Frames

Nica Sheridan Taggart Ambrose Taggart Ickovic (S.T.A.T.Ic.) craves action and change, which leaves her life as stable as old dynamite. She appoints herself a private detective and gets a mysterious case that leads her into adventures beyond imagining - and she's got a crazy imagination.She enters a world of multiple dimensions called Frames, where buildings and lawn chairs can be sentient, a stray cat has great powers, books can be killers, and clouds can be spies. On the surface, Nica tackles missing person cases, while in the larger reality of the Frames she is swept into an escalating battle with stakes that could not be higher.In this first book of the FRAMES quartet, a band of allies that includes structures, landforms, and creatures sets out to stop Warty Sebaceous Cysts, a repulsive trio. The Cysts casually commit genocide to free their imprisoned leader, Maelstrom, who would bring cruelty and horror to all the Frames. There is danger everywhere in the Frames, but also a mind-boggling expansion of reality. Nica feels challenged, engrossed, and strangely at home. As she sees it, she was born to travel the Frames.=== (Excerpt follows) ===I became aware that the air had changed. My office smelled like a forest just after a flash flood, when everything is power-washed and tree trunks are smeared with riverbed mud. Fresh and wild.It took much strength to gently lower that window, but the stranger's arms - all sinew and muscle - showed no strain. I took a step back to get a fuller look and to get farther away. He was a wolf. I don't mean a predatory flirt, I mean he was long and lean and fast and dangerous: coarse black hair, ice-gray eyes and smile full of teeth, supreme confidence backed with survival instinct."Please sit down," I suggested or pleaded as I retreated behind my desk. As he complied, muscles flexed inside his garments, a loose cotton tunic and drawstring pants that were as gray as February.She sat down, too. My other visitor was a princess: not as in daddy's spoiled girl, as in future queen of the fairies. She was as ethereal as he was earthy, exotic but I couldn't place the ethnic background. Cornsilk hair, slanted eyes like unpolished silver, her skin like the penny you've always kept in your pocket for luck. Her tunic was white as a desert sunrise. "We are in need of your detective arts," she said."That tends to be why people come to this office." The joke was stillborn. "I'm good with accents but I can't place yours. Where are you from?""Knowledge of our ancestry provides no value. We have need of your assistance," he said, in a voice that never needed help from anybody."The fate of the free worlds is at stake," she added, in a voice like the first spring breeze on snow."Oh-kay." Note to self, cancel ad in NUTJOB QUARTERLY.==== ... Concert stage, dark except for a deep blue spotlight. Singer drops to one knee and his narration evolves from murmur to rant. "This is the story of a man who got what he wanted but he lost what he had. He got what he wanted but he lost what he had. He got –" ...It goes on forever. It's mesmerizing. Uncomfortable. Confessional.Pretty sure this memory is from the time I saw James Brown, decades ago, but the lost identity of the singer isn't the point.I've spent my life gazing across some fence or other, admiring greener grass over yonder. I've acted on so many impulses to jump the fence. No complaints, but it has sure taken me a long time to appreciate where I'm standing right now. And nowadays that blue spotlight chant fills my head whenever I contemplate a new jump.Sometimes I jump back.I was a low–budget television producer until I wrote a psychological thriller, "Was It A Rat I Saw", which Bantam–Doubleday–Dell published in hardcover in 1992. Soon after that I became the mother of twins, jumped into graduate school, and became a disaster scientist. I dabbled in academia, government research, and consulting.I stopped writing fiction for nearly two decades, until I notic

Now that Nica has a taste for life in the Frames - the endless multiple dimensions so bogglingly like yet unlike our own - she can't wait to get back to work with the allies in the fight against Maelstrom. Being Nica, she applies her detective skills to solve problems she hasn't been asked or permitted to tackle. Meanwhile, the universe prepares for war. In the New Yorks are Frames of such power that the land imparts strange partial sentience to all, and Nica's roster of allies includes old pals and recent comrades plus local beings, landforms, and structures, notably a self-help book, a river, and a street musician with an unfathomably dark past.This is book # 2 in the FRAMES quartet. ... Concert stage, dark except for a deep blue spotlight. Singer drops to one knee and his narration evolves from murmur to rant. "This is the story of a man who got what he wanted but he lost what he had. He got what he wanted but he lost what he had. He got –" ...It goes on forever. It's mesmerizing. Uncomfortable. Confessional.Pretty sure this memory is from the time I saw James Brown, decades ago, but the lost identity of the singer isn't the point.I've spent my life gazing across some fence or other, admiring greener grass over yonder. I've acted on so many impulses to jump the fence. No complaints, but it has sure taken me a long time to appreciate where I'm standing right now. And nowadays that blue spotlight chant fills my head whenever I contemplate a new jump.Sometimes I jump back.I was a low–budget television producer until I wrote a psychological thriller, "Was It A Rat I Saw", which Bantam–Doubleday–Dell published in hardcover in 1992. Soon after that I became the mother of twins, jumped into graduate school, and became a disaster scientist. I dabbled in academia, government research, and consulting.I stopped writing fiction for nearly two decades, until I noticed how much I missed it. I resumed writing novels with the literary fiction "Scar Jewelry" about a family with secrets that started in the era of Los Angeles punk and persist for decades. I'm in the midst of a speculative detective series FRAMES, with "Nica of Los Angeles", "Nica of the New Yorks", and "Boredom Fighter" so far. I've just completed a nine-novella series, the young adult paranormal horror romance, "DDsE".Funny. Back in the day, I had a single book idea at a time. Now I'm flooded with them, can't keep up with them, though I write just about every day.I live in southern California. I had to leave for five years to confirm this is where I belong. I live with multiple cats, comfortably close to my twins and granddaughter. Like my life paths, my friends and family are all over the damn place. I like to visit them, spend time at the ocean, explore cities, and go out to hear live music.

Nica works as a detective and longs to be called back to her new life in the other dimensions called Frames. Nica's latest client is a wife who suspects that her husband is unfaithful. Routine stuff, except that the wife is from a Frame where unfaithful spouses must die. Also, P.S., the wife is human but the husband is, well, not. ... Concert stage, dark except for a deep blue spotlight. Singer drops to one knee and his narration evolves from murmur to rant. "This is the story of a man who got what he wanted but he lost what he had. He got what he wanted but he lost what he had. He got –" ...It goes on forever. It's mesmerizing. Uncomfortable. Confessional.Pretty sure this memory is from the time I saw James Brown, decades ago, but the lost identity of the singer isn't the point.I've spent my life gazing across some fence or other, admiring greener grass over yonder. I've acted on so many impulses to jump the fence. No complaints, but it has sure taken me a long time to appreciate where I'm standing right now. And nowadays that blue spotlight chant fills my head whenever I contemplate a new jump.Sometimes I jump back.I was a low–budget television producer until I wrote a psychological thriller, "Was It A Rat I Saw", which Bantam–Doubleday–Dell published in hardcover in 1992. Soon after that I became the mother of twins, jumped into graduate school, and became a disaster scientist. I dabbled in academia, government research, and consulting.I stopped writing fiction for nearly two decades, until I noticed how much I missed it. I resumed writing novels with the literary fiction "Scar Jewelry" about a family with secrets that started in the era of Los Angeles punk and persist for decades. I'm in the midst of a speculative detective series FRAMES, with "Nica of Los Angeles", "Nica of the New Yorks", and "Boredom Fighter" so far. I've just completed a nine-novella series, the young adult paranormal horror romance, "DDsE".Funny. Back in the day, I had a single book idea at a time. Now I'm flooded with them, can't keep up with them, though I write just about every day.I live in southern California. I had to leave for five years to confirm this is where I belong. I live with multiple cats, comfortably close to my twins and granddaughter. Like my life paths, my friends and family are all over the damn place. I like to visit them, spend time at the ocean, explore cities, and go out to hear live music.

This is the fourth installment in the Frames series and you'll get a whole lot more out of it if you don't start with book 4! ... Concert stage, dark except for a deep blue spotlight. Singer drops to one knee and his narration evolves from murmur to rant. "This is the story of a man who got what he wanted but he lost what he had. He got what he wanted but he lost what he had. He got –" ...It goes on forever. It's mesmerizing. Uncomfortable. Confessional.Pretty sure this memory is from the time I saw James Brown, decades ago, but the lost identity of the singer isn't the point.I've spent my life gazing across some fence or other, admiring greener grass over yonder. I've acted on so many impulses to jump the fence. No complaints, but it has sure taken me a long time to appreciate where I'm standing right now. And nowadays that blue spotlight chant fills my head whenever I contemplate a new jump.Sometimes I jump back.I was a low–budget television producer until I wrote a psychological thriller, "Was It A Rat I Saw", which Bantam–Doubleday–Dell published in hardcover in 1992. Soon after that I became the mother of twins, jumped into graduate school, and became a disaster scientist. I dabbled in academia, government research, and consulting.I stopped writing fiction for nearly two decades, until I noticed how much I missed it. I resumed writing novels with the literary fiction "Scar Jewelry" about a family with secrets that started in the era of Los Angeles punk and persist for decades. I'm in the midst of a speculative detective series FRAMES, with "Nica of Los Angeles", "Nica of the New Yorks", and "Boredom Fighter" so far. I've just completed a nine-novella series, the young adult paranormal horror romance, "DDsE".Funny. Back in the day, I had a single book idea at a time. Now I'm flooded with them, can't keep up with them, though I write just about every day.I live in southern California. I had to leave for five years to confirm this is where I belong. I live with multiple cats, comfortably close to my twins and granddaughter. Like my life paths, my friends and family are all over the damn place. I like to visit them, spend time at the ocean, explore cities, and go out to hear live music.

It's an age of accelerated information and information overload. The rate and way in which we receive information has changed dramatically: from newspapers and radio and a few nightly news programs to constant news online. We have made our lives available to the world in "tweetable" moments. As much as we try to stop consuming the vast amounts of info coming at us, we wrestle against a paranoia of 'missing out' on important information or being out of the loop on something. How can we rest from information, take a Sabbath for our technology or information use? How does this help us to become the right kind of factivist? The onus is more and more on us to find "the truth" and to be aware of our own biases in what we share and don't. Join Jun Young, an award-winning entrepreneur and communications strategist, and David Kinnaman, the President of Barna Group, in this Barna Frame as they wrestle through what our responsibility looks like in how we read and disseminate information.

Millions of children are not fulfilling their God-given potential in many of our nation's classrooms. Their potential and purpose is being left on the floor of classrooms in many low-income communities. What may God have called them to do? How is a substandard education prohibiting them from accomplishing that purpose? In what ways are Christians and churches accountable for that? How are we our brother and sister's keeper with respect to a quality education? Join Nicole Baker Fulgham, formerly on the national staff of Teach for America and the founder of The Expectations Project, as she explores what our role is in solving the nation's crisis for public education. This Barna Frame explores a critical topic of our time - schools in crisis.

Remember when all you needed was a cool business card for cocktail parties? Now social status is determined in a hundred ways that all come with their own pressures-how many Twitter followers do you have? How many Facebook page likes? How much traffic does your site get? Are you speaking? Traveling? How full is your inbox? While pressure has always been there, in many ways that pressure is more public than ever. The world is both bigger and smaller today. With access to so much media and so quickly, we know everything that's going on in the world. We are bombarded with possibilities and opportunities. It seems like we have limitless choices. It's easy to feel like your life is small, that you aren't doing enough, that other lives, careers, and even cities are more exciting than yours. The challenge today is, with limitless public pressure on how your life measures up against everyone else's, how do you find contentment in this context? Join Claire Diaz-Ortiz, an author, speaker, and Twitter employee, in this Barna Frame as she explores this timely issue.

Twentysomethings today are redefining what this decade means and what making a positive contribution to society looks like. One reality is today's economy - you may find yourself a recent college graduate with no job prospects. As such, many twentysomethings are shifting away from career, to calling, looking for ways to impact the world. Or maybe for you, a career or job is what you do in order to support the more meaningful work you love, like photography, music, brewing, or traveling. Likely you have found a tribe of like-minded people who are taking the journey with you, asking yourselves big questions like what to do with life, what does it mean, why should I settle down with a spouse and house so soon? These questions have huge ramifications for all aspects of society. Twentysomethings need new ways of thinking about institutions and finding rootedness in a transient culture, while at the same time institutions need new ways of thinking about and incorporating twentysomethings. Join David H. Kim, the executive director of the Center for Faith and Work at Redeemer Presbyterian Church in New York City, as he walks through the uniqueness of this transformative decade.

Caring for orphans makes grace touchable. When Christians choose to adopt, foster, mentor or support care for orphans around the world, it reveals God's true character to the world like nothing else we can do. This softcover book unpacks specific steps that you can take to care for orphans in distress. Some of these steps are "big" choices like fostering or adopting; some are smaller choices like supporting work abroad or mentoring a foster youth. But all have the impact of revealing God's love to someone who wants to be home for good. Join Jedd Medefind, president of the Christian Alliance for Orphans (CAFO), as he reveals the profound sense that deep, sustaining love for orphans springs not from duty, guilt or even idealism, but foremost as a response to the way we've first been loved by God.

"Why should I invest myself in something that I'm not sure does any good? " This is a question many people today are asking about the church. Data shows young people are leaving the church, especially in urban contexts. Yet as Jon Tyson will show you in this Barna Frame, the church has much to offer cities-and individuals-in the 21st century. Whether you come with an open-mind, skeptical, or already committed to your local church, join Jon Tyson, lead pastor of Trinity Grace Church in New York City, as he makes the case for why church matters.

Job changes. Restructures. A waning passion. Retirement. A new 'norm' for length at any job. All of these, and more, lead us to wonder about the legacy we are leaving this world. Are we leaving it better than we found it? Are we able to separate our identity from our career? Maybe you know the deep passion you recently discovered (or re-discovered), that lay dormant for 30 years. Or perhaps you don't know yet what that calling is, but you know there is more than what you are doing now. Join Bob Goff, founder of Restore International, in this Barna Frame as you explore a biblical perspective on the legacy you are leaving, even as you face a career transition.

There are lots of questions we must ask ourselves when we talk about violence, and our role in perpetuating it or in creating peace. Why are we, as Christians, more comfortable with violence in our movies than sex? What does it mean that Jesus called us to love our enemies? How can we, in our churches, cultivate a peace that might reshape society? Do we create it by constantly protesting violence? By preaching? By rethinking our foreign policy? By somehow making peace cool? Join Tyler Wigg-Stevenson and Carol Howard Merritt as they tackle these tough questions and others in this Barna Frame. Violence is a tough, timely topic, and one that we, as the Church, have the chance to transform.

FRAMES is a series of mini-books that address the critical issues of our day and equips you to live a more meaningful life in the midst of complicated times. This compilation includes all nine of the FRAMES in Season 1 in one softcover book. Each FRAME includes compelling research from Barna Group, full-color infographics, thoughtful commentary and insights from experts, and provocative questions that help you and your book club, small group, or social media group to have meaningful discussion.

There is a new reality for mothers in the 21st century-it's a different world with different goals than it was even a generation ago. As little girls, today's moms didn't grow up with ONLY dolls and toy kitchens and princesses and visions of idyllic domesticity and motherhood behind a white picket fence: they were given these but also a little plastic doctor's bag and a coloring book full of potential careers to choose from. "You can be anything you want, child." It's a message of empowerment and it's beautiful. But, as many of those young girls grew up, a message that was once meant to convey opportunity has begun to feel like a pressure cooker. What once was "You can have it all" has now become "You need to have it all." You need to have the perfect job, the perfect husband, the perfect house, the perfect kids, the perfect play dates and craft nights and date nights and DIY Pinterest projects and #nofilter Instagrams.What does it mean to be a mom in a world like that? Where does vocation fit into all this? What does a holistic idea of self fit in? Many women struggle with the decision to work inside the home or outside the home. How can you maintain a sense of self and motherhood in both decisions?The reality is we can't really have it all - sometimes we will have to make choices. This Barna Frame explores the value and beauty in those constraints. Join Kate Harris, wife, mother, and the executive director of The Washington Institute for Faith, Vocation, and Culture, as she unpacks the identity questions, the economic realities, and the role of the church in your life as you feel compelled to be wonder woman.