Old New York

Set against the dramatic backdrop of America's during the War of 1812, Beverly Swerling's gripping and intricately plotted sequel to the much-loved City of Dreams plunges deep into the crowded streets of old New York. Poised between the Manhattan woods and the sea that is her gateway to the world, the city of 1812 is vibrant but raw, a cauldron where the French accents of Creole pirates mingle with the brogues of Irish seamen, and shipments of rare teas and silks from Canton are sold at raucous Pearl Street auctions. Allegiances are more changeable than the tides, love and lust often indistinguishable, the bonds of country weak compared to the temptation of fabulous riches from the East, and only a few farseeing patriots recognize the need not only to protect the city from the redcoats, but to preserve the fragile Constitutional union forged in 1787. Joyful Patrick Turner, dashing war hero and brilliant surgeon, loses his hand to a British shell, retreats to private life, and hopes to make his fortune in the China trade. To succeed he must run the British blockade; if he fails, he will lose not only a livelihood, but the beautiful Manon, daughter of a Huguenot jeweler who will not accept a pauper as a son-in-law. When stories of a lost treasure and a mysterious diamond draw him into a treacherous maze of deceit and double-cross, and the British set Washington ablaze, Joyful realizes that more than his personal future is at stake. His adversary, Gornt Blakeman, has a lust for power that will not be sated until he claims Joyful's fiancée as his wife and half a nation as his personal fiefdom. Like the Turners before him, Joyful must choose: his dreams or his country. Swerling's vividly drawn characters illuminate every aspect of the teeming metropolis: John Jacob Astor, the wealthiest man in America, brings the city's first Chinese to staff his palatial Broadway mansion; Lucretia Carter, wife of a respectable craftsman, makes ends meet as an abortionist serving New York's brothels; Thumbless Wu, a mysterious Cantonese stowaway, slinks about on a secret mission; and the bewitching Delight Higgins, proprietress of the town's finest gambling club, lives in terror of the black birding gangs who prey on runaway slaves. They are all here, the butchers and shipwrights, the doctors and scriv-eners, the slum dwellers of Five Points and the money men of the infant stock exchange...conspiring by day and carousing by night, while the women must hide their loyalties and ambitions, their very wills, behind pretty sighs and silken skirts.

Delia rejected passion in favor of a secure marriage but Cousin Charlotte followed her own heart, even though it meant remaining unwed and giving up her baby. Charlotte's sacrifice has allowed the child, Tina, an advantageous position in New York City's fashionable society as Delia's adopted daughter. Now Tina's a graceful young woman and ready to marry - and the anguish that Charlotte has long suppressed is ready to explode. In addition to her mastery of the novella, Edith Wharton was a keen observer of her own privileged class. Her skill at capturing telling details of nineteenth-century society elevates this soap-opera scenario of a mother's self-denial into a memorable and compelling drama. First published in serial form in The Red Book Magazine in 1922, the story has since become a classic of American literature and has served as the basis for a Pulitzer Prize-winning Broadway play as well as a classic Hollywood film. This edition features an Introduction by Roxana Robinson, author of Cost.

City of God, the latest installment in Beverly Swerling's gripping saga of old New York, takes readers to Manhattan's clamorous streets as the nation struggles to find a compromise between slave and free, but hears the drums of war. This is New York when one synagogue is no longer adequate for thousands of Jewish immigrants, when New Evangelicals rouse complacent Protestants with the promise of born-again salvation, and when it first sees Catholic nuns and calls them whores of Satan. It is New York when ships bring the fabulous wealth of nations to its wharves and auction houses, while a short distance away rival gangs fight to the death with broken bottles and teeth filed to points. Into this churning cauldron comes young Dr. Nicholas Turner. Nick knows that the discoveries of antisepsis and anesthesia promise medical miracles beyond the dreams of ages. He learns that to make such progress reality he must battle the city's corrupt politics and survive the snake pit that is Bellevue Hospital, all while resisting his love for the beautiful Carolina Devrey, his cousin's wife. Sam Devrey, head of the shipping company that bears his name and a visionary who believes the future will be ushered in by mighty clipper ships spreading acres of sail, battles demons of his own. The life he lives with Carolina in the elegant brownstone on newly fashionable Fifth Avenue is a charade meant to disguise his heart's true home, the secret downtown apartment of the exquisite Mei-hua, his Chinese child-bride. The worlds of all four are imperiled when Sam must rely on Nick's skills to save the woman he loves, and only Nick's honor guards Sam's secret. On a night when promises of hellfire seem to become reality and the city nearly burns to the ground, Carolina and Mei-hua confront the truth of their duplicitous marriages. Rage and revenge join love and passion as driving forces in a story played out against the background of the glittering New York that rises from the ashes, where Delmonico's and the Astor House host bejeweled women and top-hatted men, both with the din of commerce in their ears and the glint of gold in their eyes. As always, Swerling has conjured a dazzling cast of characters to people her city. Among those seeking born-again salvation are Addie Bellingham, befriended by the widow Manon Turner but willing to betray her, and Lilac Langton, who confesses her sins but avoids mentioning that she's a skilled abortionist in a city that has recently made abortion a crime. Ben Klein, a brilliant young physician, must balance devotion to his mentor and dedication to research with duty to the Jewish community. Wilbur Randolf, Carolina's father, indulges her in everything but fails her when she needs him most. Jenny Worthington, Wilbur's longtime mistress, is driven by avarice to make common cause with Fearless Flannagan, a member of a New York police force as corrupt as the city it serves. Ah Chee, Mei-hua's devoted servant, struggles through Manhattan's streets on bound feet and burns incense to the kitchen god in this place of foreign devils. They are all here, heroines and saints, villains and victims, and a vanished New York made to live again in an intricate tale of old debts and new rivalries.

The events in 'Old New York' are set in the same New York as Wharton's 'The Age of Innocence', making this a prequel. In 'Old New York' Wharton once again explores the manners and morals of 19th century New York upper-class society. Unsurprisingly Old New York is reminiscent of 'The Age of Innocence'. Once again Wharton is at her very best weaving stories full of truth and power. Some characters from 'The Age of Innocence' that you'll meet again are Mrs. (Catherine) Manson Mingott, Sillerton Jackson, Mrs. Lemuel Struthers, Henry Van der Luyden. Return to a Time of Innocence!