Marie Antoinette Romances

Joseph Balsamo is a novel by Alexandre Dumas, inspired by the life and personality of Giuseppe Balsamo, commonly referred to as Count Alessandro di Cagliostro.

Features one of the strangest characters in literature, Joseph Balsamo, also known as Cagliostro (later a key figure in the Affair of the Necklace). An alchemist, conspirator, and Freemason, Balsamo figures prominently in the eventual downfall of the French monarchy.

Set in Paris during the French Revolution, The Mesmerist's Victim tells a tale of star-crossed lovers whose romance blooms at an extremely inopportune moment in history. Will they be able to find happiness together, or will they be swallowed up in the tumult of radical political and social change?

Set in Paris during the French Revolution, „The Mesmerist's Victim" tells the story of two star-crossed lovers whose romance blooms at an extremely inopportune moment in European history. Will they be able to find happiness together, or will they be swallowed up in the tumult of radical political and social change? „The Mesmerist's Victim" is the second in Dumas' fictional series on the French Revolution. The story continues the tale where „Memoirs of a Physician" left off. This is the second in Dumas' series on the retelling of the French Revolution. Alexandre Dumas was a French writer whose works have been translated into nearly 100 languages. His historical novels include „The Count of Monte Cristo", „The Three Musketeers", „The Corsican Brothers", and „The Man in the Iron Mask".

While French writer Alexandre Dumas is best-known for The Three Musketeers and The Count of Monte Cristo, many critics consider his Marie-Antoinette novels to be his greatest achievement. Indeed, he was working on a dramatization of The Queen's Necklace at the time of his death in 1870. This was never published, but French playwright Pierre Decourcelle then produced his own version of this work. A successful dramatist, Decourcelle did a brilliant job of adapting Dumas's epic novel, salting the text with such larger-than-life figures as King Louis XVI, Queen Marie-Antoninette, Cagliostro, and the Countess de la Motte. When the scandal surrounding the French court finally breaks, you have the feeling that you're actually there, watching the tragedy unfold before your eyes. First-rate historical drama!

"Queen's Necklace" is a novel by Alexandre Dumas that was published in 1849 and 1850 (immediately following the French Revolution of 1848). It is loosely based on the Affair of the Diamond Necklace, an episode involving fraud and royal scandal that made headlines at the court of Louis XVI in the 1780s.

The Queen's Necklace dramatises an unsavoury incident in the 1780s at the court of King Louis XVI of France involving the King's wife, Marie Antoinette. Her reputation was already tarnished by gossip and scandal, and her implication in a crime involving a stolen necklace became one of the major turning-points of public opinion against the monarchy, which eventually culminated in the French Revolution.

Excerpt: "It was a winter night, and the ground around Paris was covered with snow, although the flakes had ceased to fall since some hours. Spite of the cold and the darkness, a young man, wrapped in a mantle so voluminous as to hide a babe in his arms, strode over the white fields out of the town of Villers Cotterets, in the woods, eighteen leagues from the capital, which he had reached by the stagecoach, towards a hamlet called Haramont. His assured step seemed to indicate that he had previously gone this road."

The French Revolution had begun by the Taking of the Bastile by the people of Paris on the Fourteenth of July, 1789, but it seemed to have reached the high tide by King Louis XVI, with his Queen Marie Antoinette and others of the Royal Family, leaving Versailles, after some sanguinary rioting, for the Capital, Paris. But those who think, in such lulls of popular tempests, that all the mischief has blown over, make a mistake. Behind the men who make the first onset, are those who planned it and who wait for the rush to be made and, then, while others are tried or satisfied, glide into the crowds to stir them up. Mysterious agents of secret, fatal passions, they push on the movement from where it paused, and having urged it to its farthest limit, those who opened the way are horrified, at awakening to see that others attained the end. At the doorway of a wine saloon at Sevres by the bridge, over the Seine, a man was standing who had played the main part, though unseen, in the riots which compelled the Royal Family to renounce an attempt to escape out of the kingdom like many of their sycophants, and go from Versailles Palace to the Tuileries. This man was in the prime of life: he was dressed like a workingman, wearing velveteen breeches shielded by a leather apron with pockets such as shinglers wear to carry nails in, or blacksmith-farriers or locksmiths. His stockings were grey, and his shoes had brass buckles; on his head was a fur cap like a grenadier's cut in half or what is called nowadays an artillerist's busby. Grey locks came straggling from under its hair and mingled with shaggy eyebrows; they shaded large bulging eyes, keen and sharp, quick, with such rapid changes that it was hard to tell their true color. His nose was rather thick than medium, the lips full, the teeth white, and his complexion sunburnt.

France had been changed to a limited monarchy from an absolute one, and King Louis XVI had solemnly sworn to defend the new Constitution. But it had been remarked by shrewd observers that he had not attended the Te Deum at the Paris Cathedral, with the members of the National Assembly: that is, he would tell a lie but not commit perjury. The people were therefore on their guard against him, while they felt that his Queen, Marie Antoinette, the daughter of Austria, was ever their foe. But the murders by the rabble had frightened all property holders and when the court bought Mirabeau, the popular orator, over to its cause by paying his debts and a monthly salary the majority of the better classes, who had not fled from France in terror, thought the Royal Family would yet regain their own. In point of fact, Mirabeau had obtained from the House of Representatives that the King should have the right to rule the army and direct it and propose war, which the Assembly would only have the sanction of. He would have obtained more in the reaction after the Taking of the Bastile but for an unknown hand having distributed full particulars of his purchase by the royalists in a broadside given away by thousands in the streets.

This swashbuckling yarn is the continuation of the story in "Balsamo, the Magician," "The Queen's necklace," and "Ten Years Later." It is the story of the royal family in the last days of the monarchy of France and the struggles of the people on every side, and more than their historical struggle, their personal struggles as well.