Autumn House Press Nonfiction Prize

In Skull Cathedral, Melissa Wiley pulls stories from the vestigial remnants of the creatures we were or could have become. The appendix, pinky toes, tonsils, male nipples, wisdom teeth, and coccyx are starting points through which Wiley explores exaltation, eroticism, grief, and desire. Using the slow evolution and odd disintegration of vestigial organs to enter the braided stories of the lives we establish for ourselves, the people we grieve, and the mysteries of youth, memory, and longing, Wiley's lens is deeply feminist and compassionate.

A collection of personal essays examining relationships, whiteness, and masculinity, All Who Belong May Enter was selected by Jaquira Díaz as the winner of the 2020 Autumn House Nonfiction Prize. Nicholas Ward's debut essay collection centers on self-exploration and cultural critique. These deeply personal essays examine masculinity, whiteness, and gentrification through tales of a Midwest upbringing, sporting events, parties, posh (and not-so-posh) restaurant jobs, and the many relationships built and lost along the way. With a storyteller's spirit, Ward recounts and evaluates the privilege of his upbringing with acumen and vulnerability. Ward's profound affection for his friends, family, lovers, pets, and particularly for his chosen home, Chicago, shines through. This collection offers readers hope for healing that comes through greater understanding and inquiry into one's self, relationships, and culture. Through these essays, Ward acknowledges his position within whiteness and masculinity, and he continuously holds himself and the society around him accountable.

The Running Body by Emily Pifer, selected by Steve Almond as the winner of the 2021 Autumn House Nonfiction Prize, is a memoir of addiction, body image, and healing, through the lens of a long-distance runner. Pifer's debut memoir wrestles and reckons with power and agency, language and story, body dysphoria and beauty standards, desire and addiction, loss and healing. Pifer employs multiple modes of storytelling-memoir, meditation, and cultural analysis-interweaving research, argument, and experience as she describes how, during her time as a collegiate distance runner, she began to run more while eating less. Many around her, including her coaches, praised her for these practices. But as she became faster, and as her body began to resemble the bodies that she had seen across start-lines and on the covers of running magazines, her bones began to fracture. The Running Body interrogates the stories we tell ourselves and the faultiness of memory. Fractures, figurative and literal, run through the narrative as Pifer explores the ways bodies become entangled in stories.

Winner of the Autumn House Press Nonfiction Prize, Jennifer Renee Blevins's debut memoir, Limited by Body Habitus: An American Fat Story, sheds light on her experiences living with the emotional and psychological struggles of taking up space in a fat-phobic world. Bringing together experiences of personal and national trauma, Blevins adeptly weaves the tale of her father's gastric bypass surgery and subsequent prolonged health crisis with the environmental catastrophe of the Deepwater Horizon oil spill. Blevins looks to each of these events as a "leak" of American society's pitfalls and shortcomings. These intertwined narratives, both disasters that could have been avoided, reveal points of failure in our systems of healthcare and environmental conservation.

In her memoir, winner of the Autumn House Press Nonfiction Prize, Jill Kanel details her early days as a newlywed, accompanying her Dutch husband to Zambia and living in a village so remote that it takes an eight-hour canoe ride to reach. This book recounts Kandel's day-to-day experiences, exploring how she learns to navigate her life in this new culture and her relationship with her husband.