Association of Writers and Writing Programs Award for Creative Nonfiction
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Study in Perfect
by Sarah Gorham
Part 1 of the Association of Writers and Writing Programs Award for Creative Nonfiction series
Study in Perfect is an exploration of perfection. In "Moving Horizontal" a Victorian house loses its charm over time, especially when compared to a modernist contemporary filled with light. Family life is dense with pleasure, as in the perfect vacation described in "Marking Time in Door County," and in "Neriage, or What Is the Secret of a Long Marriage," where an ancient Japanese ceramic technique has much in common with shaping a close relationship. There is such a thing as a perfect cup of tea, depending on who is preparing and drinking it ("Perfect Tea"). And schmaltzy show tunes flowing from a black-lacquered piano in a Chinese restaurant can be genuinely moving ("Sentimental à la Carte").
Naturally, Gorham must embrace imperfection. The poisonous mushrooms in "Darling Amanita" lead to a consideration of our darker impulses, like obsessive love, even murder. And there is pain: "The Shape of Fear" relates the story of a child stricken with a deadly staph infection, as it considers the function and form of fear. And alcoholism, the family disease no one wants to talk about, is poised against The Cat in the Hat, a story everyone has read and enjoyed.
Study in Perfect winds its way around and through the many permutations of this most hermetic and exalted concept and proceeds with the full consciousness that perfection's exact definition is subjective, reliant on who is speaking, and easily unmoored by time, geography, and the vagaries of taste.
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Augury
by Philip Garrison
Part 3 of the Association of Writers and Writing Programs Award for Creative Nonfiction series
Set primarily in Mexico and the American Northwest, yet equally at home with Achilleus on the Trojan plains or with Walt Whitman in his New Jersey home, these fifteen essays pass back and forth across international boundaries as easily as they cross the more fluid lines separating past and present. Part biography, part history, Augury is also something of a writer's journal, a guide to Garrison's imaginative journeys.
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Because I Remember Terror, Father, I Remember You
by Sue William Silverman
Part 4 of the Association of Writers and Writing Programs Award for Creative Nonfiction series
Because I Remember Terror, Father, I Remember You destroys our complacency about who among us can commit unspeakable atrocities, who is subjected to them, and who can stop them. From age four to eighteen, Sue William Silverman was repeatedly sexually abused by her father, an influential government official and successful banker. Through her eyes, we see an outwardly normal family built on a foundation of horrifying secrets that long went unreported, undetected, and unconfessed.
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Campus Sexpot
A Memoir
by David Carkeet
Part 5 of the Association of Writers and Writing Programs Award for Creative Nonfiction series
She tipped her head sideways, her lips offering themselves to his. He remembered the fire those lips contained, the promise her kiss held. . . . In 1962 David Carkeet's drowsy hometown of Sonora, California, snapped awake at the news that it had inspired a smutty potboiler titled Campus Sexpot. Before leaving town on short notice, the novel's author had been an English teacher at the local high school, where Carkeet was a hormone-saturated sophomore. Leaving was a good idea, it turned out, for most of the characters in Campus Sexpot had been modeled after Sonora's citizens.
Carkeet uproariously recaptures his stunned, youthful reaction to the novel's sleazy take on his hometown. The innocent nowhere burg where he despaired of ever getting any "action" became, in the pages of Campus Sexpot, a sink of iniquity echoing with "animal cries of delight." Blood pounded, dams of passion broke, and marriages and careers-not to mention the basics of good writing-went straight to hell.
As Carkeet relates his own romantic fumblings to the novel's clumsy twists and turns, he also evokes the urgently hushed atmosphere in which the book circulated among friends and neighbors. Eventually, Carkeet stumbles into adulthood, where he discovers a truer definition of manhood than the one in the pages of the pulp fiction of his youth. A wry look at middle-class sexual mores and a witty appreciation of the art of the hack novel, Carkeet's memoir is, above all, a poignant and hilarious coming-of-age story sure to revive our own bittersweet teenage memories.
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Companion to an Untold Story
by Marcia Aldrich
Part 7 of the Association of Writers and Writing Programs Award for Creative Nonfiction series
When Marcia Aldrich's friend took his own life at the age of forty-six, they had known each other many years. As part of his preparations for death, he gave her many of his possessions, concealing his purposes in doing so, and when he committed his long-contemplated act, he was alone in a bare apartment.
In Companion to an Untold Story, Aldrich struggles with her own failure to act on her suspicions about her friend's intentions. She pieces together the rough outline of his plan to die and the details of its execution. Yet she acknowledges that she cannot provide a complete narrative of why he killed himself. The story remains private to her friend, and out of that difficulty is born another story- the aftershocks of his suicide and the author's responses to what it set in motion.
This book, modeled on the type of reference book called a "companion," attempts to find a form adequate to the way these two stories criss-cross, tangle, knot, and break. Organized alphabetically, the entries introduce, document, and reflect upon how suicide is so resistant to acceptance that it swallows up other aspects of a person's life. Aldrich finds an indirect approach to her friend's death, assembling letters, objects, and memories to archive an ungrievable loss and create a memorial to a life that does not easily make a claim on public attention. Intimate and austere, clear eyed and tender, this innovative work creates a new form in which to experience grief, remembrance, and reconciliation.
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Dough
A Memoir
by Mort Zachter
Part 9 of the Association of Writers and Writing Programs Award for Creative Nonfiction series
Mort Zachter's childhood revolved around a small shop on Manhattan's Lower East Side known in the neighborhood as "the day-old bread store." It was a bakery where nothing was baked, owned by his two eccentric uncles who referred to their goods as "the merchandise." Zachter grew up sleeping in the dinette of a leaking Brooklyn tenement. He lived a classic immigrant story-one of a close-knit, working-class family struggling to make it in America. Only they were rich.
In Dough, Zachter chronicles the life-altering discovery made at age thirty-six that he was heir to several million dollars his bachelor uncles had secretly amassed in stocks and bonds. Although initially elated, Zachter battled bitter memories of the long hours his mother worked at the bakery for no pay. And how could his own parents have kept the secret from him while he was a young married man, working his way through night school? As he cleans out his uncles' apartment, Zachter discovers clues about their personal lives that raise more questions than they answer. He also finds cake boxes packed with rolls of two-dollar bills and mattresses stuffed with coins.
In prose that is often funny and at times elegiac, Zachter struggles with the legacy of his enigmatic family and the implications of his new-found wealth. Breaking with his family's workaholic heritage, Zachter abandons his pragmatic accounting career to pursue his lifelong dream of being a writer. And though he may not understand his family, in the end he realizes that forgiveness and acceptance matter most.
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Increase
by Lia Purpura
Part 14 of the Association of Writers and Writing Programs Award for Creative Nonfiction series
Increase is Lia Purpura's chronicle of her pregnancy, the birth of her son, Joseph, and the first year of his life. She recounts her journey with the heightened awareness of a mother-to-be and through the eyes of a poet, from the moment she confirms her pregnancy as "A blue X slowly crosses itself, first one arm, then the other in the small white window of the test," through "the X of his crossed feet in sleep" as her child's world begins. Purpura's sensibility transcends the facts of personal experience to enfold the dramatically changing shape of a larger, complex world.
These closely knit essays portray the rhythms of a new mother's life as it is challenged and transformed in nearly every aspect, from the emotions of wildness, loss, need, and desire to the outward progress-and interruption-of her work and activities. Increase offers us motherhood at an extraordinary pitch, recording, absorbing, and revisiting experiences from a multitude of angles. Purpura presents her story of discovery with unequaled eloquence, grace, and power.
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Last Day on Earth
A Portrait of the NIU School Shooter
by David Vann
Part 16 of the Association of Writers and Writing Programs Award for Creative Nonfiction series
On Valentine's Day 2008, Steve Kazmierczak killed five and wounded eighteen at Northern Illinois University, then killed himself. But he was an A student, a Deans' Award winner. How could this happen?
CNN could not get the story. The Chicago Tribune, Washington Post, and all others came up empty because Steve's friends and professors knew very little. He had reinvented himself in his final five years. But David Vann, investigating for Esquire, went back to Steve's high school and junior high friends, found a life perfectly shaped for mass murder, and gained full access to the entire 1,500 pages of the police files. The result: the most complete portrait we have of any school shooter. But Vann doesn't stop there. He recounts his own history with guns, contemplating a school shooting. This book is terrifying and true, a story you'll never forget.
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Mountain Blood
by Will Baker
Part 19 of the Association of Writers and Writing Programs Award for Creative Nonfiction series
The recollections and yarns, historical meditations and reportage brought together in Mountain Blood display a sensibility formed by the harsh, outlandishly beautiful terrain of the American West. Will Baker's tales range from Nebraska to Peru and tell of a boy's first trout, a bar brawl over a woman, and the vise-like grip of gold over all of the Americas. They spring from an imagination shaped by wild, circuitous mealtime stories of prospectors and from the bitter history of a place where suburban ranch houses dot the vast sweep of land once hunted by the Lakotah.
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Riding the Demon
On the Road in West Africa
by Peter Chilson
Part 21 of the Association of Writers and Writing Programs Award for Creative Nonfiction series
In Niger, where access to rail and air travel requires overcoming many obstacles, roads are the nation's lifeline. For a year in the early 1990s, Peter Chilson traveled this desert country by automobile to experience West African road culture. He crisscrossed the same roads again and again with bush taxi driver Issoufou Garba in order to learn one driver's story inside and out. He hitchhiked, riding in cotton trucks, and traveled with other bush taxi drivers, truckers, road engineers, an anthropologist, Niger's only licensed woman commercial driver, and a customs officer.
The road in Africa, says Chilson, is more than a direction or a path to take. Once you've booked passage and taken your seat, the road becomes the center of your life. Hurtling along at eighty miles an hour in a bush taxi equipped with bald tires, no windows, and sometimes no doors, travelers realize that they've surrendered everything.
Chilson uses the road not to reinforce Africa's worn image of decay and corruption but to reveal how people endure political and economic chaos, poverty, and disease. The road has reflected the struggle for survival in Niger since the first automobile arrived there, and it remains a useful metaphor for the fight for stability and prosperity across Africa.
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The Riots
by Danielle Cadena Deulen
Part 22 of the Association of Writers and Writing Programs Award for Creative Nonfiction series
Constantly surprising, these personal essays explore the attractions and dangers of intimacy and the violence that often arises in close relationships. Deulen's artful storytelling and dialogue also draw the reader into complicated questions about class, race, and gender.
In "Aperture," she considers how she has contributed to her autistic brother's isolation from family and from the world. "Theft" investigates her mother's romantic stories about conquistadors in the context of the Mexican heritage of her biracial family. Throughout the collection Deulen experiments formally, alternating traditional narrative with "still life" essays and collages that characterize a particular time, place, and sensibility.
Deulen is remarkable in her ability to present her own confusion and culpability, and she also writes with compassion for others, such as her own suicidal and unpredictable father or a boy in her class who sets the teacher's hair on fire. In part because she herself so poorly fits the identities she might be assigned-white in appearance, she is in fact half Latina; raised in a poor neighborhood, she has acquired an education associated with the middle class-Deulen sees "otherness" as a useless category and the enemy of intimacy, which she embraces despite its risks.
The Riots seeks to create what Frost called "a momentary stay against confusion," and Deulen investigates her own act of creation even as she uses the craft of writing to put parentheses around the chaos of continuous living.
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The Small Heart of Things
Being at Home in a Beckoning World
by Julian Hoffman
Part 24 of the Association of Writers and Writing Programs Award for Creative Nonfiction series
In The Small Heart of Things, Julian Hoffman intimately examines the myriad ways in which connections to the natural world can be deepened through an equality of perception, whether it's a caterpillar carrying its house of leaves, transhumant shepherds ranging high mountain pastures, a quail taking cover on an empty steppe, or a Turkmen family emigrating from Afghanistan to Istanbul. The narrative spans the common-and often contested-ground that supports human and natural communities alike, seeking the unsung stories that sustain us.
Guided by the belief of Rainer Maria Rilke that "everything beckons us to perceive it," Hoffman explores the area around the Prespa Lakes, the first transboundary park in the Balkans, shared by Greece, Albania, and the former Yugoslav Republic of Macedonia. From there he travels widely to regions rarely written about, exploring the idea that home is wherever we happen to be if we accord that place our close and patient attention.
The Small Heart of Things is a book about looking and listening. It incorporates travel and natural history writing that interweaves human stories with those of wild creatures. Distinguished by Hoffman's belief that through awareness, curiosity, and openness we have the potential to forge abiding relationships with a range of places, it illuminates how these many connections can teach us to be at home in the world.
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Surrendered Child
A Birth Mother's Journey
by Karen Salyer McElmurray
Part 26 of the Association of Writers and Writing Programs Award for Creative Nonfiction series
Surrendered Child is Karen Salyer McElmurray's raw, poignant account of her journey from her teen years, when she put her newborn child up for adoption, to adulthood and a desperate search for the son she never knew. In a patchwork narrative interwoven with dark memories from her childhood, McElmurray deftly treads where few dare-into a gritty, honest exploration of the loss a birth mother experiences.
The year was 1973, a time of social upheaval, even in small-town Kentucky, where McElmurray grew up. More than a story of time and place, however, this is about a girl who, at the age of sixteen, relinquished her son at birth. Twenty-five years would pass before McElmurray began sharing this part of her past with others and actively looking for her son.
McElmurray's own troubled upbringing and her quest after a now-fully-grown son are the heart of her story. With unflinching honesty, McElmurray recounts both the painful surrendering and the surprise rediscovery of her son, juxtaposed with her portrayal of her own mother, who could not provide the love she needed. The dramatic result is a story of birthright lost and found-and an exploration of the meaning of motherhood itself.
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Vanished Gardens
Finding Nature in Philadelphia
by Sharon White
Part 28 of the Association of Writers and Writing Programs Award for Creative Nonfiction series
New to living and gardening in Philadelphia, Sharon White begins a journey through the landscape of the city, past and present, in Vanished Gardens. In prose now as precise and considered as the paths in a parterre, now as flowing and lyrical as an Olmsted vista, White explores Philadelphia's gardens as a part of the city's ecosystem and animates the lives of individual gardeners and naturalists working in the area around her home.
In one section of the book, White tours the gardens of colonial botanist John Bartram; his wife, Ann; and their son, writer and naturalist William. Other chapters focus on Deborah Logan, who kept a record of her life on a large farm in the late eighteenth century, and Mary Gibson Henry, twentieth-century botanist, plant collector, and namesake of the lily Hymenocallis henryae. Throughout White weaves passages from diaries, letters, and memoirs from significant Philadephia gardeners into her own striking prose, transforming each place she examines into a palimpsest of the underlying earth and the human landscapes layered over it.
White gives a surprising portrait of the resilience and richness of the natural world in Philadelphia and of the ways that gardening can connect nature to urban space. She shows that although gardens may vanish forever, the meaning and solace inherent in the act of gardening are always waiting to be discovered anew.
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Mot
A Memoir
by Sarah Einstein
Part 29 of the Association of Writers and Writing Programs Award for Creative Nonfiction series
At forty, Sarah Einstein is forced to face her own shortcomings. In the wake of an attempted sexual assault, she must come to terms with the facts that she is not tough enough for her job managing a local drop-in center for adults with mental illness and that her new marriage is already faltering. Just as she reaches her breaking point, she meets Mot, a homeless veteran who lives a life dictated by frightening delusion. She is drawn to the brilliant ways he has found to lead his own difficult life; traveling to Romania to get his teeth fixed because the United States doesn't offer dental care to the indigent, teaching himself to use computers in public libraries, and even taking university classes while living out of doors.
Mot: A Memoir is the story of their unlikely friendship and explores what we can, and cannot, do for a person we love. In unsparing prose and with a sharp eye for detail, Einstein brings the reader into the world of Mot's delusions and illuminates a life that would otherwise be hidden from us.
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Life of Miracles along the Yangtze and Mississippi
by Ping Wang
Part 31 of the Association of Writers and Writing Programs Award for Creative Nonfiction series
There are only two ways to live our life, according to Albert Einstein: one is as if nothing is a miracle; the other, as if everything is a miracle.
Life of Miracles along the Yangtze and Mississippi is a book about how the impossible became possible-about things that happened in China and America to the people Wang Ping grew up with, met, and befriended along her journeys between these two distant rivers. This is also a story about water, alive with spirits and energy, giving birth to all sentient beings. We are water. The river runs through us. Those who live in harmony with water can ride the current of the universe-the secret of Tao, reaching all the way to the sea of miracles, one story, one droplet, and one wave at a time.
A miracle is a state of mind, a way of living: how we face hardship, pain, and tragedies, how we transform them into fuels for our journey and transcend them into joy and hope. This is a book about how ordinary people perform miracles every day; how we are touched, touching, all the time, across oceans and continents, across time and space, through our stories.
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Mobile Home
A Memoir in Essays
by Megan Harlan
Part 33 of the Association of Writers and Writing Programs Award for Creative Nonfiction series
Uprooting ourselves and putting down roots elsewhere has become second nature. Americans are among the most mobile people on the planet, moving house an average of nine times in adulthood. Mobile Home explores one family's extreme and often international version of this common experience. Inspired by Megan Harlan's globe-wandering childhood-during which she lived in seventeen homes across four continents, ranging in location from the Alaskan tundra to a Colombian jungle, a posh flat in London to a doublewide trailer near the Arabian Gulf-Mobile Home maps the emotional structures and metaphysical geographies of home.
In ten interconnected essays, Harlan examines cultural histories that include Bedouin nomadic traditions and modern life in wheeled mobile homes, the psychology of motels and suburban tract housing, and the lived meanings within the built landscapes of Manhattan, Stonehenge, and the Winchester Mystery House. More personally, she traces the family histories that drove her parents to seek so many new horizons-and how those places shaped her upbringing. Her mother viewed houses as a kind of large-scale plastic art ever in need of renovating, while her father was a natural adventurer and loved nothing more than to travel, choosing a life of flight that also helped to mask his addiction to alcohol. These familial experiences color Harlan's current journey as a mother attempting to shape a flourishing, rooted world for her son. Her memoir in essays skillfully explores the flexible, continually inventive natures of place, family, and home.
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Ghostbread
by Sonja Livingston
Part of the Association of Writers and Writing Programs Award for Creative Nonfiction series
When you eat soup every night, thoughts of bread get you through.
One of seven children brought up by a single mother, Sonja Livingston was raised in areas of western New York that remain relatively hidden from the rest of America. From an old farming town to an Indian reservation to a dead-end urban neighborhood, Livingston and her siblings follow their nonconformist mother from one ramshackle house to another on the perpetual search for something better. Along the way, the young Sonja observes the harsh realities her family encounters, as well as small moments of transcendent beauty that somehow keep them going. While struggling to make sense of her world, Livingston perceives the stresses and patterns that keep children-girls in particular-trapped in the cycle of poverty.
Informed by cultural experiences such as Livington's love for Wonder Woman and Nancy Drew and her experiences with the Girl Scouts and Roman Catholicism, this lyrical memoir firmly eschews sentimentality, offering instead a meditation on what it means to hunger and showing that poverty can strengthen the spirit just as surely as it can grind it down.
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Spellbound
Growing Up in God's Country
by David McKain
Part of the Association of Writers and Writing Programs Award for Creative Nonfiction series
In this award-winning memoir, a poet recalls his difficult childhood as the son of a poor lay preacher in a Pennsylvania mountain town.
In Spellbound, David McKain brings readers inside the secret world of a boy growing up in "God's Country," a small oil-drilling town in the Allegheny Mountains through the forties and fifties. His devoutly religious parents, overwhelmed by their own struggles, relinquished their son's upbringing to the town and the wooded slopes that encircled it.
Cutting school, straying from Boy Scouts, dropping out of church choir, McKain maneuvered away from control and into the joys and trials of adolescent discovery. Winner of the Association of Writers & Writing Programs Award for Creative Nonfiction, Spellbound is an unforgettable story of a family enmeshed in tenderness and poverty, faith, and affliction.
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The Broken Country
On Trauma, a Crime, and the Continuing Legacy of Vietnam
by Paisley Rekdal
Part of the Association of Writers and Writing Programs Award for Creative Nonfiction series
An attack in a grocery store parking lot launches an examination of the Vietnam War's dark legacy-by the author of The Night My Mother Met Bruce Lee.
The Broken Country uses a violent incident that took place in Salt Lake City, Utah, in 2012 as a springboard for examining the long-term cultural and psychological effects of the Vietnam War. To make sense of the shocking and baffling incident-in which a young homeless man born in Vietnam stabbed a number of white men purportedly in retribution for the war-Paisley Rekdal draws on a remarkable range of material and fashions it into a compelling account of the dislocations suffered by the Vietnamese and also by American-born veterans over the past decades. She interweaves a narrative about the crime with information collected in interviews, historical examination of the arrival of Vietnamese immigrants in the 1970s, a critique of portrayals of Vietnam in American popular culture, and discussions of the psychological consequences of trauma. This work allows us to better understand transgenerational and cultural trauma and advances our still complicated struggle to comprehend the war.
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