Let's Become a Ghost Story
Part of the American Poets Continuum series
Rick Bursky's latest poetry collection reaches into the peculiarities of human relationships with emotional accuracy, charm, and a touch of surrealism. In poems that channel memories of brief encounters and long-lost loves through imagination and half-recalled dreams, Let's Become a Ghost Story turns nostalgia inside-out to reveal the innate humor of our most intimate connections.
The Collected Poems of Lucille Clifton 1965-2010
Part of the American Poets Continuum series
The Collected Poems of Lucille Clifton 1965–2010 combines all eleven of Lucille Clifton's published collections with more than fifty previously unpublished poems. The unpublished poems feature early poems from 1965–1969, a collection-in-progress titled the book of days (2008), and a poignant selection of final poems. An insightful foreword by Nobel Prize–winning author Toni Morrison and comprehensive afterword by noted poet Kevin Young frames Clifton's lifetime body of work, providing the definitive statement about this major America poet's career. On February 13, 2010, the poetry world lost one of its most distinguished members with the passing of Lucille Clifton. In the last year of her life, she was named the first African American woman to receive the $100,000 Ruth Lilly Poetry Prize honoring a US poet whose "lifetime accomplishments warrant extraordinary recognition," and was posthumously awarded the Robert Frost Medal for lifetime achievement from the Poetry Society of America. "mother-tongue: to man-kind" (from the unpublished the book of days): all that I am asking is that you see me as something more than a common occurrence, more than a woman in her ordinary skin.
Buffalo Girl
Part of the American Poets Continuum series
In these hybrid poems, Jessica Q. Stark explores her mother's fraught immigration to the United States from Vietnam at the end of war through the lens of the Little Red Riding Hood fairy tale.
Told through personal, national, and cultural histories, Buffalo Girl is a feminist indictment of the violence used to define and control women's bodies. Interspersed throughout this hybrid work are a series of collaged photographs, featuring Stark's mother's black-and-white photography from Vietnam beautifully and hauntingly layered over various natural landscapes-lush tropical plants, dense forests, pockets of wildflowers. Several illustrations from old Red Riding Hood children's books can also be found embedded into these pieces. Juxtaposing the moral implications of Little Red Riding Hood with her mother's photography, Stark creates an image-text conversation that attends to the wolves lurking in the forests of our everyday lives. Opening the whispered frames around sexuality and sex work, immersed in the unflattering symptoms of survival, Buffalo Girl burgeons with matrilineal love and corporeal rage while censuring the white gaze and the violence enacted through the English language. Here is an inversion of diasporic victimhood. Here is an unwavering attention to the burdens suffered by the women of this world. Here is a reimagination, a reclamation, a way out of the woods.
On the Shores of Welcome Home
Part of the American Poets Continuum series
In this Isabella Gardner Award-winning collection of poems, Bruce Weigl meditates on the ghosts and the grace one encounters in life's second act. A celebrated poet and veteran of the Vietnam War, Weigl offers a nuanced sense of aging as a departure and death as a returning home. With a sage's eye for mindfulness and a soldier's longing for the country where he served, Weigl's poems reveal the long scars left by Vietnam and the new possibilities one encounters in the wake of life-altering experiences.
Year of the Dog
Part of the American Poets Continuum series
In the tradition of women as the unsung keepers of history, Deborah Paredez's second poetry collection tells her story as a Latina daughter of the Vietnam War.
The title refers to the year 1970-the "year of the Metal Dog" in the lunar calendar-which was the year of the author's birth, the year of her father's deployment to Vietnam with a troop of Mexican-American immigrant soldiers, and a year of tremendous upheaval across the United States. Images from iconic photographs and her father's snapshots are incorporated, fragmented, scrutinized, and reconstructed throughout the collection as Paredez recalls untold stories from a war that changed her family and the nation.
In poems and lamentations that evoke Hecuba, the mythic figure so consumed by grief over the atrocities of war that she was transformed into a howling dog, and La Llorona, the weeping woman in Mexican folklore who haunts the riverbanks in mourning and threatens to disturb the complicity of those living in the present, Paredez recontextualizes the historical moments of the Vietnam era, from the arrest of Angela Davis to the haunting image of Mary Ann Vecchio at the Kent State Massacre, never forgetting the outcry and outrage that women's voices have carried across time.
Sky Country
Part of the American Poets Continuum series
Christine Kitano's second poetry collection elicits a sense of hunger, an intense longing for home and an ache for human connection. Channeling both real and imagined immigration experiences of her own family, her grandmothers, who fled Korea and Japan; and her father, a Japanese American who was incarcerated during WWII, Kitano's ambitious poetry speaks for those who have been historically silenced and displaced. Christine Kitano's first collection of poetry, Birds of Paradise, was published by Lynx House Press. She lives in Ithaca, NY, where she is an assistant professor of creative writing, poetry, and Asian American literature at Ithaca College.
Holy Moly Carry Me
Part of the American Poets Continuum series
Erika Meitner's fifth collection of poetry plumbs human resilience and grit in the face of disaster, loss, and uncertainty. These narrative poems take readers into the heart of southern Appalachia-its highways and strip malls and gun culture, its fragility and danger-as the speaker wrestles with what it means to be the only Jewish family in an Evangelical neighborhood and the anxieties of raising one white son and one black son amidst racial tensions and school lockdown drills. With a firm hand on the pulse of the uncertainty at the heart of 21st century America and a refusal to settle for easy answers, Meitner's poems embrace life in an increasingly fractured society and never stop asking what it means to love our neighbor as ourselves.
In Country
Part of the American Poets Continuum series
Hugh Martin's second full-length poetry collection moves within and among history to broaden and complicate our understanding of war. These poems push beyond tidy generalizations and easy moralizing as they explore the complex, often-tense relationships between U.S. soldiers and Iraqi civilians. The speaker journeys through training to deployment and back again, returning home to reflect on the soldiers and civilians-both memories and ghosts-left behind. Filled with recollected dialogue and true-to-life encounters, these poems question, deconstruct, examine, and reintegrate the myths and realities of service.
Dresses From the Old Country
Part of the American Poets Continuum series
In Laura Read's second poetry collection, the former poet laureate of Spokane, WA, weaves past and present together to create a portrait of a life in progress. As the speaker looks back on her life, she exists simultaneously as all the selves she has ever been: a lost child, a lonely adolescent, a teacher, a daughter, a friend, a wife, a mother-a woman continually shaped and reshaped by memory and experience. Deeply rooted in a particular time and place, Read's poems strip away the illusion of the passage of time as they reveal how we are all wearing "dresses from the old country."
Not for Specialists
New And Selected Poems
Part of the American Poets Continuum series
Until the late 1970s, W. D. Snodgrass was known primarily as a confessional poet and a key player in the emergence of that mode of poetry in the late 1950s and early 1960s. Snodgrass makes poetry out of the daily neuroses and everyday failures of a man-a husband, father, and teacher. This domestic suffering occurs against a backdrop of more universal suffering which Snodgrass believes is inherent in the human experience. Not for Specialists includes 35 new poems complemented by the superb work he wrote in the Pulitzer Prize winning collection, Heart's Needle, along with poetry from seven other distinguished collections. from "Nocturnes" Seen from higher up, it makes its first move in the low creekbed, the marshlands down the valley, spreading across the open hayfields, the hedgerows with their tops still lit, laps the roadbed, flows over lawns and gardens, past the house and up the wooded hillside back behind us till only some few rays still scythe between the treetrunks from the far horizon and are gone. W. D. Snodgrass, born in Pennsylvania in 1926, is the author of more than 20 books of poetry, including The Fuehrer Bunker: The Complete Cycle (BOA, 1995); Each in His Season (BOA, 1993); and Heart's Needle (1959), which won the Pulitzer Prize for Poetry. His other books include To Sound Like Yourself: Essays on Poetry (BOA, 2002), After-Images: Autobiographical Sketches (BOA, 1999) and six volumes of translation, including Selected Translations (BOA Editions, 1998), which won the Harold Morton Landon Translation Award.
Clues from the Animal Kingdom
Part of the American Poets Continuum series
In his fifth collection of poems, Christopher Kennedy sifts through the detritus of the past to uncover the memories, images, and symbols that shape an individual's consciousness. Looking to animals and their instincts for inspiration, drawing shape from the poet's Irish Catholic working-class roots, these prose poems transcend grief and depression by seeking humanity's place in the natural world.
All You Ask For is Longing: New and Selected Poems
Part of the American Poets Continuum series
For over twenty years Sean Thomas Dougherty has negotiated between modernist and avant-garde writing and more populist traditions that extend back to Walt Whitman. His subject matter ranges from basketball to Bjork, from blue collar workers to Biggie Smalls, from Luciano Pavarotti to women waiting at a diner outside a prison in Upstate New York. Selecting from the best of eight previous collections, this New and Selected reveals the powerful arc and development of Dougherty's writing and establishes him as a voice of dissent for the future. A former Fulbright fellow, Sean Thomas Dougherty works at Gold Crown Billiards in Erie, Pennsylvania.
Your Emergency Contact Has Experienced an Emergency
Part of the American Poets Continuum series
What happens when everything falls away, when those you call on in times of need are themselves calling out for rescue? In his highly anticipated second collection, Chen Chen continues his investigation of family, both blood and chosen, examining what one inherits and what one invents, as a queer Asian American living through an era of Trump, mass shootings, and the COVID-19 pandemic. Always at work in the wrecked heart of this new collection is a switchboard operator, picking up and connecting calls. Raucous 2 a.m. prank calls. Whispered-in-a-classroom emergency calls. And sometimes, its pages record the dropping of a call, a failure or refusal to pick up. With irrepressible humor and play, these anarchic poems celebrate life, despite all that would crush aliveness. Hybrid in form and set in New England, West Texas, and a landlocked province of China, among other places, Your Emergency Contact Has Experienced an Emergency refuses neat categorizations and pat answers. Instead, the book offers an insatiable curiosity about how it is we keep finding ways to hold onto one another.
True Faith
Part of the American Poets Continuum series
The poems in True Faith are earthy, lyrical, honest, and empathic in a style that is both gritty and urbane. With wry humor, Ira Sadoff's latest collection addresses family, faith, and the quiet joys of aging.
The Owner of the House
New Collected Poems 1940-2001
Part of the American Poets Continuum series
Few poets have so artfully confronted American life as Louis Simpson. Persona speakers struggle with everyday issues against a backdrop of larger forces, the individual's maladjustment to a culture of materialism and brutal competition, the failure of marriage under the pressures of such a society, the failure of the American dream. Simpson wages a lover's quarrel with the world. Educated at Munro College (West Indies) and at Columbia University, Louis Simpson has taught widely, most recently at the State University of New York at Stony Brook. He is the author of seventeen books of poetry and ten works of prose. He has received fellowships from the Academy of American Poetry, the Hudson Review, the Guggenheim Foundation, and received the Pulitzer Prize for Poetry.
The Hands of Strangers
Poems From The Nursing Home
Part of the American Poets Continuum series
Two university professors set out to repeatedly bike the Great Western Trail, observing and writing about its variations with every season. The accounts of their adventures, however, refuse to be limited to flora and fauna. In Wild Rides and Wildflowers, Abbott and Rushforth share their deeply personal explorations of the male psyche, true friendship, biking, and botany.
The Terrible Stories
Part of the American Poets Continuum series
The long-awaited tenth collection of poetry from the Shelley Memorial Prize-winning poet Lucille Clifton.
Mother Country
Part of the American Poets Continuum series
Mother Country examines the intricacies of mother—daughter relationships: what we inherit from our mothers, what we let go, what we hold, and what we pass on to our own children, both the visible and invisible.
As the speaker gradually loses the mother she has always known and upon whom she has always depended to early onset Parkinson's disease and mental illness, she asks herself: "How do you deal with the grief of losing someone who is still living?" The caregiving of a child to her parent is further compounded by anxiety and depression, as well as the pain of a miscarriage and the struggle to conceive once more. Her journey comes full circle when the speaker gives birth to a son and discovers the gap between the myths of motherhood and a far more nuanced reality.
Caw
Part of the American Poets Continuum series
In passionate poems about sin, obsession, and mortality-an artist's infatuation with a doll, an interspecies relationship, an ex-lover whose presence lingers in recipes, ecclesiastical birds, and a sex toy holding a loved one's ashes-Waters delivers impeccably crafted narratives infused with his signature lyrical gestures. At the book's core is a sequence of twenty-five poems on aging, dementia, and caregiving, chiseled phrase by phrase toward unflinching and memorable closure. Caw is a brilliant, intimate and moving addition to Waters's body of work and may be his most powerful collection yet.
Part of the American Poets Continuum series
Finalist, 1988 Pulitzer Prize for Poetry. "Clifton mythologizes herself: that is, she illuminated her surroundings and history from within in a way that casts light on much beyond."-The Women's Review of Books
I Am Not Trying to Hide My Hungers From the World
Part of the American Poets Continuum series
Punk-rock feminist poems exploring motherhood, pop culture, and resistance with a spirit of defiance, abundance, and irreverent joy
Kendra DeColo reaffirms the action of mothering as heroic, brutal, and hardcore. These poems interrogate patriarchal narratives about childbirth, postpartum healing, and motherhood through the lens of pop culture and the political zeitgeist. With references ranging from Courtney Love to Lana Del Rey to Richard Burton to Nicolas Cage, I Am Not Trying to Hide My Hungers from the World revitalizes the way we look at mothering: pushing its boundaries and reclaiming one's spirit of defiance, abundance, and irreverent joy.
Theophobia
Part of the American Poets Continuum series
Theophobia is the latest volume in Bruce Beasley's ongoing spiritual meditation which forms a kind of postmodern devotional poetry in a reinvention of the tradition of John Donne, George Herbert, Emily Dickinson, Gerard Manley Hopkins, and T. S. Eliot. Theophobia is structured around a series of poems called "Pilgrim's Deviations" and forms a deviant and deviating pilgrimage through science, history, politics, and popular culture. Beasley seeks the Biblical Kingdom of God among Dolly the cloned sheep, the wonders and horrors of extremophilic creatures living in astonishing intensities of temperature, robotic phone operators, and Wikipedia's explanation of the mysteries of the Holy Spirit.
Letters to a Young Brown Girl
Part of the American Poets Continuum series
Barbara Jane Reyes answers the questions of Filipino American girls and young women of color with bold affirmations of hard-won empathy, fierce intelligence, and a fine-tuned B.S. detector. The Brown Girl of these poems is fed up with being shushed, with being constantly told how foreign and unattractive and unwanted she is. She's flipping tables and throwing chairs. She's raising her voice. She's keeping a sharp focus on the violence committed against her every day, and she's writing through the depths of her "otherness" to find beauty and even grace amidst her rage. Simultaneously looking into the mirror and out into the world, Reyes exposes the sensitive nerve-endings of life under patriarchy as a visible immigrant woman of color as she reaches towards her unflinching center.
Good Woman
Poems and a Memoir 1969-1980
Part of the American Poets Continuum series
Finalist for the 1988 Pulitzer Prize for Poetry A landmark collection by National Book Award-winning poet Lucille Clifton, Good Woman: Poems and a Memoir 1969-1980 includes the four poetry collections that launched Clifton's career-Good Times, Good News About the Earth, An Ordinary Woman, and Two-Headed Woman-as well as her haunting prose memoir, Generations. In honor of the 30th anniversary of Lucille Clifton's Pulitzer Prize-nominated poetry collection and memoir, Good Woman is now available for the first time as a deluxe eBook edition. Enhanced with previously unpublished photographs from the Lucille Clifton Estate and a special foreword by Araceli's Germany, this eBook is a must-have for longtime Clifton fans and newcomers alike.
The Smoke of Horses
Part of the American Poets Continuum series
In this fascinating new collection by longtime poet Charles Rafferty, evocative prose poems insert strange and mysterious twists into otherwise mundane middle-class scenarios. With wonderful intelligence and imagination, these compact, revelatory poems show us what is possible when we jettison accepted devices of thought for methods that are stranger, and much truer. Charles Rafferty is the author of six collections of poetry, one collection of stories, and two poetry chapbooks. He lives in Sandy Hook, CT, where he works at a technology research firm, directs the MFA program at Albertus Magnus College, and teaches in the Westport Writers' Workshop.
The Second O of Sorrow
Part of the American Poets Continuum series
Sean Thomas Dougherty celebrates the struggles, the dignity, and the joys of working-class life in the Rust Belt. Finding delight in everyday moments-a night at a packed karaoke bar, a father and daughter planting a garden, a biography of LeBron James as a metaphor for Ohio-these poems take pride in the people who survive despite all odds, who keep going without any concern for glory, fighting with wit and grace for justice, for joy, every god damned day.
Tell Me
Part of the American Poets Continuum series
In this new collection by the author of the award-winning The Philosopher's Club, Kim Addonizio takes the grist of the world and transforms it into poems of transcendent beauty. The dual themes of love and loss are pervasive in Addonizio's poems, made poignant by her keen eye and wise observations.
Brand New Spacesuit
Part of the American Poets Continuum series
In Brand New Spacesuit, John Gallaher writes with honesty, humor, and tenderness about caring for his aging parents. These poems offer snapshots of the poet's memories of his adoption and childhood, his father's heart attacks, his mother's progressing Alzheimer's disease and stroke, raising his own children, and his reflections on the complex mysteries of the universe within everyday moments. With exquisite attention to detail, Gallaher captures the losses, anxieties, and possibilities that come with caring for one another.
Part of the American Poets Continuum series
Brilliantly honed language, sharp rhythms and striking syntax empower Lucille Clifton's personal and artistic odyssey. Hers is poetry of birth, death, children, community, history, sexuality and spirituality, and she addresses these themes with passion, humor, anger and spiritual awe.
Blessing the Boats: New and Selected Poems 1988-2000
Part of the American Poets Continuum series
The long-awaited collection by one of the most distinguished poets working today.
Long Lens
New and Selected Poems
Part of the American Poets Continuum series
From "Long Lens": Folding laundry, I can see our clothesline waving its patches of color like the flag of a foreign country where I had happily lived in a small clapboard house surrounded by pines. I can hear my mother in her strong accent saying she didn't want a dryer even when we could finally afford one-Our sheets won't smell of trees and sunlight anymore. Long Lens represents forty years of Peter Makuck's work, including twenty-five new poems. With precise language, Makuck's imagery evokes spiritual longing, love, loss, violence, and transcendence. His subjects include the aftermath of the 1970 killings at Kent State University; scuba diving on an offshore shipwreck; flying through a storm in a small plane; rescuing a boy caught in a riptide; and lucid observations of spinner sharks, a gray fox, a spider, and a pelican tangled in a fishing line.
The City in Which I Love You
Part of the American Poets Continuum series
I.
Furious Versionis
II.
The Interrogation
This Hour And What Is Dead
Arise, Go Down
My Father, In Heaven, Is Reading Out Loud
For A New Citizen Of These United States
With Ruins
III.
This Room And Everything In It
The City In Which I Love You
IV.
The Waiting
A Story
Goodnight
You Must Sing
Here I Am
A Final Thing
V.
The Cleaving.
The Rooster's Wife
Part of the American Poets Continuum series
It's a scientific fact that anyone entering the distance will grow smaller as he proceeds. Eventually becoming so small he might only be found with a microscope, if indeed he is found at all. But there is a vanishing point, where anyone having entered the distance must disappear entirely without hope of his ever returning, leaving only the memory of his ever having been. But then there is fiction, so that one can never really be sure if one is remembering someone who vanished into the distance, or simply who had been made of paper and ink . . . Russell Edson has been called a surrealist comic genius, a magician of metaphor and imagination. He is all of these, and a philosophical poet whose zany expeditions into the twisted labyrinths of logic resemble Lewis Carroll's adventures through the wonderlands of paradox and illusion. Perhaps that is why even people who do not read significant amounts of contemporary poetry can immediately appreciate the playful accessibility of Russell Edson's writing. What he pulls out of the hat of the subconscious is always unpredictable, immediate and surprising. Russell Edson's books include The Very Thing That Happens (1964); The Childhood of an Equestrian (1973); The Tunnel: Selected Poems (1994); and The House of Sara Loo (Rain Taxi Chapbook Series, 2002). He lives in Darien, Connecticut.
Refuge
Part of the American Poets Continuum series
Deeply cross cultural, humanitarian, political and global poems about how humans deal with suffering across the world. These are poems about cultures rubbing up against each other, war, refugees, child soldiers, spiritual refugees trying to find a home, and a mother who is witnessing these firsthand. Rare ethnographic poetry by a world traveling cultural anthropologist and human rights activist.
How to Carry Water: Selected Poems of Lucille Clifton
Part of the American Poets Continuum series
How to Carry Water: Selected Poems of Lucille Clifton celebrates both familiar and lesser-known works by one of America's most beloved poets, including 10 newly discovered poems that have never been published.
These poems celebrating black womanhood and resilience shimmer with intellect, insight, humor, and joy, all in Clifton's characteristic style-a voice that the late Toni Morrison described as "seductive with the simplicity of an atom, which is to say highly complex, explosive underneath an apparent quietude." Selected and introduced by award-winning poet Aracelis Girmay, this volume of Clifton's poetry is simultaneously timeless and fitting for today's tumultuous moment.
The Human Half
Part of the American Poets Continuum series
Threaded with echoes of familial trauma-a sister's battle with cancer, a brother's struggles with depression-the lyric poems in The Human Half reveal an open-hearted speaker who finds solace in the beauties of celestial navigation, the flowers along the railroad tracks, and the brushwork of Vermeer and Van Gogh. Filled with quirks of perception, Deborah Brown holds space for wonder amidst of life's seasons of longing.
The Tiny Journalist
Part of the American Poets Continuum series
Internationally beloved poet Naomi Shihab Nye places her Palestinian American identity center stage in her latest full-length poetry collection for adults. The collection is inspired by the story of Janna Jihad Ayyad, the "Youngest Journalist in Palestine," who at age 7 began capturing videos of anti-occupation protests using her mother's smartphone. Nye draws upon her own family's roots in a West Bank village near Janna's hometown to offer empathy and insight to the young girl's reporting. Long an advocate for peaceful communication across all boundaries, Nye's poems in The Tiny Journalist put a human face on war and the violence that divides us from each other.
Useful Junk
Part of the American Poets Continuum series
A master of documentary poetry, Erika Meitner takes up the question of desire and intimacy in her latest collection of poems.
In her previous five collections of poetry, Erika Meitner has established herself as one of America's most incisive observers, cherished for her remarkable ability to temper catastrophe with tenderness. In her newest collection Useful Junk, Meitner considers what it means to be a sexual being in a world that sees women as invisible-as mothers, customers, passengers, worshippers, wives. These poems render our changing bodies as real and alive, shaped by the sense memories of long-lost lovers and the still thrilling touch of a spouse after years of parenthood, affirming that we are made of every intimate moment we have ever had. Letter poems to a younger poet interspersed throughout the collection question desire itself and how new technologies-Uber, sexting, Instagram-are reframing self-image and shifting the ratios of risk and reward in erotic encounters.
With dauntless vulnerability, Meitner travels a world of strip malls, supermarkets, and subway platforms, remaining porous and open to the world, always returning to the intimacies rooted deep within the self as a shout against the dying earth. Boldly affirming that pleasure is a vital form of knowledge, Useful Junk reminds us that our selves are made real and beautiful by our embodied experiences and that our desire is what keeps us alive.
The Naomi Letters
Part of the American Poets Continuum series
Rachel Mennies embraces the public/private duality of writing letters in her latest collection of poems. Told through a time-honored epistolary narrative, The Naomi Letters chronicles the relationship between a woman speaker and Naomi, the woman she loves.
Set mostly over the span of a single year encompassing the 2016 Presidential Election and its aftermath, their love story unfolds via correspondence, capturing the letters the speaker sends to Naomi-and occasionally Naomi's responses, as filtered through the speaker's retelling. These letter-poems form a braid, first from the use of found texts, next from the speaker's personal observations about her bisexuality, Judaism, and mental illness, and lastly from her testimonies of past experiences. As the speaker discovers she has fallen in love with Naomi, her letters reveal the struggles, joys, and erasures she endures as she becomes reacquainted with her own body following a long period of anxiety and suicidal ideation, working to recover both physically and emotionally as she grows to understand this long-distance love and its stakes-a love held by a woman for a woman, forever at a short, but precarious distance.
Nomenclatures of Invisibility
Part of the American Poets Continuum series
Through a lens simultaneously historical and political, Mahtem Shiferraw attends to personal and collective experiences of migration, motherhood, and immigration's complicated notions of home.
In Nomenclatures of Invisibility, Shiferraw calls us to carve out space for the multitudes of selves we carry when we migrate across boundaries of body, language, and state. Through a decolonial poetics, giving name to everything in her path from the Italian colonization of Eritrea (and failure to colonize Ethiopia) to her beloved eucalyptus tree, she blurs physical and temporal borders, paying homage to ancestors past, present, and future. Shiferraw writes unapologetically against erasure, against invisibility, instead creating a space that holds grief lovingly, that can tend to the wounds held and held in the endlessly-traveling body. Brilliant with abundance and texture, Shiferraw's poems dismantle the empire's sterility of language, both historical and present.
In Nomenclatures of Invisibility, Mahtem Shiferraw builds a home within her poems, attentively naming those who exist within them out of invisibility and into the radiant light: "We walk in unison too: our backs bending at once,/ our arms breaking, our abdomens kicked into silence, thighs bleeding. Through this I ask; am I still lit? And they, again...what else would you be-"
Diamonds
Part of the American Poets Continuum series
Diamonds presents a woman in midlife on the edge. In hilarious and heartbreaking poems, Camille Guthrie writes about the trials and surprises of divorce, parenting, country life, and the difficulties and delights of being alone, looking at art, and falling in love.
Witty resilience abounds in these irreverent poems about grief and desire, in which the poet meditates upon gender roles, history, pop culture, and academia. Guthrie subverts and teases traditional forms in an elegy about Sylvia Plath's prom dress, a dating profile for Hieronymus Bosch, a sestina about beauty and power, with radical dramatic monologues in the voices of Madame du Barry, a Pict Woman, and more. Unlike Virgil, who refuses to guide this poet through her journey at midlife, Guthrie leads readers by the hand into a provoking, affecting journey of a break-up and a reconciliation with love.
Kingdom Animalia
Part of the American Poets Continuum series
The poems in this highly anticipated second book are elegiac poems, as concerned with honoring our dead as they are with praising the living. Through Aracelis Girmay's lens, everything is animal: the sea, a jukebox, the desert. In these poems, everything possesses a system of desire, hunger, a set of teeth, and language. These are poems about what is both difficult and beautiful about our time here on earth. Aracelis Girmay's debut collection won the Great Lakes Colleges Association New Writers Award. A Cave Canem Fellow, she is on the faculty at Drew University and Hampshire College. She lives in Brooklyn, New York.
Your Father on the Train of Ghosts
Part of the American Poets Continuum series
Your Father on the Train of Ghosts is one of the most extensive collaborations in American poetry. Over the course of a year, acclaimed poets G. C. Waldrep and John Gallaher wrote poems back and forth, sometimes once or twice a week, sometimes five or six a day. As the collaboration deepened, a third "voice" emerged that neither poet can claim as solely their own. The poems of Your Father on the Train of Ghosts read as lyric snapshots of a culture we are all too familiar with, even as it slips from us: malls and supermarkets, museums and parades, toxic waste and cheesecakes, ghosts and fire, fathers and sons. Ultimately, these fables and confessions constitute a sort of gentle apocalypse, a user-friendly self-help manual for the end of time. G. C. Waldrep is author of Goldbeater's Skin (2003 Colorado Prize for poetry), Disclamor, and Archicembalo (2008 Dorset Prize). He has won awards from the Poetry Society of America and Academy of American Poets, fellowships at Yaddo and the MacDowell Colony; and an NEA fellowship. He holds an MFA in poetry from the Iowa Writers' Workshop and teaches at Bucknell University. John Gallaher is author of Gentlemen in Turbans, Ladies in Cauls, The Little Book of Guesses (Levis Poetry Prize), and Map of the Folded World. His poetry has been included in The Best American Poetry series and numerous journals and anthologies. He co-edits The Laurel Review, GreenTower Press, and the Akron Series of Contemporary Poetics. He teaches at Northwest Missouri State University.
Slope of the Child Everlasting
Part of the American Poets Continuum series
Slope of the Child Everlasting sustains the lyric and imagistic sensibility of Laurie Kutchins' previous poetry collection, The Night Path (BOA Editions, 1997), while expanding on its exploration of the archetypes that anchor the heart and mind of her poetry. The characters in these poems evoke chaos and regression, as well as song, wonder, and the tenacity of the imagination. Laurie Kutchins is an associate professor of English at James Madison University in Virginia. She lives in Harrisonburg, Virginia, and spends her summers along the Wyoming-Idaho border. The Night Path won the 1997 Isabella Gardner Award from BOA Editions.
Ennui Prophet
Part of the American Poets Continuum series
The poems in Ennui Prophet, Christopher Kennedy's fourth collection, range from deeply personal explorations of relationships with family and friends, to examinations of the political climate in the first decade of the millennium. Whether personal or public, Kennedy gazes through a slightly distorted lens to better see the world around us. Christopher Kennedy's previous book, Encouragement for a Man Falling to His Death (BOA Editions Ltd., 2007) received the Isabella Gardner Poetry Award. He directs Syracuse University's MFA program in creative writing.
Sharp Stars
Part of the American Poets Continuum series
Sharon Bryan's fourth poetry collection blends such disparate subjects as biology, astronomy, sports, philosophy, and music to probe humankind's desire for spiritual, even physical, transcendence. From Charles Mingus to Charles Barkley, from Buddy Holly to Bishop Berkeley, no reference is squandered in Bryan's prodigious imagination. Sharon Bryan's awards include the Academy of American Poets Prize, the Discovery Prize from The Nation, and two NEA fellowships. She has published three poetry collections and edited Planet on the Table: Poets on the Reading Life and Where We Stand: Women Poets on Literary Tradition. She is a visiting professor of poetry at the University of Connecticut at Storrs.
The Chair
Part of the American Poets Continuum series
One of America's foremost prose poets, Richard Garcia's The Chair simultaneously takes place in the natural world and a speculative world rich in the fabulist tradition: historical figures roam like ghosts, time is pulled and twisted, and narrative spins effortlessly out of language. A core of autobiography grounds these poems that are rife with surprises uniting the mythic and the everyday. Richard Garcia's awards include an NEA, a Pushcart Prize, and the American Poetry Journal Book Prize. He teaches creative writing in the Antioch University Los Angeles Low-Residency MFA program and lives on James Island, South Carolina.
Seasons of Lotus, Seasons of Bone
Part of the American Poets Continuum series
Weaving narratives of ancient and contemporary Egypt while exploring ecological shifts of the Nile Valley, Matthew Shenoda is a voice at the crossroads of the African continent and its diasporas. Amiri Baraka says, "Matthew Shenoda's poetry will open your mind to another world that exists inside and outside of your own." Winner of the 2006 American Book Award for his debut collection, Somewhere Else, Shenoda is a younger poet with his eyes set on the larger issues of history, politics, and culture. Matthew Shenoda lives in Los Angeles, California. He is on the faculty of the MFA program at Goddard College.