Jack Taylor

Seems impossible, but Jack Taylor is sober-off booze, pills, powder, and nearly off cigarettes, too. The main reason he's been able to keep clean: his dealer's in jail, which leaves Jack without a source. When that dealer calls him to Dublin and asks a favor in the soiled, sordid visiting room of Mountjoy Prison, Jack wants to tell him to take a flying leap. But he doesn't-can't, because the dealer's sister is dead, and the guards have called it "death by misadventure." The dealer knows that can't be true and begs Jack to have a look, check around, see what he can find out. It's exactly what Jack does, with varying levels of success, to make a living. But he's reluctant, maybe because of who's asking or maybe because of the bad feeling growing in his gut. Never one to give in to bad feelings or common sense, Jack agrees to the favor, though he can't possibly know the shocking, deadly consequences he has set in motion. But he and everyone he holds dear will find out soon, sooner than anyone knows, in the lean and lethal fourth entry in Ken Bruen's award-winning Jack Taylor series.

Acclaimed Irish crime writer Ken Bruen has won numerous awards for his hard-charging, dark thrillers, which have been translated into ten languages. In Headstone, an elderly priest is nearly beaten to death and a special-needs boy is brutally attacked. Evil has many guises and Jack Taylor has encountered most of them, and has the scars to prove it. But nothing before has ever truly terrified him until he confronts an evil coterie named Headstone, who have committed a series of random, insane, violent crimes in Galway, Ireland, that leave even the national police shaken. And Jack is especially vulnerable now that he has finally found love and happiness. Jack, slowly accepting the sheer power of Headstone, comes to realize that in order to fight back he must relinquish the remaining shreds of what has made him human. Headstone barrels along its deadly path right to the center of his life and the heart of Galway. In a moment of awful clarity, Jack realizes that not only might he be powerless to stop Headstone; he may not have the grit needed to even face it. A terrific read from a writer called a Celtic Dashiell Hammett, Headstone is an excellent addition to the Jack Taylor series.

Jack Taylor thinks he has a chance at last to rest and heal from the myriad mental and physical traumas that beset him. However, after a skateboarder long suspected of dealing drugs to children is shot dead in mid-air during a public performance, Jack receives a cryptic message with a picture of the skateboarder, a clipping about a rapist gone free through procedural error, and a chilling invitation: Your turn. The note is signed simply C 33.

The award-winning crime writer Ken Bruen is as joyously unapologetic in his writing as he is wickedly poetic. In the new Jack Taylor novel Green Hell, Bruen's dark angel of a protagonist has hit rock bottom: one of his best friends is dead, the other has stopped speaking to him; he has given up battling his addiction to alcohol and pills; and his firing from the Irish national police, the Garda, is ancient history. But Jack isn't about to embark on a self-improvement plan. Instead, he has taken up a vigilante case against a respected professor of literature at the University of Galway who has a violent habit his friends in high places are only too happy to ignore. And when Jack rescues a preppy American student on a Rhodes Scholarship from a couple of kid thugs, he also unexpectedly gains a new sidekick, who abandons his thesis on Beckett to write a biography of Galway's most magnetic rogue. Between pub crawls and violent outbursts, Jack's vengeful plot against the professor soon spirals toward chaos. Enter Emerald, an edgy young Goth who could either be the answer to Jack's problems, or the last ripped stitch in his undoing. Ireland may be known as a 'green Eden,' but in Jack Taylor's world, the national color has a decidedly lethal sheen.

As well-versed in politics, pop culture, and crime fiction as he is ill-fated in life, Jack Taylor is recovering from a mistaken medical diagnosis and a failed suicide attempt. In need of money-and with former cop on his resume-Jack has been hired as a night-shift security guard. But his Ukrainian boss has Jack in mind for a bit of off-the-books work. He wants Jack to find what some claim to be the first true book of heresy, The Red Book, which is currently in the possession of a rogue priest who is hiding out in Galway after fleeing the Vatican. Despite Jack's distaste for priests of any stripe, the money is too good to turn down. When Em, the many-faced woman who has had a vise on Jack's heart and mind for the past two years, reappears and turns out to be entangled with the story of The Red Book, too, Jack is led down ever more mysterious and lethal pathways...

After much tragedy and violence, Jack Taylor has at long last landed at contentment. Of course, he still knocks back too much Jameson and dabbles in uppers, but he has a new woman in his life, a freshly bought apartment, and little sign of trouble on the horizon. Once again, trouble comes to him-this time in the form of a wealthy Frenchman who wants Jack to investigate the double-murder of his twin sons. Jack is meanwhile roped into looking after his girlfriend's nine-year-old son and is in for a shock with the appearance of a character out of his past. The plot is one big chess game, and all of the pieces seem to be moving at the behest of one dangerously mysterious player, a vigilante called "Silence" ... because he's the last thing his victims will ever hear. This is Ken Bruen at his most darkly humorous and most lovably bleak as he shows us the meaning behind a proverb of his own design-"the Irish can abide almost anything save silence."

Jack Taylor has never quite been able to get his life together, but now he has truly hit rock bottom. Still reeling from a violent family tragedy, Taylor is busy drowning his grief in Jameson and uppers, as usual, when a high-profile officer in the local Garda is murdered. After another Guard is found dead, and then another, Taylor's old colleagues from the force implore him to take on the case. The plot is one big game, and all of the pieces seem to be moving at the behest of one dangerously mysterious team: a trio of young killers with very different styles, but who are united by their common desire to take down Jack Taylor. Their ring leader is Jericho, a psychotic girl from Galway who is grieving the loss of her lover and who will force Jack to confront some personal trauma from his past. As sharp and sardonic as it is starkly bleak and violent, Galway Girl shows master raconteur Ken Bruen at his best: lyrical, brutal, and ceaselessly suspenseful.

Ex-cop-turned-PI Jack Taylor has finally escaped the despair of his violent life in Galway in favor of quiet retirement in the country with his friend Keefer, a former Rolling Stones roadie, and a falcon named Maeve. But on a day trip back into the city to sort out his affairs, Jack is hit by a truck in front of Galway's Famine Memorial and left in a coma-but mysteriously without a scratch on him. When he awakens weeks later, he finds Ireland in a frenzy over the so-called "Miracle of Galway." People have become convinced that the two children spotted tending to him are saintly and the site of the accident is sacred. The Catholic Church isn't so sure, and Jack is commissioned to help find the children to verify the miracle-or expose the stunt. But Jack isn't the only one looking for these children, and he's about to plunge into a case involving an order of nuns, an arsonist, and a girl who may be more manipulative than miraculous.

In this new installment of Ken Bruen's beloved “Jack Taylor” series, the whiskey-swigging Irish detective investigates a series of violent attacks on the local convent's nuns. Jack Taylor wakes up from a coma to discover that much of the world has changed since he last walked the streets of Galway. The pandemic had hit while he was under, devastating the lives of many in his beloved city and beyond. Now, as Jack tries to recover from the attack that put him in the hospital and absorb the incredible changes in the world around him, a woman approaches him with a distressing case: two local nuns have been bludgeoned by a mysterious man wielding a hammer, and more are sure to follow. As the police fail to act while the violence against the Sisters escalates, Jack seems like their only hope. Initially wary of becoming involved in the investigation, Jack finds he cannot stay away from the mystery surrounding these vicious attacks. He also cannot shake a feeling of darkness that has haunted him since he awoke from his coma-a darkness that is far too close for comfort. Luckily an old friend is there to help see him through and there is always Jack's dark wit and a drink to help shore up his mood.

Edge, a shadow organization made up of the most powerful figures in Galway society, exists to rid the city of criminals and abusers who have evaded the law. Long wary of the organization, the Vatican is not pleased when rumors start swirling that one of the Catholic Church's own priests has joined its ranks. And who better to ask to intercede than the whiskey-swigging ex-cop who always seems to have one foot in the pub and another among Ireland's clergy? Lately, Jack has been spending his days sitting at the bedside of a man he put into a coma and taking care of a little dog named Trip, bequeathed to him by a dead nun. Then an envoy to the Archdiocese shows up at his door, asking Jack to go speak to a priest named Kevin Whelan and dissuade him from any involvement with Edge. Jack accepts the mission, but the next day Father Whelan is found dead, hanging from a rope in his own backyard. Would Edge really kill one of their own? And if not, who else would be bold enough to take on the most powerful organization in the city? As more Edge members are murdered, the Vatican grows alarmed that someone even worse will take their place. It's up to Jack Taylor to nail the culprit before Edge is dissolved completely and Galway is thrown into chaos.