Early Poetry of Conrad Aiken
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Earth Triumphant
Early Poetry
by Conrad Aiken
read by Robert Bethune
Part 1 of the Early Poetry of Conrad Aiken series
In Charnel Rose, Conrad Aiken takes the plunge into a deeply metaphysical and surrealistic world, capturing the essence of one aspect of quintessential humanity: how we create and pursue a deeply personal, intensely idealistic, physically and emotionally draining search for love, and how some of us turn away from real love when we do find it, preferring instead to re-invent and re-amplify our idealistic vision of passionate perfection. He does this through an amazing combination of highly imaginative imagery conveyed through strikingly simple and beautiful poetry, musically complex and intensely rhythmic without empty literary gesture or hollow convention. The first part of the book is "Senlin," a study of the complex reality of a man who is part stonemason, part philosopher, and possibly part ancient deity. The second part of the book is "Variations," short, intense poems that ring the changes on intimate relationships. The third and last part of the book is "Charnel Rose," from which the book takes its name; this explores the passions and self-delusions we all go through in the name of love. Enjoy!
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Charnel Rose
by Conrad Aiken
read by Robert Bethune
Part 3 of the Early Poetry of Conrad Aiken series
In Earth Triumphant, Conrad Aiken's first major book of poetry, he took on a significant subject: What is the ultimate source of the human spirit? When the young human spirit loves, rages, strives, plays, where does that energy come from? When the old human spirit sees that time has passed and death is coming, where does that spirit find rest? Aiken's answer is unequivocal: in the ancient, ageless, inhuman, nurturing, commanding, accepting Earth. Where many poets might fly off in high abstraction with such a theme, Aiken does not; he keeps his feet on his good earth and connects to everyday reality in ways that have not dated in nearly 100 years. His verse is sophisticated, musically structured, and reads very well. Enjoy!
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Turns and Movies
by Conrad Aiken
read by Robert Bethune
Part 4 of the Early Poetry of Conrad Aiken series
Conrad Aiken was fascinated throughout his early work with the image of a tempestuous, romantic young man who tears himself away from his wife, his first love, and from a pastoral, peaceful life in a rural setting, to pursue what he hopes will be a richer, fuller, more rewarding life in a great city. In this book, Aiken explores this theme in full, especially in the final long poem, Dust in Starlight, which also forms Part III of his trilogy, Earth Triumphant. However, that story is not the only concern in this collection. He also provides us with a stunningly dry-eyed study of existence in the trenches of World War I, an environment as far from the urban heart-searchings of his primary poems as one could imagine. Throughout the book, Aiken's work is deeply embedded in his vivid perceptions of the natural world, the qualities of light and shadow, the mysteries of night and darkness, the strangely mixed peace and fury of rain and wind and storm. He expresses himself in deeply musical fashion, using repetition, theme, and rhythm much as a composer would, providing a hypnotic experience of the power of musical language. Enjoy!
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Nocturne of Remembered Spring
by Conrad Aiken
read by Robert Bethune
Part of the Early Poetry of Conrad Aiken series
What Spoon River Anthology does for a Midwestern small town, Turns and Movies does for the world of vaudeville. Like Masters, like Aiken: passions, betrayals, secrets, sins, victories, defeats, and inevitable losing struggles against age and death are the stuff of this work. And that's only the first part of the book. The rest of the book consists of a set of four long poems: Discordants, Evensong, Disenchantment and This Dance of Life. In these poems Aiken takes on a subject that strikes home now just as much as it did then: what happens to love when the flame of romance flickers, or even goes out? Aiken's men - he always writes from a man's point of view - make a variety of decisions, but for Aiken, the underlying determinant of all of those choices, for good or ill, is the ongoing, quiet, patient force of life itself: "A light wind blew; the curtains stirred; The east grew pale; a sleepy bird Sang a few notes, then life was still: A calm, unhurrying, soulless will." Aiken's words may be a almost a century old, but they still speak powerfully today. Enjoy!
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