Linda Bruckheimer Series in Kentucky Literature

This is a daughter's story. In Small Fires, Julie Marie Wade recreates the landscape of her childhood with a lacemaker's care, then turns that precise attention on herself. There are floating tea lights in the bath, coddled blossoms in the garden, and a mother straddling her teenage daughter's back, astringent in hand, to better scrub her not-quite-presentable pores. And throughout, Wade traces this lost world with the same devotion as her mother among her award-winning roses. Small Fires is essay as elegy, but it is also essay as parsing, reconciliation, and celebration, all in the attempt to answer the question-what have you given up in order to become who you are?

The stories in Elegy on Kinderklavier explore the profound loss and intricate effects of war on lives that have been suddenly misaligned. A diplomat navigates a hostile political climate and an arranged marriage in an Israeli settlement on a newly discovered planet; a small town in Kansas shuns the army recruiter who signed up its boys as troops are deployed to Iraq, falling in helicopters and on grenades; a family dissolves around mental illness and a child's body overtaken by cancer. The moment a soldier steps on an explosive device is painfully reproduced, nanosecond by nanosecond. Arna Bontemps Hemenway's stories feel pulled out of time and place, and the suffering of his characters seem at once otherworldly and stunningly familiar. Elegy on Kinderklavier is a disquieting exploration of what it is to lose and be lost.

Drawing on Appalachian literature's roots in Native American myth, African American urban legend, and European folk culture, and embracing Appalachian urban fiction, the Southern Gothic, gritty no-holds-barred realism, and magical realism, the illuminating works in Red Holler perfectly depict what makes Appalachia so fascinating: it's irreverent and outlaw challenges to mainstream notions of propriety and convention. Enthusiasts of Appalachian literature will appreciate the breadth of work in this extraordinarily diverse anthology of poetry, fiction, nonfiction, and graphic narratives by fresh new voices alongside widely known and celebrated authors. We travel into housing projects, forest-stripped ravines, trailer parks, and communities ranging from Mississippi to New York to explore vibrant hometown and migrant Appalachian traditions, values, and society. Red Holler takes us over and beyond the stock imagery of rural mountain habitués and redefines this expansive and distinctive American landscape.

Like a room soaked in the scent of whiskey, perfume, and sweat, Alex Taylor's America is at once intoxicating, vulnerable, and full of brawn. These stories reveal the hidden dangers in the coyote-infested fields, rusty riverbeds, and abandoned logging trails of Kentucky. There we find tactile, misbegotten characters, desperate for the solace found in love, revenge, or just enough coal to keep an elderly woman's stove burning a few more nights. Echoing Flannery O'Connor and William Faulkner, Taylor manages fervor as well as humor in these dusky, shotgun plots, where in one story, a man spends seven days in a jon boat with his fiddle and a Polaroid camera, determined to enact vengeance on the water-logged body of a used car salesman; and in another, a demolition derby enthusiast nicknamed Wife watches his two wild, burning love interests duke it out, only to determine he would rather be left alone entirely. Together, these stories present a resonant debut collection from an unexpected new voice in Southern fiction.

Readers of Make/Shift will find themselves confronting moments, in which status and ceremony are shown to be destabilized, contingent- sorting through the suddenly unfamiliar contents of a time capsule, hanging poolside with parents while their hockey player sons devastate a hotel, and wandering the memory palace of a traumatized valedictorian during a commencement address-all while flash vignettes based on corporate slogans saturate the story collection with greater and greater frequency, like the commercials of a TV movie.

In New Bad News, the frenetic and far-out worlds of fading celebrities, failed festival promoters, underemployed adjuncts, and overly aware chatbots collide. A Terminator statue comes to life at the Hollywood Wax Museum; a coyote laps up Colt 45, as a passerby looks on in existential quietude; a detective disappears while investigating a missing midwestern cam girl. Set in Kentucky, Hollywood, and the afterlife, these bright, bold short-shorts and stories construct an uncannily familiar, alternate-reality America.

Amelia Martens's prose poems reveal expansive ideas in compressed language. From the domestic to the geopolitical, from the mundane to the miraculous, these brief vignettes take the form of prayers, parables, confessions, and revelations. Intimate and urgent, Martens's poems are strange, darkly funny, and utterly beguiling. Amelia Martens is the author of the chapbooks Purgatory (Black Lawrence Press, 2012), Clatter (Floating Wolf Quarterly, 2013), and A Series of Faults (Finishing Line Press, 2014). She received an MFA in Creative Writing from Indiana University, and lives in Paducah, Kentucky, where she teaches at West Kentucky Community & Technical College.