In the Scene

This guide is a must for film fans and students of contemporary cinema alike. An introductory chapter highlights thematic and visual devices, followed by an exploration of British director Steve McQueen's work, from his short films and video art through his critically acclaimed feature films, including his masterpiece, the Academy Award-winning 12 Years A Slave, to his BBC TV series Small Axe and the new war film, Blitz. Londoner Steve McQueen shot to fame in 1999 when he won the prestigious Turner Prize for innovative art. In 2020, the Tate Gallery in London held an exhibition of over a dozen works spanning film, photography and sculpture, including his homage to the African American actor and civil rights activist Paul Robeson. Ranging across the visual arts, to advertising, documentary and drama, McQueen often tackles hard-hitting topics such as discrimination and injustice in powerful, cinematic ways. Includes interviews with historian, David Olusoga and director of film programming at the Lincoln Center, Dennis Lim. Reviews "… provides useful insight into the director's background and motivations and offers easy-to-read reviews of his numerous films, documentaries and exhibitions. An invaluable guide to the incredible work Steve McQueen has produced since his time as an art student until today." – Tony Warner, co-founder, chair of African Odysseys programme "A highly readable and wide-ranging consideration of McQueen's work." – Kirkus reviews "…an accessible and comprehensive guide to McQueen's work that covers its breadth of ambition alongside the depth of its core themes." – Paul Sutton, Head of Film Studies, CityLit "A resource for budding film writers and directors. Definitely need a copy. This outline of every Steve McQueen project is for true fans of film or will make a fan out of you. This presents a researcher's insight into the director and his works. Arranging and discussing the films by timeline and type, really helped to show the evolution of McQueen's creative perspective and output. Fun fact that I didn't realize before this book: He and Michael Fassbender have a longstanding and fruitful work relationship." **** – Adrienne Adrimano, netgalley

Ang Lee came to the fore in the 1990s as one of the 'second wave' of Taiwanese directors. After studying at New York University, Lee returned to Taiwan where over the next three consecutive years he directed three comedy-dramas focusing on aspects of the East vs. West culture and its impact on the family – Pushing Hands, The Wedding Banquet, Eat Drink Man Woman. Considering Lee's background it is surprising that he should be approached to direct the most British of novels, Jane Austen's Sense And Sensibility. It was a tremendous critical and commercial success. Since then Lee's projects have been both eclectic and striking – he took on the American suburbs of the 1970s and the war-torn American South of the 1860s in The Ice Storm and Ride With The Devil. But it was his triumphant return to the East with Crouching Tiger, Hidden Dragon which has transformed him into an internationally successful director. He followed this with his somewhat flawed foray into the Marvel Universe with Hulk. His heartbreaking adaptation of Annie Proulx's short story Brokeback Mountain brought him international critical and commercial success. But forever the genre and language-hopping director, Lee's next films were much smaller in scale and reach – Lust, Caution (a Chinese erotic espionage thriller) and Taking Woodstock (American comedy-drama). His most recent film was an adaptation of Yann Martel's The Life of Pi pushed the boundaries of CGI animation and showed how a director with great visual flair could enhance a film with 3D. His continual desire for embracing new technology divided critics and audiences for Billy Lynn's Long Halftime Walk, an adaptation of Ben Fountain's 2012 Iraq-war set novel, and The Gemini Man with Will Smith. ABOUT THE AUTHOR Ellen Cheshire has a BA (Hons) in Film and English and a MA in Gothic Studies and has taught Film at Undergraduate and A Level. She has published books on Bio-Pics, Audrey Hepburn and The Coen Brothers and contributed chapters to books on James Bond, Charlie Chaplin, Global Film-making, Film Form, Fantasy Films and War Movies. She is also one of a team of four writers for the new A Level WJEC Film Text Book published in 2018. For us, she has written In the Scene: Jane Campion and In the Scene: Ang Lee, and contributed to Silent Women: Pioneers of Cinema eds. Melody Bridges and Cheryl Robson (voted best book on Silent Film 2016) and Counterculture UK: a celebration eds. Rebecca Gillieron and Cheryl Robson. With a foreword by Professor James Wicks James Wicks, Ph.D. writes about pop culture. He is the author of two books. Transnational Representations: The State of Taiwan Cinema in the 1960s and 1970s (Hong Kong University Press, 2014), and An Annotated Bibliography of Taiwan Film Studies (Columbia University Press, 2016) with Jim Cheng and Sachie Noguchi. He grew up in Taiwan, completed his dissertation on Chinese Cinema at the University of California, San Diego in 2010, and is currently a Professor of Literature and Film Studies at Point Loma Nazarene University in San Diego, California where he teaches World Cinema and Postcolonialism courses.