Iberian and Latin American Studies

The fantastic has been particularly prolific in Hispanic countries during the twentieth and twenty-first centuries, largely due to the legacy of short-story writers as well as the Latin-American boom that presented alternatives to the model of literary realism. While these writers' works have done much to establish the Hispanic fantastic in the international literary canon, women authors from Spain and Latin America are not always acknowledged, and their work is less well known to readers. The aim of this critical anthology is to render Hispanic female writers of the fantastic visible, to publish a representative selection of their work, and to make it accessible to English-speaking readers. Five short stories are presented by five key authors. They attest to the richness and diversity of fantastic fiction in the Spanish language and extend from the early twentieth to the twenty-first century, covering a range of nationalities, cultural references and language specificities from Spain, Mexico, Puerto Rico and Argentina.

This book examines a neglected aspect of the Enlightenment to demonstrate how it influenced the future shape of Spain, Portugal and their American territories.

“The Brazilian Road Movie: Journeys of (Self)Discovery” explores some of the key trends and films in the development of the road movie in Brazil. Through a collection of essays by distinguished scholars, and covering a broad range of case studies, this text spans Brazilian film production from the silent era to the present day. This text examines issues such as the reworking of the genre in a Brazilian context, the relationship between documentary and fiction, between history, politics and cinema, gender and race, the wilderness and the urban space, the national and the transnational. The essays consider among other things how the experience of the journey helped develop and was instrumental in defining identities on screen. Adopting a variety of approaches, the volume considers the significance of the iconography of the road, the experience of movement and of life on the move for the representation of Brazil on screen.

The twin focus of this book is on the importance of the Spanish heritage on nation and state building in nineteenth-century Spanish-speaking Latin America, alongside processes of nation and state building in Spain and Latin America. Rather than concentrating purely on nationalism and national identity, the book explores the linkages that remained or were re-established between Spain and her former colonies; as has increasingly been recognised in recent decades, the nineteenth century world was marked by the rise of the modern nation state, but also by the development of new transnational connections, and this book accounts for these processes within a Hispanic context.

This book is a collection of essays on the Mexican transition to democracy that offers reflections on different aspects of civic culture, the political process, electoral struggles, and critical junctures. They were written at different points in time and even though they have been corrected and adapted, they have kept the tension and fervour with which they were originally created. They provide the reader with a vision of what goes on behind those horrifying images that depict Mexico as a country plagued by narcotrafficking groups and subjected to unbridled homicidal violence. These images hide the complex political reality of the country, and the accidents and shocks democracy has suffered.

This book is the first to focus specifically on the exile-poetry link in the case of Argentina since the 1950s. Throughout Argentina's history, authors and important political figures have lived and written in exile. Thus, exile is both a vital theme and a practical condition for Argentine letters, yet conversely, contemporary Argentina is a nation of immigrants from Europe and the rest of Latin America. Poetry is often perceived as the least directly political of genres, yet political and other forms of exile have impinged equally on the lives of poets as on any group. This study concentrates on writers who both regarded themselves as in some way exiled and who wrote about exile. This selection includes poets who are influential and recognised, but in general have not enjoyed the detailed study that they deserve: Alejandra Pizarnik, Juan Gelman, Osvaldo Lamborghini, Nestor Perlongher, Sergio Raimondi, Cristian Aliaga, and Washington Cucurto.

Research into homosexuality in Spain is in its infancy. The last ten or fifteen years have seen a proliferation of studies on gender in Spain but much of this work has concentrated on women's history, literature and femininity. In contrast to existing research which concentrates on literature and literary figures, "Los Invisibles" focuses on the change in cultural representation of same-sex activity of through medicalisation, social and political anxieties about race and the late emergence of homosexual sub-cultures in the last quarter of the twentieth century. As such, this book constitutes an analysis of discourses and ideas from a social history and medical history position. Much of the research for the book was supported by a grant from the Wellcome Trust to research the medicalisation of homosexuality in Spain.

This volume examines Brazilian films released between 1995 and 2010, with special attention to issues of race, ethnicity and national identity. Focusing on the idea of the nation as an 'imagined community', the author discuss the various ways in which dominant ideas about brasilidade (Brazilian national consciousness) are dramatised, supported or attacked in contemporary fiction and documentary films.

“The Films of Elías Querejeta: A Producer of Landscapes” explores the films of Spain's most important and controversial producer. More a creator than a producer, Querejeta's production style is unique, as he most regularly has a hand in every artistic aspect of the filmmaking process. As this book shows, his vast body of work is unified by a particular visual concern with landscape. Through this emphasis on space, his films have consistently documented the dramatic historical and social transformations of a country in the grip of modernization from the 1960s to the present day. In particular, this book investigates the ways in which landscape can be understood as a site of political contestation during these years. Whether rural or urban, landscape in his films emerges as a terrain of political struggle, which was first directed against Francoism in the 1960s and 1970s, and later in the democratic period, against Spain embrace of neoliberal capitalism. This is the first book in English to focus entirely on the films of Elías Querejeta and is one of the first studies of its kind to organize its focus around the work of producer, moreover, the first book-length study on the representation of landscape in Spanish film. In bringing together both the importance of cinematic and spatial production, the twin focus of this book intends not only to make an original contribution to Film Studies, but also to Spanish Cultural Studies and Cultural Geography.

Antonio Machado (1875-1939) is one of Spain's most original and renowned twentieth-century poets and thinkers. From his early poems in Soledades. Galerías. Otros poemas of 1907, to the writings of his alter-ego Juan de Mairena of the 1930s, Machado endeavoured to explain how the Other became a concern for the self. In “The Poetics of Otherness” in Antonio Machado's "Proverbios y cantares," Nicolás Fernández-Medina examines how Machado's "Proverbios y cantares," a collection of short, proverbial poems spanning from 1909 to 1937, reveal some of the poet's deepest concerns regarding the self-Other relationship. To appreciate Machado's organizing concept of otherness in the "Proverbios y cantares," Fernández-Medina argues how it must be contextualized in relation to the underlying Romantic concerns that Machado struggled with throughout most of his oeuvre, such as autonomy, solipsism and skepticism of absolutes. In The Poetics of Otherness in Antonio Machado's "Proverbios y cantares," Fernández-Medina demonstrates how Machado continues a practice of "fragment thinking" to meld the poetic and the philosophical, the part and whole, and the finite and infinite to bring light to the complexities of the self-other relationship and its relevance in discussions of social and ethical improvement in early twentieth-century Spain.

The book traces how Hildegart's conception, life and early death can be mapped in uncanny manner onto the rise, organization and decline of the Sexual Reform movement in Spain. Conceived deliberately in 1914 as a 'eugenic' child (at a date when writing on eugenics was well under way in both England and Spain), Hildegart received her early education from her mother who in her turn had received her own from her father's library, rich in works of utopian socialism. Subsequently and formally, Hildegart's education through the 1920s coincided with a period in Spain when writing on eugenics and sex reform became particularly intense. It encompassed both law and medicine (favoured disciplines for those involved in the sex reform movement), and her teens provided a social education within the meetings and publications of the Campaña Sanitaria of Navarro Fernández in the 1920s. Hildegart's own rise to a position of prominence in the world of eugenics and sex reform undoubtedly relates to her concentrated and impressive publishing activity from 1930 onwards, at a time when writings of others involved in sex reform equally reached heightened activity. The coming of the Second Republic in 1931 further facilitated this publishing activity and made possible the organization of the Spanish chapter of the WLSR in Spain (the Liga Mundial Para la Reforma Sexual) in March 1932 with Gregorio Marañón as its President, and the youthful Hildegart (age 17) as its Secretary. The Liga gathered together the groupings of hygienists, eugenicists, lawyers and educational reformers who were already part of a wider international scene, and who had been promoting ideas of eugenics and sexual reform in Spain for some time, and particularly through the 1920s. Little more than a year after the Liga was founded Hildegart was killed by her mother, Aurora Rodríguez. It is hard to assert that this shocking event caused the death of the Liga. Nonetheless the movement in Spain seems not to have survived in coherent manner beyond 1933, although individual members continued to be active in various ways. More widely through Europe the WLSR lasted through the 1930s, although its continuity through other organizations until a later date is still insufficiently researched. In the background to the activity leading up to the founding of the Liga there is Hildegart's correspondence with Havelock Ellis. She wrote to him to seek his advice on setting it up. The correspondence was far more than a simple request for advice, and it lasted until Hildegart's death. It includes her record of the foundation meeting of the Liga with details of discussion of the ten planks of belief of the WLSR, and reveals the inbuilt power-struggles between professional factions in the organisation. Both the foundation document and the letters require careful interpretation. The foundation document reveals dissension within the Liga at the same time as it shows Hildegart's energetic efforts to assert her own position within it. The letters themselves tell us much about Spanish sexual politics. But at the same time, and even more strikingly, they are full of Hildegart's character: her style moves between business-like discussion, an endearing and ingenuous flirtatious manner, distress, and even paranoia. Above all the letters reveal a side of this youthful sexual reformer never documented elsewhere, and their extraordinary discursive nature encapsulates the paradoxes and conflicts in Spain at the time relating to thoughts on sexuality and reform. The correspondence with Ellis is moreover a text with a dramatic subtext, in that it allows us to glimpse in poignant and dramatic detail the personal tensions and anxieties in the life of this young woman who was to be murdered by her mother. The letters also testify to Hildegart's strong and touching attachment to Ellis as mentor in the setting up of the Liga and, more personally, as a father-figure.

Since its publication in 1929, the story of Doña Bárbara has haunted the collective Latin-American imagination and has been adapted variously both for the small and big screen. Doña Bárbara Unleashed explores how Rómulo Gallegos's original story has been kept alive yet altered by subsequent screen adaptations; the book illustrates how film and telenovela adaptations have reinterpreted Doña Bárbara in order to mirror changes in societal norms, such as the role of women in Latin American societies, and audience expectations. Particular attention is given to how spectators in the twenty-first century have played a crucial role influencing the alterations to which Gallegos's original plot has been subjected. Now “Doña Bárbara Unleashed” offers an original way of studying screen adaptations by engaging several adaptations of the same source text in dialogue with each other, rather than simply comparing adaptations to the source text. This is a ground-breaking study that further develops readings through more traditional theories of screen adaptations with approaches emerging from fandom studies and audience responses.

The Western Sahara is the last colony in Africa and the only Spanish-speaking territory in the Arab World. When in 1975 the agonising Francoist Spain abandoned hastily its colony, Morocco and Mauritania occupied the territory, despite the protest of the UN and the resistance of a nascent Saharawi liberation movement, the Frente Polisario. During the first months, the conflict displaced thousands of Saharawis to the neighbouring Algerian region of Tindouf, where almost 200,000 Saharawis still live today in four large refugee camps. But these camps are more than refugee settlements. They became the centre of a state founded by the Saharawi nationalists: the Saharawi Arab Democratic Republic, now recognised by over 60 states worldwide and full member of the African Union. The camps provided the opportunity to develop a process of nation-building and identity construction based on the principles of the revolutionary nationalism of the 1970s. This book explores the dynamic process of construction of the new Saharawi identity, culture and society developed in the refugee camps over the three last decades of conflict and analyses the complex articulation of elements from the Hispanic, Arab and African worlds that shapes the contours of the Saharawi Refugee Nation.

“Capitalism and its Discontents” presents a series of interpretative essays on a number of key modern and contemporary Latin American novels and films. The overarching theme in the essays is the relation between such textual materials and their regional contexts.

“Postmodernity in Spanish Fiction and Culture” attempts a concise approach to the question of postmodernity in Spain since the advent of democracy. The study presents Spain as one of the most postmodern of all European nations and argues that exclusive social and cultural experiences such as the movida, the desencanto, political pasotismo, immigration, globalization, and terrorism are not only patently Spanish but also that in their totality, they constitute a powerful postmodern current in Spain.

The analysis of land management, lineage and family through the case study of early modern Spanish nobility from sixteenth to early nineteenth century is a major issue in recent historiography. It aims to shed light on how upper social classes arranged strategies to maintain their political and economic status. Rivalry and disputes between old factions and families were attached to the control and exercise of power. Blood, land management and honour were the main elements in these disputes. Honour, service to the Crown, participation in the conquest and 'pure' blood (Catholic affiliation) were the main features of Spanish nobility. This book analyses the origins of the entailed-estate (mayorazgo) from medieval times to early modern period, as the main element that enables us to understand the socio-economic behaviour of these families over generations. This longue durée chronology within the Braudelian methodology of the research aims to show how strategies and family networks changed over time, demonstrating a micro-history study of daily life.

This is the first monograph on the performance and reception of sixteenth- and seventeenth- century national drama in contemporary Spain, which attempts to remedy the traditional absence of performance-based approaches in Golden Age studies. The book contextualises the socio-historical background to the modern-day performance of the country's three major Spanish baroque playwrights (Calderón de la Barca, Lope de Vega and Tirso de Molina), whilst also providing detailed aesthetic analyses of individual stage and screen adaptations.

The aim of this book is to engender Mexican folk art and locate women at its centre by studying the processes of creation, distribution, and consumption, as well as examining iconographic aspects, and elements of class and ethnicity, from the perspective of gender. The author will demonstrate that the topic provides unique insights into Mexican culture, and has enormous relevance within and without the country, given the fact that much folk art is made for the United States and Europe, either in terms of the tourists who buy it on coming to Mexico, or that which is exported.

This is the first book in English to analyse the medical category of 'hermaphroditism' in Spain over the period 1850-1960. It attempts to show how the relationship between the male and female body, biological 'sex', gender and sexuality constantly changed in the light of emerging medical, legal and social influences. Tracing the evolution of the hermaphrodite from its association with the 'marvellous' to the association with intersexuality and transexuality, this book emphasizes how the frameworks employed by scientists and doctors reflected not only changing international paradigms with respect to 'hermaphrodite science' but also social anxieties about shifting gender roles, the evolving discourse on sexuality and, in particular, the increased visibility of the 'sexual deviancies' such as homosexuality and changing legislation on marriage and divorce. Finally, we hope to open a space whereby the voice of 'hermaphrodites' and 'intersexuals' themselves could be heard in the past as agents in the construction of their own destiny as figures deemed 'in-between' by medicine and society.

Best known as Jorge Luis Borges's right-hand man, Adolfo Bioy Casares (1914−1999) was, in his own right, an inventive writer of considerable skill. His works, often dismissed summarily as fantastic fiction, are now ripe for reassessment. This volume looks at Bioy's extensive oeuvre which offers many surprising reflections on the twentieth century's cultural, social and political transformations, both in Argentina and farther afield. Topics covered include Bioy's meditations on isolation and logic, and his enduring fascination with the impact of photography on all artistic representation.

This volume delivers a comprehensive study of banditry in Latin America and of its cultural representation. In its scope across the continent, looking closely at nations where bandit culture has manifested itself forcefully—Mexico (the subject of the case study), the Hispanic south-west of the United States, Argentina, Brazil, Venezuela and Cuba—it imagines a 'Golden Age' of banditry in Latin America from the mid-nineteenth century to the 1940s when so-called 'social bandits', an idea first proposed by Eric Hobsbawm and further developed here, flourished. In its content, this work offers the most detailed and wide-ranging study of its kind currently available.

This fully illustrated, edited volume brings together fresh insights into the changing urban space of Barcelona from the beginning of the twentieth century to the present day. The volume will contribute to the excavation of the avantgarde in Barcelona, as well as its legacy in the post-war period, although its primary focus will be on the relationship between environment, identity and performance as explored by countercultural artists and communities from the 1960s to the present day.