Families, Law, and Society

How the Wise Men Got to Chelm is the first in-depth study of Chelm literature and its relationship to its literary precursors. When God created the world, so it is said, he sent out an angel with a bag of foolish souls with instructions to distribute them equally all over the world-one fool per town. But the angel's bag broke and all the souls spilled out onto the same spot. They built a settlement where they landed: the town is known as Chelm. The collected tales of these fools, or "wise men," of Chelm constitute the best-known folktale tradition of the Jews of eastern Europe. This tradition includes a sprawling repertoire of stories about the alleged intellectual limitations of the members of this old and important Jewish community. Chelm did not make its debut in the role of the foolish shtetl par excellence until late in the nineteenth century. Since then, however, the town has led a double life-as a real city in eastern Poland and as an imaginary place onto which questions of Jewish identity, community, and history have been projected. By placing literary Chelm and its "foolish" antecedents in a broader historical context, it shows how they have functioned for over three hundred years as models of society, somewhere between utopia and dystopia. These imaginary foolish towns have enabled writers both to entertain and highlight a variety of societal problems, a function that literary Chelm continues to fulfill in Jewish literature to this day.

Winner of the MLA's 2016 Alan Bray Prize for Best Book in GLBTQ Studies How BDSM can be used as a metaphor for black female sexuality. The Color of Kink explores black women's representations and performances within American pornography and BDSM (bondage and discipline, domination and submission, and sadism and masochism) from the 1930s to the present, revealing the ways in which they illustrate a complex and contradictory negotiation of pain, pleasure, and power for black women. Based on personal interviews conducted with pornography performers, producers, and professional dominatrices, visual and textual analysis, and extensive archival research, Ariane Cruz reveals BDSM and pornography as critical sites from which to rethink the formative links between Black female sexuality and violence. She explores how violence becomes not just a vehicle of pleasure but also a mode of accessing and contesting power. Drawing on feminist and queer theory, critical race theory, and media studies, Cruz argues that BDSM is a productive space from which to consider the complexity and diverseness of black women's sexual practice and the mutability of black female sexuality. Illuminating the cross-pollination of black sexuality and BDSM, The Color of Kink makes a unique contribution to the growing scholarship on racialized sexuality.