Blue Light Books

In these eight darkly comic stories, acclaimed author Tom Howard explores the conflicting instincts for tenderness and violence that mark his character's lives. A brother and sister wander the pier after a deadly plague destroys most of humanity. A high school bully struggles to overcome his demons. A man in the grips of dementia is visited by his children's ghosts. The people in these tales grapple with past mistakes, trying to navigate their way toward redemption and resurrection. Though they often fail, they strive with ferocious hearts as their voices guide us through schoolyards, cemeteries, drive-in theaters, and the rich landscapes of their own imaginations.

Imagine a world populated by hideous trolls, time-traveling scientists, and intergalactic freighter captains-with smartphones and social media. The World of Dew and Other Stories, chosen by Michelle Pretorius, invites readers into 18 different universes that have unexpected resonances with our own modern life. While these tales are unabashedly sci-fi and fantasy, Julian Mortimer Smith approaches each at a curious angle. Ghosts are cataloged using a Pokémon Go-like app, a soldier has to get enough upvotes on social media before he is allowed to take a shot, and a golden age of cooperation begins as societies around the world prepare for a looming pandemic of blindness. In addition to featuring stories that have appeared in some of the world's top speculative fiction outlets, The World of Dew and Other Stories, also includes five new stories published here for the first time. These tales are sometimes terrifying, sometimes touching, sometimes provocative, and occasionally very silly. They function both as windows through which readers can glimpse vast universes waiting to be explored and as mirrors reflecting our own reality back at us in a strange and unfamiliar light.

These stories about struggling artists are "a fierce and funny exploration of creation and its discontents" (Steve Almond, author of My Life in Heavy Metal). Set in various creative communities-an art school, an illegal loft studio, a guerrilla street performance troupe-where teamwork and professional jealousy mix, these interconnected short stories by prizewinning author Anne Elliot follow artists as they grapple with economic realities and evolving expectations. A middle-aged poet, reeling from 9/11, fights homesickness, writer's block, and ladybugs at an artist's colony. A new empty-nester finds a creative outlet in her community garden, but gets tangled up in garden politics. As the characters pass through each other's stories, making messes and helping mop them up, some find inspiration in accidents and others are ready to quit art completely. Together, they stumble through the creative process, struggling to make art and find the spark of something new and original within themselves. In a world where the odds of becoming a star are nearly impossible, The Artstars tells the darkly humorous yet moving stories of those who dare to dream.

Enticing, heart wrenching, and darkly funny, the interconnected stories in The Artstars are set in creative communities-an art school, an illegal loft studio, a guerrilla street performance troupe-where teamwork and professional jealousy mix, and the artists grapple with economic realities and evolving expectations. A middle-aged poet, reeling from 9-11, fights homesickness, writer's block, and ladybugs at an artist's colony. A new empty-nester finds a creative outlet in her community garden, but gets tangled up in garden politics. As the characters pass through each other's stories, making messes and helping mop them up, some find inspiration in accidents; others are ready to quit art completely. Together, they stumble through the creative process, struggling to make art and find the spark of something new and original within themselves. In a world where the odds of becoming a star are nearly impossible, The Artstars tells the stories of those who dare to dream.

Jocelyn, Jodie, Jennifer, Jacqui, Joelle. Ignoring the optimistic advice of elders, these five working-class teens in the Rust Belt band together in their embrace of bad behavior and poor taste as they navigate sexuality and identity with loud-mouthed joy and clear-eyed cynicism. Rochelle Hurt's “The J Girls: A Reality Show” is a tribute to the grit and glitter of millennial girlhood and a testament to its dangers and traumas. Hurt's creative, genre-bending mix of poetry, fiction, and screenplay brings the girls to life with campy performances of monologues, soap opera clips, mock interviews, talk shows, commercials, and even burlesque. Vulgar, rhapsodic language serves as costume and shield, allowing the J Girls to script their own images and project glowing, outsized versions of themselves into the safe space of the TV screen. Playful and poignant, “The J Girls” is a flashy ode to performance and a nostalgic elegy for adolescent friendships.

Poet Jennifer Givhan now explores the path from girlhood to womanhood through love, tequila, sex, first periods, late nights, abuse, and heartache. She describes a journey brimming with transformative magic that heals even as it shatters. In four rich movements of poems, Givhan profiles the suffering and the love of a Latina girl who enters motherhood while coming to terms with sexual trauma. Her daughter is a touchstone of healing as she seeks to unravel her own emotions and protect the next generation of women. Givhan uses changing poetic forms to expose what it means to mature in a female body swirling with tenderness, violence, and potential in an uncertain world.