many have sought it, / And all would have bought it, / With the blood we so recklessly spend, / But none has uncovered, / The gold, nor discovered / The spot at the rainbow's end." Meditative and bittersweet, Dunbar rejects wealth and power as a means of achieving fulfillment, looking instead to establish an inner peace for himself that he might "find without motion, / The place where the rainbow ends," a place "[w]here care shall be quiet, / And love shall run riot, / And [he] shall find wealth in [his] friends." Whether a vision of heaven or of the possibility of peace on earth, this poem finds echoes across Dunbar's penultimate volume. Nearing death at such a young age, he prepares himself to lose the life he had fought so hard to achieve, a life devoted to reaching the hearts and minds of others. Mine Eyes Have Seen (1918) is a one-act play by Alice Dunbar Nelson. Published in The Crisis, the influential journal of the NAACP, Mine Eyes Have Seen is a brutal portrait of race and identity in twentieth century America. Exploring themes of violence, faith, patriotism, and economic struggle, Dunbar Nelson crafts a poignant and unforgettable work of fiction. In the short story "The Goodness of St. Rocque," Manuela is a popular young woman of status in New Orleans' thriving Creole community. Like many women her age, she hopes to marry a handsome and successful man. Setting her sights on Theophile, she prepares to be courted in the traditional manner of her people. When rumor gets out that he has been spending time with Claralie, a beautiful blonde, Manuela is forced to seek supernatural assistance. With a beautifully designed cover and professionally typeset manuscript, this edition of Mr. and Mrs. Dunbar: Poems, Plays and Prose is a classic of African American literature reimagined for modern readers.

The Traditional History and Characteristic Sketches of the Ojibway Nation (1850) is a work of Indigenous American history by George Copway. Written while he was living with his wife and daughter in New York, The Traditional History and Characteristic Sketches of the Ojibway Nation helped establish Copway's reputation as a leading Native American author of the nineteenth century. Recognized as one of the first books of its kind written by an indigenous author, Copway's work is an invaluable resource for understanding the history of contact between settlers and indigenous peoples, some of whom, like Copway's family, assimilated and served as missionaries, translators, and ambassadors. "There is room and opportunity for adventure among the bold, broken, rugged rocks, piled up one upon another in 'charming confusion,' on the shores, along the borders of the silent waters, or beneath the solid cliffs against which the waters of Superior break with a force which has polished their rocky surface. The mountains, rivers, lakes, cliffs, and caverns of the Ojibway country, impress one with the thought that Nature has there built a home for Nature's children. Raised in a moment of immense cultural change for his people, George Copway played a complicated role as a Methodist missionary and Ojibway historian, preserving the traditions of his people while working to assimilate their religious beliefs with those of the white settlers whose presence so often proved detrimental to their continued existence. In this powerful work, one of the first written texts on Indigenous American history by an indigenous author, Copway reflects on the cultural traditions, geographical territory, and ancestral stories of the Ojibway people. Written in a poetic, meditative prose, The Traditional History and Characteristic Sketches of the Ojibway Nation remains essential reading nearly two centuries after it appeared in print.

The Collected Meditations of Mrs. Maria W. Stewart (2021) compiles the speeches and writings of Maria W. Stewart. This groundbreaking collection includes some of the best works from across Stewart's career as the first African American public lecturer, including Meditations from the Pen of Mrs. Maria Stewart, her 1832 speech delivered at the Franklin Hall, her address delivered before the African American Female Intelligence Society, and her lecture delivered at the African Masonic Hall in 1833. "Many will suffer for pleading the cause of oppressed Africa, and I shall glory in being one of her martyrs; for I am firmly persuaded that the God in whom I trust is able to protect me from the rage and malice of mine enemies, and from them that will rise up against me; and if there is no other way for me to escape, He is able to take me to himself..." In the brief span of five years, Stewart became one of Boston's most prominent lecturers on abolition and women's rights, passionately condemning the institution of slavery while calling attention to the racism faced by free African Americans living in the north. This collection places some of her best-known speeches alongside her highly regarded meditations, personal reflections on life as a Black woman in nineteenth century America. A keen observer of political events and a powerful voice against oppression of all kinds, Maria W. Stewart remains relatively unknown despite her prominent role in the movements for abolition and women's rights. With a beautifully designed cover and professionally typeset manuscript, this edition of The Collected Meditations of Mrs. Maria W. Stewart is a classic of African American literature reimagined for modern readers.

A Masque of Poets (1878) is a poetry collection edited by George Parsons Lathrop. Part of Boston-based publisher Roberts Brothers' "No Name" series, A Masque of Poets presents the works of little-known writers-including Emily Dickinson-alongside such recognized masters as Christina Rossetti and James Russell Lowell, leaving each poem anonymous to allow the reader to experience the work without thought of reputation. "Sing! Sing of what? The world is full of song; / And all the singing seems but echoed notes / Of the great masters…" Beginning with this playful introductory poem, A Masque of Poets attempts to demystify poetry by removing poets from the equation altogether. Understanding the pressures inherent to making art, especially the kind of art with such a long and storied history as poetry, this collection foregoes reputation and tradition by allowing the poems to speak for themselves, to appear anonymously so that the reader might make a clear judgment regarding each poem's meaning and quality. Far from mere publishing gimmick, A Masque of Poets is a highly original, challenging, and rewarding collection of poems that happens to include works from some of the nineteenth century's finest poets. By forcing the reader to trust their interpretive abilities, A Masque of Poets reinvigorates a craft whose worth was never the names of its practitioners, but the words they could produce. "Success," the final poem before the concluding "novelette in verse" Guy Vernon, just so happens to be one of the only poems published by Emily Dickinson in her lifetime. For its importance to Dickinson scholars, as well as for its genuine originality, A Masque of Poets remains an essential contribution to the history of American literature. With a beautifully designed cover and professionally typeset manuscript, this edition of A Masque of Poets is a classic work of American literature reimagined for modern readers.

Published in 1924, “The Life and Letters of Emily Dickinson” is a biography by her niece Martha Dickinson Bianchi. Featuring detailed biographical essays and her letters, for the first time arranged chronically, the book stands as a retelling of her aunt's life from the perspective of family in an attempt to challenge the image of Emily Dickinson as a cold, isolated woman of mystery. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Life and Letters of Emily Dickinson is a must-read biography reimagined for modern readers.

The Influence of Sea Power Upon History (1890) is a work of naval history and strategy by Alfred Thayer Mahan. Drawing on decades of experience as a naval officer, researcher, and university lecturer, Mahan develops his theory of sea power in the seventeenth and eighteenth centuries in this popular and important text. Despite a lack of primary sources, The Influence of Sea Power would prove essential to the expansion of European and American imperialism through the use of naval might and has been cited as one of the most influential works of the nineteenth century. "The history of Sea Power is largely, though by no means solely, a narrative of contests between nations, of mutual rivalries, of violence frequently culminating in war." For Alfred Thayer Mahan, there was no greater indicator of national might throughout history than control of the planet's oceans. In this detailed study of the subject, drawn from years of research and lectures given at the Naval War College in Rhode Island, Mahan traces the influence of sea power on such conflicts as the English Revolution and the Seven Years' War to argue that supremacy of the seas coincides with global commercial and political dominance throughout history. Immediately successful, The Influence of Sea Power Upon History would justify the expansion of imperialism as well as shape the naval arms race between Great Britain and Germany in the years preceding the First World War. With a beautifully designed cover and professionally typeset manuscript, this edition of Alfred Thayer Mahan's The Influence of Sea Power Upon History is a classic of naval strategic scholarship reimagined for modern readers.

Women Are People! (1917) is a collection of poems by Alice Duer Miller. Inspired by her work as an activist for women's suffrage, Miller published many of these poems individually in the New York Tribune before compiling them into this larger work. Focusing on the opposition of politicians and citizens alike, Miller makes a compelling and frequently hilarious case for the extension of voting rights to women across the nation. With her keen eye for hypocrisy and even keener ear for the rhythms of the English language, Alice Miller Duer crafts a poetry both personal and political.

Originally published in two volumes between 1923 and 1925, Africa for Africans, Or, The Philosophy and Opinions of Marcus Garvey is a compilation of letters, speeches and essays by one of the Fathers of Pan-Africanism. Hailed by Martin Luther King Jr. as, "the first man of color...to make the Negro feel like he was somebody," Garvey was a polarizing yet influential figure whose legacy continues to be felt today. These philosophies, collected by his second wife and pioneering journalist, Amy Jacques Garvey, chronicle Garvey's initial impressions and recollections of America, the formation of the Universal Negro Improvement Association (U.N.I.A.), his imprisonment and subsequent trial over the Black Star Line, and his scathing opinions of the National Association for the Advancement of Colored People (N.A.A.C.P.) Including such pieces as, "An Appeal to the Soul of White America," "The Negro's Greatest Enemy," and "Declaration of Rights of the Negroes of the World," Africa for Africans, Or, The Philosophy and Opinions of Marcus Garvey is an essential piece of Black history, professionally typeset and reimagined for modern readers.

Love's Labour's Lost (1596) is a comedy by William Shakespeare. The play was written to be performed for Queen Elizabeth at the Inns of Court, and has frequently been recognized for its length and complex wordplay. Although rarely staged up until the nineteenth century, Love's Labour's Lost has seen a resurgence over the last century, serving as source material for musicals, films, and television shows alike. "Beauty is bought by judgment of the eye, / Not utt'red by base sale of chapmen's tongues; / I am less proud to hear you tell my worth / Than you much willing to be counted wise." For his wit and wordplay alone, William Shakespeare is often considered the greatest writer to ever work in the English language. Where he truly triumphs, however, is in his ability to portray complex human emotions, how these emotions contribute to relationships, and how these relationships interact with politics, culture, and religion. King Ferdinand of Navarre takes an oath with his closest friends and advisors: for three years, they will commit to dietary moderation and intellectual enrichment, depriving themselves of the company of women. When the Princess of France arrives with her ladies on important business, she finds herself unable to get within a mile of court due to the King's strict order. One by one, the King and his men fall in love with the French women, though each is unwilling to admit it without first implicating his comrades. With a beautifully designed cover and professionally typeset manuscript, this edition of William Shakespeare's Love's Labour's Lost is a classic of English literature reimagined for modern readers.

In Seven Stages: A Flying Trap Around the World (1891) is a travel narrative by American journalist Elizabeth Bisland. When Bly's journey-inspired by the travels of Phileas Fogg in Jules Verne's Around the World in Eighty Days (1873)-was announced in Joseph Pulitzer's popular newspaper the New York World, Cosmopolitan sent a young reporter of its own to race Bly across the globe. At the time, readers at home were encouraged to estimate the hour and day of Bisland's arrival, generating national interest and launching a series of copycat adventures by ambitious voyagers over the next few decades. "My appetite for mystery at that hour of the day is always lamentably feeble, and it was nearly eleven before I found time to go and investigate this one, although the office in question was only a few minutes' walk from my residence. On arriving, the editor and owner of the magazine asked if I would leave New York that evening for San Francisco and continue from there around the world, endeavoring to complete the journey in some absurdly inadequate space of time." Summoned from her life of work and leisure to undertake a several month journey around the world, Elizabeth Bisland rose to the occasion with courage and wit. Although Nellie Bly made it home five days before her-perhaps due to some subterfuge on the part of her publisher-Bisland took defeat in stride, writing an account filled with wonderful descriptions of her voyage. Ironic and self-effacing, Bisland's account, although less popular than Bly's, remains an essential work from the early days of tabloid entertainment and investigative journalism, a time when publishers were willing enough-or wild enough-to send correspondents on a globetrotting voyage in search of fame. With a beautifully designed cover and professionally typeset manuscript, this edition of Elizabeth Bisland's In Seven Stages: A Flying Trap Around the World is a classic work of American travel literature reimagined for modern readers.

Unwritten Literature of Hawaii: The Sacred Songs of the Hula (1909) is a collection of hulas and essays by Nathaniel B. Emerson. Translating previously unwritten songs, interviewing native Hawaiians, and consulting the works of indigenous historians, Emerson provides an entertaining and authoritative look at one of Hawaii's most cherished traditions. "For an account of the first hula we may look to the story of Pele. On one occasion that goddess begged her sisters to dance and sing before her, but they all excused themselves, saying they did not know the art. At that moment, in came little Hiiaka, the youngest and the favorite... When banteringly invited to dance, to the surprise of all, Hiiaka modestly complied. The wave-beaten sand-beach was her floor, the open air her hall, Feet and hands and swaying form kept time to her improvisation." As an American born in Hawaii who played a major role in the annexation of the islands as an author of the 1887 Constitution of the Hawaiian Kingdom, Emerson likely saw himself as a unifying figure capable of interpreting for an English-speaking audience the ancient and sacred tradition of the hula, a Polynesian dance often accompanied with instruments and chanting or singing. Combining critical analysis with samples of popular hulas in both Hawaiian and English, Emerson works to preserve part of the rich cultural heritage of the Hawaiian Islands.

Glimpses of Bengal: The Letters of Tagore collects letters from 1885 to 1895, a period designated by the author as "the most productive period of [his] literary life." Bridging the gap between fiction and nonfiction, these letters contain personal reflections on the political situation in India, mediations on nature and poetry, and stunning vignettes of life in the nineteenth century. "The unsheltered sea heaves and heaves and blanches into foam. It sets me thinking of some tied-up monster straining at its bonds, in front of whose gaping jaws we build our homes on the shore and watch it lashing its tail." In this selection of letters, Tagore is at his philosophical, poetic best, reflecting earnestly and with ease on matters public and private. A young man, he writes with the clarity and wisdom of one who has lived many times over, granting readers a glimpse of the iconic figure he would become toward the end of his life and career. His portrait of Bengal is heartfelt and true, unadorned and yet possessing an almost mystical quality. Whether describing his travels upriver by boat or a dream journey through a Calcutta immersed in "a dense, dark mist," Tagore never fails to intrigue, enrapture, and enlighten.

Ariel (1922) is an essay by José Enrique Rodó. Originally published in Spanish in 1900, Ariel was translated into English just five years after the author's death by F. J. Stimson, the former U. S. Ambassador to Argentina. The essay was immediately influential in Uruguay and across Latin America as an essential document of modernismo, a literary movement which sought to unite classical values and contemporary culture through a devotion to beauty and form. "The gifts of the youthful spirit-enthusiasm and hope-correspond in the harmonies of history and natural history to movement and to light. Wherever you shall turn your eyes you will find these, the natural atmosphere in which move all things that are strong and beautiful." Captivated by a bronze statue of Ariel from Shakespeare's The Tempest, a teacher known as Prospero speaks passionately to his young students on the eve of summer vacation. Taking a historical view of human civilization, José Enrique Rodó applies the teachings of the Enlightenment to the political reality facing Latin America in the early twentieth century. Promoting morality and idealism over the encroaching utilitarianism of North America, Rodó crafted what one critic called "the ethical gospel of the Spanish-speaking new world." With a beautifully designed cover and professionally typeset manuscript, this edition of José Enrique Rodó's Ariel is a classic of Uruguayan literature reimagined for modern readers.

"The first taste I had for books came to me from my pleasure in the fables of the Metamorphoses of Ovid. For at about seven or eight years of age I would steal away from any other pleasure to read them, inasmuch as this language was my mother tongue, and it was the easiest book I knew and the best suited by its content to my tender age." –Michel de Montaigne</p Ars Amatoria; or, The Art of Love (2 AD) is an instructional poem by Ovid. Divided into three books, Ars Amatoria; or, The Art of Love was immensely popular-if a little controversial-in its time, and has survived numerous charges of indecency over the centuries. For the modern reader, it should prove a surprisingly relatable work on intimacy from an author of the ancient world. Although it has been argued that the publication of this work led to Ovid's exile in 8 AD, it remains unlikely that the poet was banished for anything other than political reasons having to do with succession. At times serious, at others humorous, Ars Amatoria; or, The Art of Love uses a mix of down-to-earth examples and relatable references to mythology in order to offer salient advice for the reader longing for love. Far from a valuable artifact of classical literature-which it is, in part-Ovid's work is a wonderfully straightforward textbook on all aspects of human relationships. Topics include etiquette, remembering birthdays, avoiding unhealthy jealousy, being open to older and younger lovers, and nurturing honesty. On sex, Ovid suggests a careful selection of positions according to comfort and physique, ultimately recommending that love-making be done in a way that pleasures all parties involved. Ars Amatoria; or, The Art of Love, although frequently tongue-in-cheek, is an earnest and effective attempt to enlighten and encourage its readers to partake-responsibly-in one of life's greatest pleasures. With a beautifully designed cover and professionally typeset manuscript, this edition of Ovid's Ars Amatoria; or, The Art of Love is a classic work of Roman literature reimagined for modern readers.

The Water of the Wondrous Isles (1897) is a fantasy novel by William Morris. Although he is widely regarded as one of the most influential designers of the Victorian era, Morris was also a dedicated socialist and gifted novelist whose art explores the politics of his time through the lens of the imagination. Morris' work in the genres of fantasy and utopian science fiction is an underrecognized but nevertheless vital aspect of his contribution to English cultural advancement. "This little one, who is henceforth called Birdalone, though the witch called her but seldom so, nor indeed by any name, dwelt there betwixt the water and the wood, and saw none save the said witch-wife, who, as aforesaid, fed her well, but scarce meddled with her else for a long while..." In the rural town of Utterhay, a wicked witch from Evilshaw arrives to peddle her wares. Beholding a beautiful young girl, she endeavors to gain the trust of her young mother. Invited to their humble home, the witch provides the woman money to head to market for supper, but when the mother leaves, her devious guest kidnaps the girl and heads for the forest of Evilshaw. There, Birdalone is raised to be a servant until, struck with a newfound sense of independence, she steals a magic boat in order to make her escape. With the help of the fairy Habundia, she makes her way from one wondrous isle to the next, risking everything to return to her home and family. With a beautifully designed cover and professionally typeset manuscript, this edition of William Morris' The Water of the Wondrous Isles is a classic of English literature reimagined for modern readers.

The Cherry Orchard (1903) is Russian playwright and short story writer Anton Chekhov's final play. It was first performed at the Moscow Art Theatre in 1904, directed by acclaimed actor Konstantin Stanislavski-who also played the role of Leonid Gayev, the bizarre and uninspired brother of Madame Ranevskaya. It has since become one of twentieth century theater's most important-and most frequently staged-dramatic works. After five years of living in Paris with her lover-where she fled following the death of her young son-Madame Ranevskaya is brought back to her Russian estate by her daughter Anya. In her absence, Varya, Ranevskaya's adopted daughter, has cared for the estate to the best of her ability, but the family's debts have forced them to put the house and its renowned cherry orchard up for auction. Leonid Gayev, Madame Ranevskaya's brother, hopes to keep the estate, while Yermolai Lopakhin-a wealthy neighbor despite being born a peasant-encourages the family to sell. Although they initially shelter Madame Ranevskaya, she soon discovers the truth and decides-against the family's wishes-to throw a party none of them can afford. As the play reaches its tragic conclusion, the wealthy are forced to acknowledge their circumstances have changed, and the characters who depend on them for employment must do what they can to survive. The Cherry Orchard is a powerful drama that takes an unsparing appraisal of the massive shift in political and social circumstances undergone by Russians in the early twentieth-century.

A conversational text that addresses many philosophical concepts as well as Western religion by questioning good versus evil and the unnecessary suffering of innocent people. Anicius Boethius draws from his own experiences to illustrate these spiritual and ethical struggles. In The Consolation of Philosophy the author engages in a figurative discussion with Lady Philosophy, a type of teacher. Through their exchange, he poses serious questions regarding the existence of God and human nature. He also acknowledges his own dire circumstances, contemplating the hardships and trauma. Many counterpoints are tied to ideals such as the Wheel of Fortune, highlighting inconsistent and often unfair outcomes. He also focuses on the importance of intangible gifts such as love and intelligence. The Consolation of Philosophy is an honest analysis of the nature of happiness. It forces the reader to face hard truths about their wants versus needs. It's a sobering examination of the unpredictable structure of life.

The Philosophy of Rabindranath Tagore (1918) is an academic study by Sarvepalli Radhakrishnan. Published at the beginning of his career as one of India's leading professors of comparative religion, the work is a masterful investigation of the teachings of poet-philosopher Rabindranath Tagore. In 1913, Tagore was awarded the Nobel Prize in Literature, making him the first lyricist and non-European to be awarded the distinction. Over the next several decades, Tagore wrote his influential novel The Home and the World (1916), toured dozens of countries, and advocated on behalf of Dalits and other oppressed peoples. "Rabindranath's teaching, with its vital faith in the redeeming power of the spiritual forces and their up-building energy, has a particular value at the present moment, when the civilized world is passing through the crucible of a ghastly war which, whether or not it purges the nations of their pride and hate, lust for gold and greed of land, at least proclaims, in no uncertain tones, the utter bankruptcy of materialism." In this masterwork of twentieth century criticism, Sarvepalli Radhakrishnan explores the philosophical teachings of Rabindranath Tagore, a leading artist and intellectual of modern India. Divided into five chapters, the book explores the interrelation of poetry and philosophy in Tagore's work, his influence on Indian culture, and the meaning of his contribution to the nations of the world. With a beautifully designed cover and professionally typeset manuscript, this edition of Sarvepalli Radhakrishnan's The Philosophy of Rabindranath Tagore is a classic of Indian literature reimagined for modern readers.

“The Birch Bark Books of Simon Pokagon” is a collection of articles and legends written for and about the Potawatomi tribe by Simon Pokagon. Before Chicago was one of the largest and most prosperous cities in the nation, it was home to the Anishinaabe peoples, including the Potawatomi to whom Simon Pokagon belonged. Angered with the erasure of his people and the whitewashing of the history of violence against America's indigenous tribes, Pokagon gave this opening speech, "The Red Man's Rebuke," at the World's Columbia Exposition of 1893. A lifelong activist, Pokagon dissects the false narrative of savagery and civilization which justified the actions of European settlers while vilifying those they displaced in their movement westward. During the Exposition, Pokagon would speak to a crowd of 75,000 on his hope for the future of his people.

Three Sisters (1900) is a drama in four acts by Russian playwright and short story writer Anton Chekhov. It was first performed at the Moscow Art Theatre in 1901, directed by acclaimed actor Konstantin Stanislavski-who also played the role of Aleksandr Ignatyevich Vershinin, a philosophizing artillery officer in love with middle Prozorov sister Masha. Reviews were mixed at first, but as the play continued to run, Three Sisters became a popular success, acclaimed by audiences and critics alike. The play follows the Provorov family, focusing on sisters Olga, Masha, and Irina, as well as their brother Andrei. Each character struggles to balance their secret ambitions while facing the daily circumstances of reality. Olga, the oldest sister, is an unmarried schoolteacher who often finds herself responsible for the lives and happiness of others. Masha, the middle sister, is unhappily married to the kind Latin teacher Fyodor Kulygin, who knows about her affair with Lieutenant-Colonel Vershinin but continues to love and care for her. Irina, the youngest, is a vain and childish woman engaged to a man she respect but does not love. Andrei is initially an ambitious and energetic young man whose ill-fated marriage ruins not only his prospects of becoming a professor in Moscow, but his will to live as a man with any sense of self-respect. Natasha, who begins as an orphaned young woman unfit for high society, eventually emerges as a manipulative, envious woman whose love for her two children is matched only by her will to control the lives of the entire Prozorov family. Three Sisters by Anton Chekhov, is a brilliant drama whose complex characters make us believe, for a time, in an art more real than life.

The Complete Frances Harper (2021) is a collection of writing by Frances Ellen Watkins Harper. Harper, the first African American woman to publish a novel, gained a reputation as a popular poet and impassioned abolitionist in the decades leading up to the American Civil War. Much of her work was rediscovered in the twentieth century and preserved for its significance to some of the leading social movements of the nineteenth century, including temperance, abolition, and women's suffrage. As an artist for whom the personal was always political, Frances Harper served in a leadership role at the Women's Christian Temperance Union and worked to establish the National Association of Colored Women, serving for a time as vice president of the organization. Included in this volume are her early poetry volumes, such as Forest Leaves (1845) and Poems on Miscellaneous Subjects (1854). In "Bury Me in Free Land," an influential poem published in an 1858 edition of abolitionist newspaper The Anti-Slavery Bugle, Harper expresses her commitment to the cause of freedom in life or death terms: "I ask no monument, proud and high, / To arrest the gaze of the passers-by, / All that my yearning spirit craves, / Is bury me not in a land of slaves." She reflects on the theme of freedom throughout her body of work, often examining her own identity or experiences as a free Black woman alongside the lives of her enslaved countrymen. The Complete Frances Harper also includes her four groundbreaking novels. Minnie's Sacrifice (1869), originally serialized in the Christian Recorder, addresses such themes as miscegenation, passing, and the institutionalized rape of enslaved women using the story of Moses as inspiration. Sowing and Reaping (1876) is a novel concerned with the cause of temperance in a time when Black families were frequently torn apart by alcoholism. Trial and Triumph (1888-1889) is a politically conscious novel concerned with an African American community doing its best to overcome hardship with love and solidarity. Iola Leroy, or Shadows Uplifted (1892) is a story of liberation set during the American Civil War that deals with such themes as abolition, miscegenation, and passing. In these novels, poems, speeches from across her lengthy career as an artist and activist, Harper not only dedicates herself to her suffering people, but imagines a time "When men of diverse sects and creeds / Are clasping hand in hand." With a beautifully designed cover and professionally typeset manuscript, this edition of The Complete Frances Harper is a classic of African American literature reimagined for modern readers.

The Convent of Pleasure (1868) is a closet drama by Margaret Cavendish. Intended for private performance rather than the stage, The Convent of Pleasure is a comedy that critiques the institution of marriage and explores the possibility of lesbian desire in a patriarchal society. Published under the author's own name - a rare feat for a woman of her time - The Convent of Pleasure is a groundbreaking work of queer utopian literature that continues to inform and inspire artists and critics alike. "Put the case I should Marry the best of Men, if any best there be, yet would a Married life have more crosses and sorrows then pleasure, freedom, or happiness: nay Marriage to those that are virtuous is a greater restraint then a Monastery." Tired of the ways of men, Lady Happy encourages her friends to join an experimental cloister devoted to feminine autonomy, friendship, and desire. Despite opposition from angry Monsieurs and the skeptical Madam Mediator, the woman forge a tight-knit group and seem prepared to defy the institution of marriage while pursuing romantic relationships with their fellow women. Before long, a mysterious Princess seeks entry to the convent.