Lost in Paris

Pulsing with the glamour and excitement of the Jazz Age, Lost in Paris explores a young woman's journey to redeem herself from the heartaches of her past, while finding her way forward in tumultuous, unprecedented times. NO ONE CAN HURT YOU LIKE FAMILY PARIS, 1922: Zoe Barlow knows the pain of loss. By the age of eighteen, she'd already lost her father to suicide, and her reputation to an ill-fated love affair-not to mention other losses, too devastating for words. Exiled from her home and her beloved younger sister by their stepmother, she was unceremoniously dumped in Paris without a friend to help her find her way. Four years later, Zoe has forged a new life as a painter amidst fellow artists, expats, and revolutionary thinkers struggling to make sense of the world in the aftermath of war. She's adopted this Lost Generation as her new family, so when her dear friend Hadley Hemingway loses a valise containing all of her husband Ernest's writings, Zoe happily volunteers to track it down. But her search for the bag keeps leading to murder victims, and Zoe must again face hard losses-this time among her adopted tribe. If she persists in her reckless quest to find the killer, the next life lost may be her own.

One woman's trash is another woman's--lost Chagall masterpiece?!? Expat Zoe Barlow has settled well into her artist's life among the Lost Generation in 1920s Paris. When a too-tipsy guest at her weekly poker game breaks Zoe's favorite clock, she's off to a Montparnasse flea market to bargain with the vendor Laurette for a replacement. What Zoe didn't bargain for was the lost Chagall painting that's been used like a rag to wrap her purchases! Eager to learn whether Laurette has more Chagalls lying about like trash, Zoe sets off to track her down at her storage shed. With no Laurette in sight, Zoe snoops around and indeed finds several additional Chagalls-and then she finds Laurette herself, dead beneath a scrap heap, her beautiful face bashed in. With Paris hosting the 1924 Summer Olympics, the police are far too busy with tourist-related crimes to devote much time to the clock seller's murder. After returning the paintings to a grateful Marc Chagall, Zoe begins her own investigation. Did the stolen paintings play any part in the brutal killing? Or was it a crime of passion? Zoe soon discovers that there were many people who had reason to resent the lovely Laurette. But who hated the girl enough to stop her clock permanently? When Zoe discovers a second murder victim, the pressure is on to find the killer before time-and luck-run out.