American Reader

Committed to exploring the role of poetry and poets in our culture, Stephen Dunn provides new, expanded versions of the essays originally published by W. W. Norton in 1993, now out of print. In Walking Light, Dunn discusses the relationship between art and sport, the role of imagination in writing poetry, and the necessity for surprise and discovery when writing a poem. Humorous, intelligent and accessible, Walking Light is a book that will appeal to writers, readers, and teachers of poetry. Stephen Dunn is the author of eleven collection of poetry. He teaches writing and literature at the Richard Stockton College in Pomona, New Jersey, and lives in Port Republic, New Jersey.

In the foreword to Li-Young Lee's first book, Rose (BOA Editions, 1986), Gerald Stern wrote, "What characterizes Li-Young Lee's poetry is a certain kind of humility, a kind of cunning, a love of plain speech, a search for wisdom and understanding. . . . I think we are in the presence of a true spirit." Poetry lovers agree! Rose has gone on to sell more than eighty thousand copies, and Li-Young Lee has become one of the country's most beloved poets. Breaking the Alabaster Jar: Conversations with Li-Young Lee is a collection of the best dozen interviews given by Li-Young Lee over the past twenty years. From a twenty-nine-year-old poet prodigy to a seasoned veteran in high demand for readings and appearances across the United States and abroad, these interviews capture Li-Young Lee at various stages of his artistic development. He not only discusses his family's flight from political oppression in China and Indonesia, but how that journey affected his poetry and the engaging, often painful, insights being raised a cultural outsider in America afforded him. Other topics include spirituality (primarily Christianity and Buddhism) and a wide range of aesthetic topics such as literary influences, his own writing practices, the role of formal and informal education in becoming a writer, and his current life as a famous and highly sought-after American poet.

Glass Grapes and Other Stories is the first full-length collection of short stories by distinguished poet and fiction writer Martha Ronk. Ronk's work has garnered critical accolades and numerous awards, including, most recently, a 2005 PEN USA Award in poetry, a 2007 NEA Fellowship, and a 2007 National Poetry Series Award. Glass Grapes is a collection of short, experimental stories, usually dominated by an object imbued with fetishistic qualities by an obsessive, self-involved narrator. The language of these stories is repetitive, provocative, imagistic, occasionally comic, and unnerving. Ronk's fiction moves with the same grace, beauty, and attention to language as her most accomplished poetry.

Timeless yet timely and hopeful with a dark underbelly, these fables revive a tradition running from Aesop to W. S. Merwin. With a poet's mastery, Craig Morgan Teicher creates strange worlds populated by animals fated for disaster and the people who interact with them, or simply act like them, including a very sad boy who wishes he had been raised by wolves. There are also a handful of badly behaving gods, a talking tree, and a shape-shifting room. Craig Morgan Teicher is poetry editor of Publishers Weekly and a vice president on the board of the National Book Critics Circle. He lives in Brooklyn, New York.

She admits she is pleased when the new placard is raised, "Madame Tussaud's House of Wax." She stands in the crowd with François at her side. He leans close enough to touch her ear with the fringe of his mustache and whispers, "What part of the museum would the famous Madame Tussaud like to survey on her inaugural visit? ""The Chamber of Horrors, I think," she says softly. "Really, my dear? All that grim fantasy and blood? ""There is no fantasy about it, François. It is an embryo, a showing of what is to come. "Blending historical fiction with fantasy and the macabre, Adam McOmber's debut short story collection brings the influence of Angela Carter, Isak Dinesen, and Edgar Allan Poe to the next generation. In "The Automatic Garden," a solitary architect from the court at Versailles builds a water-powered pleasure garden; in "There Are No Bodies Such as This," we read a haunted and romantic fiction about the creation of Madame Tussaud's wax museum; in "Fall, Orpheum," a small town movie palace becomes the temple for an entire town's devotion and sacrifice. McOmber seamlessly blends history, artifice, and desire to create a dream of the past that intertwines with our own notions of modern life. Adam McOmber's stories appear in Conjunctions, StoryQuarterly, Third Coast, The Greensboro Review, Arts & Letters, and Quarterly West. He is assistant director of creative nonfiction at Columbia College Chicago and associate editor of the literary magazine Hotel Amerika.

Canyon Sacrifice brings the rugged western landscape, the mysterious past of the ancient Anasazi Indians, and the Southwest's ongoing cultural fissures vividly to life. A deadly struggle against murderous kidnappers in Grand Canyon National Park forces archaeologist Chuck Bender to face up to his past as he realizes every parents' worst nightmare: a missing child.

From "The Glass Girl": On certain evenings in dark motels, she could transform her lip into the edge of the bottle, imagining her face was made of amber glass and the men paused above her only to take a drink of breath. Over the years, men drank and drank until there were only two sips left inside. They began sucking the air out of the glass that grew warm in the wrong places because of heat radiating off their hands. The men's breath along with white feathers fell over autumn winds drifting through open windows. In this collection, Kurt Vonnegut Fiction Prize—winner Aimee Parkison's characters struggle to understand what happens when the innocent party becomes the guilty party. With magical realist flair, secrets are aired with dirty laundry, but the stains never come clean.

Passwords Primeval sets aside the artificial boundaries of poetry "schools" and "movements" to cut to the art of the matter. Tony Leuzzi's astounding knowledge of poetry draws new insights from such luminaries as Billy Collins, Gerald Stern, Jane Hirshfield, Patricia Smith, and Martín Espada. These new interviews provide insights into the poets and their poems without losing any of their mystery. Whether you're looking for deeper understanding of your favorite poets or simply interested in the lives of contemporary artists, Passwords Primeval reveals the interconnectedness of these masters whose voices echo each other from opposite ends of the same canyon.

The Era of Not Quite is chock-a-block with deaths, births, sea and land voyages, excursions to the library, philosophical asides, and things like wolves. People fall in and out of love, walk in and out of buildings, take two steps forward and two steps back. Futility is a theme of the book, but so is the necessity of trying.

Upon its initial publication, acclaimed poet Li-Young Lee's memoir The Winged Seed: A Remembrance (1995), received an American Book Award from the Before Columbus Foundation. In lyrical prose, Lee's extraordinary story begins in the 1950s when his parents fled China's political turmoil for Indonesia. Along with many other Chinese members of the population, his family was persecuted under President Sukarno. Falsely accused and charged for crimes against the state, his father spent a year and a half in jail as a political prisoner, half of that time in a leper colony. While his entire family was being transported to a prison colony, they escaped and fled to Hong Kong, Japan, Malaysia, and back to Hong Kong where his father rose to prominence as an evangelical preacher. Eventually, the family sought asylum in the United States in 1962. When the author was six, they emigrated to a small town in western Pennsylvania where his father became a Presbyterian minister. This reissued edition contains a new foreword by the author and never-before-seen photos of the family from different stages of their journey. Li-Young Lee is the author of four critically acclaimed books of poetry that have garnered such awards as the Delmore Schwartz Memorial Award from New York University; the 1990 Lamont Poetry Selection; the Writer's Award from the Mrs. Giles Whiting Foundation; and fellowships from the National Endowment for the Arts, The Lannan Foundation, and the John Simon Guggenheim Memorial Foundation.

Jewelry Box is a collection of intimate histories, concentrated renderings of getting older, leaving, remembering. Here, "history" is twinned with "story," where microcosms of daily life, drenched in the past, blossom from objects: a tube of mascara, a cat's tail, mushroom paté. This collection explores nuances of sexuality, motherhood, and what it means to know life and tell a story.

Alternately chilling, funny, devastating, and hopeful, these twenty stories introduce us to a theater critic who winds up in a hot tub with the actress he routinely savages in reviews; a biographer who struggles to discover why a novelist stopped writing; a woman who searches through her past lives to recall a romantic encounter with the poet W. B. Yeats; a student who contends with her predatory professor; and the poignant scenario of the last satyr meeting his last woman. Writer-in-residence and a professor of English at Lafayette College, Lee Upton is author of twelve books of fiction, nonfiction, and poetry.

Bridge is a collection of linked-stories about a troubled young woman? Alice? who works at a San Francisco law firm. Alice goes through despair and occasional rapture as she struggles with simultaneously real and hallucinated relationships with her co-worker David (of the romantic variety) and her supervisor Fran. Passionate, whip-smart, furious, and perceptive, Alice contemplates both suicide and murder as she struggles to find meaning in the day-to-day interactions of her life. Robert Thomas holds an MFA from Warren Wilson College. He lives in Oakland, California, and works as a legal secretary in San Francisco.

The characters in these nine short stories abandon families, plot assassinations, nurse vendettas, tease, taunt, and terrorize. They retaliate for bad marriages, dream of weddings, and wait decades for lovers. How far will we go to escape to a better dream? What consequences must we face for hope and fantasy? Robin McLean's stories are strange, often disturbing and funny, and as full of foolishness and ugliness as they are of the wisdom and beauty all around us. Robin McLean holds an MFA from UMass Amherst. She teaches at Clark University and lives in Bristol, New Hampshire, and Sunderland, Massachusetts.

New York Times-bestselling author James McManus offers up a collection of seven stories narrated by Vincent Killeen, an Irish Catholic altar boy, in the late 1950s and early 1960s. Persuaded at age eight by his grandmother that entering the priesthood will guarantee salvation for every member of his family, Vince eagerly commits to attending a Jesuit seminary for high school. As the meaning of a vow of celibacy becomes clearer to him, however, and he is exposed to the irresistible temptations of poker and girls, life as a seminarian begins to seem less appealing. These autobiographical stories are enlightening and evocative, providing keen, often humorous insight into Catholicism, faith, celibacy and its opposite, as well as America's-and increasingly the world's-favorite card game. James McManus has been called "poker's Shakespeare." He is the New York Times-bestselling author of Positively Fifth Street: Murderers, Cheetahs, and Binion's World Series of Poker and Cowboys Full: The Story of Poker, among others. He has been the poker columnist for the New York Times and currently writes the history column for CardPlayer. His work has also appeared in Harper's, The Believer, Paris Review, Esquire, and in Best American anthologies for poetry, sports writing, science and nature, and magazine writing. He has spoken about poker at Yale, Harvard, Google, Goldman Sachs, and on numerous media outlets, and is the recipient of the Peter Lisagor Award for Sports Journalism and fellowships from the Guggenheim and Rockefeller foundations, among other awards. He teaches at the School of the Art Institute of Chicago.

Set within the resilient Great Plains, these stories are marked by the region's people, landscape, and the distinctive way it is both regressive in its politics yet also stumbling toward something better. While not all stories are explicitly set in Oklahoma, the state is almost a character-neither protagonist nor antagonist-but instead the weird next-door-neighbor you're perhaps too ashamed of to take anywhere. Who is the embarrassing one-you or Oklahoma? Dinah Cox lives in her hometown of Stillwater, Oklahoma, where she teaches in the English department at Oklahoma State University and is an associate editor at Cimarron Review.

Gravity Changes is a collection of fantastical, off-beat stories that view the quotidian world through the lens of the absurd. Set in a surreal fictional world that is populated by strange characters-children who defy gravity, a man who marries a light-bulb, the Devil and his miracle-worker wife-these stories take wide steps outside of reality, finding new ways to illuminate truth.

Adam McOmber's lush, hallucinatory stories are both familiar and wholly original. Drawn from the historical record, Biblical lore, fairy tales, science fiction, and nightmares, these offbeat and fantastical works explore gender and sexuality in their darkest and most beautiful manifestations. In the tradition of Angela Carter or Kelly Link, My House Gathers Desires is covertly funny and haunting, seeking fresh ways to consider sexual identity and its relation to history. In "Sodom and Gomorrah," readers encounter a subversive, ecstatic new version of the Old Testament story. In "The Re'em," a medieval monk's search for a mythic beast conjures forbidden desire. And in "Notes on Inversion," the German psychiatrist Kraft-Ebbing receives a surreal retort to his clinical descriptions of same-sex desire. From "Sodom and Gomorrah": The strangers then are no longer like two men at all. They have undressed themselves, giving up the pretense of skin and becoming a denser part of the air. We are hungry for them. Ours is a sacred desire that was buried too long in our chests, like some city beneath the sand. Adam McOmber is the author of The White Forest (Touchstone, 2012) and This New & Poisonous Air (BOA, 2011), from which he had stories nominated for two 2012 Pushcart Prizes. His work has appeared in Conjunctions, Kenyon Review, and Fairy Tale Review. He served as the managing and associate editor of Hotel America at Columbia College Chicago from 2007-2015. He now lives in Los Angeles, CA, where he teaches at Loyola Marymount University.

This new collection by award-winning author Reginald Gibbons explores human experience and memory in ordinary settings, city apartments, rural roads, soap operas, and juvenile court, as way to understand the depths of thought and feeling in our everyday encounters. These narrative meditations explode with imagery, looking and listening deeply into our everyday experience, the extraordinary within the ordinary, the impossible within the possible. Reginald Gibbons is the author of numerous collections of poetry and fiction. His book Creatures of a Day was a poetry finalist for the National Book Award. He lives in Evanston, IL, where he teaches at Northwestern University.

The Science of Lost Futures is a prize-winning collection full of quirky humor and intelligent absurdity. Ryan Habermeyer is a yarn spinner of the first order. Drawing on urban legends, internet hoaxes, and ancient medical folklore, these stories go beyond science fiction and magical realism to create a captivating collection of fabulist stories that revel in the alien and the absurd.

Matthew Volmer fuses the insight of extended meditation with the immediacy of social media in his new collection Permanent Exhibit. These collage-style essays experiment with stream-of-conscious musings as Vollmer opens a browser window into his own mind: letting his thoughts wander through a fast-forward montage of flying snakes, mass shootings, emoji's, pop stars, stargazing, ghosts, circuses, and a hundred other things. Full of keen observations and unexpected insights, Permanent Exhibit reclaims the art of letting one's mind wander in the age of the status update.

Loosely based on the medieval bestiary, The Rapture Index examines the relationship between animals, humans, and storytelling. Harnessing the bestiary's combination of religious parable, encyclopedia, and artifice, Molly Reid journeys deep into suburbia to reveal characters struggling to fulfill the expectations of society and family while indulging their baser desires. Filled with moments of curiosity, misunderstanding, fervor, and heart, these stories offer a new twist on familiar landscapes where the wilderness has been tamed (sometimes just barely) but our own animal nature cannot be.

The awkwardness of modern living takes center stage in these nine short stories by Brian Wood. Well-intentioned characters fumble through social situations: a man making small talk in line for a deadly thrill ride, a pet parrot arrested for murder, a seductive stranger on an airplane who just pulled out a handle of gin. With sparse prose and candid humor, these stories draw attention to the absurdities of our day-to-day interactions.

A fastidious pet robot with a knack for knitting. A soporific giant pitching camp in the middle of a city. A mysterious mime whose upcoming performance has the whole town on edge. The stories in Mark Polanzak's BOA Short Fiction Prize-winning The OK End of Funny Town stitch fantastic situations into the drab fabric of everyday life. Polanzak delights in stretching every boundary he encounters, from the new focus on practical learning at the New Community School, to the ever-changing tastes of diners in search of the next big trend in local cuisine. Wondrous yet familiar, The OK End of Funny Town excavates the layers between our collective obsession with passing fads and our secret yearning for lasting connection.

The Complete Writings of Art Smith, the Bird Boy of Fort Wayne, Edited by Michael Martone is a Midwestern mythology that celebrates facts, fiction, and the impermanence of art. Inspired by the real-life pioneer of early aviation who invented the art of skywriting, the brief stories in this collection by "editor" Michael Martone follow the adventures of Art Smith and his authorship in the sky. In the spirit of Kurt Vonnegut and Hayao Miyazaki, The Complete Writings of Art Smith, the Bird Boy of Fort Wayne, Edited by Michael Martone recreates the wonder of the early flying machines as it reimagines the unwritten stories we tell about the daredevils who flew them.

Celebrated Nigerian-born writer E.C. Osondu delivers a short-story collection of nimble dexterity and startling originality in his BOA Alien Stories. These eighteen startling stories, each centered around, an encounter with the unexpected, explore what it means to be an alien. With a nod to the dual meaning of alien as both foreigner and extraterrestrial, Osondu turns familiar science-fiction tropes and immigration narratives on their heads, blending one with the other to call forth a whirlwind of otherness. With wry observations about society and human nature, in shifting landscapes from Africa to America to outer space and back again, Alien Stories breaks down the concept of foreignness to reveal what unites us all as 'aliens' within a complex and interconnected universe.

Moving between Cuba and the U.S., the stories in Are We Ever Our Own trace the paths of the women of the far-flung Armando Castell family. Related but unknown to each other, these women are exiles, immigrants, artists, outsiders, all in search of a sense of self and belonging. The owner of a professional mourning service investigates the disappearance of her employees. On the eve of the Cuban revolution, a young woman breaks into the mansion where she was once a servant to help the rebels and free herself. A musician in a traveling troupe recounts the last day she saw her father. Linked by theme and complex familial bonds, these stories shift across genres and forms to excavate the violence wreaked on women's bodies and document the attempt to create something meaningful in the face of loss. They ask: who do we belong to? What, if anything, belongs to us?

From poet George Looney comes a new short story collection that explores the essential nature of faith while plumbing the gritty secrets of the human heart. With swamps, alligators, revival tents, faith healers, sex, death, guilt, sin and snakes, Looney leads us through a dark landscape brimming with the miraculous and the peculiar alike. A man from a fire shows up on someone's doorstep, covered in ash and barely alive. One man's actions make an entire town question its own violence. A healer is bitten in half by an alligator as a crowd looks on. Dripping with Southern gothic, The Visibility of Things Long Submerged gazes at the obscure and obscene. Densely populated with characters that know intimately the trials of life and the restorative powers of love, these stories are filled with a deep longing for something beyond the restless disquiet.