Hawthorne and Horowitz Mystery

The New York Times bestselling author of Magpie Murders and Moriarty brilliantly reinvents the classic crime novel once again with this clever and inventive mystery starring a fictional version of the author himself as the Watson to a modern-day Holmes, investigating a case involving buried secrets, murder, and a trail of bloody clues. A woman crosses a London street. It is just after 11am on a bright spring morning, and she is going into a funeral parlor to plan her own service. Six hours later the woman is dead, strangled with a crimson curtain cord in her own home. Enter disgraced police detective Daniel Hawthorne, a brilliant, eccentric man as quick with an insult as he is to crack a case. And Hawthorne has a partner, the celebrated novelist Anthony Horowitz, curious about the case and looking for new material. As brusque, impatient, and annoying as Hawthorne can be, Horowitz a seasoned hand when it comes to crime stories suspects the detective may be on to something, and is irresistibly drawn into the mystery. But as the case unfolds, Horowitz realizes he's at the center of a story he can't control . . . and that his brilliant partner may be hiding dark and mysterious secrets of his own. A masterful and tricky mystery which plays games at many levels, The Word Is Murder is Anthony Horowitz at his very best.

The writer "Anthony Horowitz" and eccentric detective Daniel Hawthorne team up again in a new mystery as they delve deeper into Hawthorne's past.

The New York Times bestselling author of the brilliantly inventive The Word Is Murder and The Sentence Is Death returns with his third literary whodunit featuring intrepid detectives Hawthorne and Horowitz. When Ex-Detective Inspector Daniel Hawthorne and his sidekick, author Anthony Horowitz, are invited to an exclusive literary festival on Alderney, an idyllic island off the south coast of England, they don't expect to find themselves in the middle of murder investigation-or to be trapped with a cold-blooded killer in a remote place with a murky, haunted past. Arriving on Alderney, Hawthorne and Horowitz soon meet the festival's other guests-an eccentric gathering that includes a bestselling children's author, a French poet, a TV chef turned cookbook author, a blind psychic, and a war historian-along with a group of ornery locals embroiled in an escalating feud over a disruptive power line. When a local grandee is found dead under mysterious circumstances, Hawthorne and Horowitz become embroiled in the case. The island is locked down, no one is allowed on or off, and it soon becomes horribly clear that a murderer lurks in their midst. But who? Both a brilliant satire on the world of books and writers and an immensely enjoyable locked-room mystery, A Line to Kill is a triumph-a riddle of a story full of brilliant misdirection, beautifully set-out clues, and diabolically clever denouements.

In New York Times bestselling author Anthony Horowitz's ingenious fourth literary whodunit following The Word is Murder, The Sentence is Death, and A Line to Kill, Horowitz becomes the prime suspect in a murder investigation—and only one man can prove his innocence: his newly estranged partner in solving crime, Detective Hawthorne. “I'm sorry but the answer's no.” Reluctant author, Anthony Horowitz, has had enough. He tells ex-detective Daniel Hawthorne that after three books he's splitting and their deal is over. The truth is that Anthony has other things on his mind. His new play, a thriller called Mindgame, is about to open at the Vaudeville Theater in London's West End. Not surprisingly, Hawthorne declines a ticket to the opening night. The play is panned by the critics. In particular, Sunday Times critic Margaret Throsby gives it a savage review, focusing particularly on the writing. The next day, Throsby is stabbed in the heart with an ornamental dagger which turns out to belong to Anthony, and has his fingerprints all over it. Anthony is arrested by an old enemy... Detective Inspector Cara Grunshaw. She still carries a grudge from her failure to solve the case described in the second Hawthorne adventure, The Sentence is Death, and blames Anthony. Now she's out for revenge. Thrown into prison and fearing for both his personal future and his writing career, Anthony is the prime suspect in Throsby's murder and when a second theatre critic is found to have died in mysterious circumstances, the net closes in. Ever more desperate, he realizes that only one man can help him. But will Hawthorne take the call?

In New York Times bestselling author Anthony Horowitz's ingenious fifth literary whodunnit in the “Hawthorne and Horowitz” series, Detective Hawthorne is once again called upon to solve an unsolvable case—a gruesome murder in an idyllic gated community in which suspects abound. “Riverside Close” is a picture-perfect community. The six exclusive and attractive houses are tucked far away from the noise and grime of city life, allowing the residents to enjoy beautiful gardens, pleasant birdsong, and tranquility from behind the security of a locked gate. It is the perfect idyll, until the Kentworthy family arrives, with their four giant, gas-guzzling cars, gaggle of shrieking children, and plans for a garish swimming pool in the backyard. Obvious outsiders, the Kentworthys do not belong in Riverside Close, and quickly offend every last one of the neighbors. When Giles Kentworthy is found dead on his own doorstep, a crossbow bolt sticking out of his chest, Detective Hawthorne is the only investigator they can call to solve the case. Because how do you solve a murder when everyone is a suspect?