Dalziel & Pascoe

The first book in the British police procedural series, the basis for the long-running BBC series featuring the Yorkshire detective duo. Mary Connon froze out her husband, Sam, long ago. She likes the attention of other men, like the fellow members of Sam's rugby club. Naturally, when she's found dead in her sitting room with a hole in her head, Sam is a suspect. If only he hadn't suffered a dizzying scrum injury that's left everything a blur. He isn't sure that he didn't kill her. But Det. Inspector Andrew Dalziel and his partner, Peter Pascoe, are looking outside the unhappy home. Because it seems everyone within spitting distance of the suburban femme fatale, from prying neighbors to spurned lovers to jealous wives, wanted Mary dead. As the field of play expands, so do the motives...

If Alison Girling, former principal of England's Holm Coultram College, died in an avalanche in Austria, why has her skeleton been unearthed on campus? While no love is lost between conservative detective Andrew Dalziel and the entirety of Liberal Arts, his attention to the grim discovery must be paid. But when he and Peter Pascoe scour the ivory tower for answers, they discover that the shady faculty and creepy student body have more to bury than just one corpse. Try two, and counting. As Pascoe is sidelined by an old college flame, Dalziel's suspicions of academia are becoming dire. Because the deeper he digs for secrets, the dirtier they get in this dark comedy.

A Yorkshire cop's reunion with old friends is marred by murder in this mystery. With his longtime girlfriend, Ellie, detective Peter Pascoe is off to Thornton Lacey for an exciting weekend reunion with a few of his college friends. However, upon arrival, he finds no cause for celebration. Instead, there's been a triple homicide, and one of his friends, the chief suspect, is missing. Pascoe is eager to assist with the case, but the local constabulary doesn't seem to welcome outside help. Meanwhile, Pascoe's superior, the incorrigibly rude Andy Dalziel, needs him back home to find the culprit behind a series of burglaries. Torn between two cases and two jurisdictions, Pascoe knows he must solve these cases quickly, if not for a sense of loyalty to his friends or duty to his job, then at least for his own sanity.

A detective is drawn to a newly widowed woman in this British murder mystery in the award-winning series. With his partner away on a honeymoon, Yorkshire detective Andrew Dalziel tries to beat the blues by taking a vacation of his own. But after getting caught in a torrential rain and running into a funeral procession, he winds up accompanying a crowd of upper-class mourners to a crumbling country house. Dalziel isn't known for his elegant manners, but he has bigger problems than not fitting in: The owner of the home has died under unusual circumstances, and soon more bodies are turning up. And while Dalziel finds himself undeniably attracted to the widow, he knows that she, and everyone in the family, is a suspect.

Yorkshire's detective duo descends into the kinky world of underground films in a mystery of murder and illusion. What's playing at the Calliope Club may draw a furtive crowd, but as far as the CID's Andrew Dalziel can tell it's all perfectly legal. His partner, Peter Pascoe, begs to differ. From what he hears, an actress's violent ordeal on film looked all too real. When she turns up unharmed, it appears his suspicions were wrong... if Andrew and Peter can trust what they see. Because if this dirty business is well and good, why has the film in question vanished? Why has the theater been set ablaze? And why has its proprietor been beaten to death? For answers, Yorkshire's finest are being led into the dark, where someone's bent for pain, pleasure, and murder is just beginning to unreel.

The Yorkshire detectives are upstaged by a Shakespeare-inspired serial killer… The CID's Andrew Dalziel prefers simple killers. Not a crackpot who fancies himself Hamlet and taunts authorities with lofty quotes from the Bard. Dubbed the Yorkshire Choker, he's already taken three lives in four weeks and promises more tragedy to come. To help nab the serial strangler, Peter Pascoe has enlisted the help of linguistics professors, psychologists, and psychics, all of it nonsense to the grounded Dalziel. But as the murders escalate, the motives become more tangled, and the killer's identity grows more elusive scene-by-crime-scene, Dalziel and Pascoe must do everything they can to bring down the curtain on the princely fiend.

What's the secret of Patrick Aldermann's success? Well, he was bequeathed his aunt's gardened estate after her sudden death; his wife's wealthy father died leaving the couple a hefty inheritance; and several fatal mishaps among colleagues have allowed the milquetoast to rise in his company with alarming speed. His boss fears he's hired a serial killer, a suspicion that's compelled the CID's Andrew Dalziel and Peter Pascoe to investigate. Is it possible the mild-mannered accountant, whose only real side passion seems to be roses, has a thorny edge? If yes, then who's the next deadhead to be pruned from Aldermann's perfect life?

Linking the dying words of three slain strangers proves risky for Dalziel and Pascoe in this mystery. On the same night, three old men are offed: One is found in the icy rain sputtering the name "Polly" before expiring; another mumbles "Charley" after being beaten in his bathtub; and most alarmingly, the final words of the third, a cyclist knocked off the road by a drunk driver, implicate Superintendent Andrew Dalziel in the fatal hit and run. Bearing the brunt of three seemingly disparate investigations while proving his partner's innocence, Peter Pascoe follows a confounding trail that leads to one victim's family secrets, a shady retirement community, and corruption within the CID's ranks that's putting more than Dalziel's already dicey reputation in peril.

An inheritance draws a shady long-lost relative out of hiding in "the most elaborate mystery in the Yorkshire series" (Kirkus Reviews). Reginald Hill "raised the classical British mystery to new heights" when he introduced pugnacious Yorkshire Det. Inspector Andrew Dalziel and his partner, the callow Sgt. Peter Pascoe (The New York Times Book Review). Their chafing differences in education, manners, technique, and temperament made them "the most remarkable duo in the annals of crime fiction" (Toronto Star). The Gold Dagger Award–winning series was adapted into a long-running hit show for the BBC. Gwendoline Huby's passing has left her relatives more aggrieved than grieving. The wealthy and dotty widow has bequeathed the bulk of her fortune to her son, Alexander, missing in action since World War II. Then a stranger appears at the funeral claiming, against all odds, to be the phantom benefactor. Imposter or rightful heir? For Dalziel and Pascoe, a prickly situation is made even more so when Alexander is murdered. But when a second body turns up-this time in the CID's parking lot-the Yorkshire detectives can't fathom a connection. Until they dare to look a little deeper into the Hubys' family plot.

A Yorkshire mining town is haunted by a mysterious tragedy in this "admirable addition to Hill's Dalziel/Pascoe series" (The Washington Post Book World). Reginald Hill "raised the classical British mystery to new heights" when he introduced pugnacious Yorkshire Det. Inspector Andrew Dalziel and his partner, the callow Sgt. Peter Pascoe (The New York Times Book Review). Their chafing differences in education, manners, technique, and temperament made them "the most remarkable duo in the annals of crime fiction" (Toronto Star). The Gold Dagger Award–winning series was adapted into a long-running hit show for the BBC. Colin Farr has returned to Burrthorpe-and to judgmental whispers. His father had once been implicated in the disappearance of a little girl, and his apparent suicide confirmed the suspicions. Defensive, troubled, and handsome, Colin's only comfort is with his protective and infatuated tutor, Ellie, wife of Inspector Peter Pascoe. But their increasingly questionable relationship isn't all that's testing Pascoe's patience. So is solving the crime that's plaguing Colin's family history. But when another murder rocks the mining town, and all clues point to Colin, Pascoe and Dalziel must descend into the darkest depths of Burrthorpe to unearth its secrets.

A New York Times Notable Book: A British detective plays God, literally, in this twisting crime thriller-"The climax is devastating" (The Times, London). Superintendent Andrew Dalziel, while drunk, has witnessed a woman being fatally shot-but her husband claims it was an accident, and everyone seems to be buying his story. His partner, Pascoe, meanwhile, is looking into chatty letters from an anonymous sender who says her resolution for the new year is to commit suicide. In the midst of all this, Dalziel is participating in a locally produced medieval mystery play-and has been cast in the role of God. Playing opposite him, as Lucifer, is the very man he suspects of murder . . . "Hill's most ambitious Dalziel/Pascoe novel yet-and one whose humor, keenness, and insight place him securely in the company of Ruth Rendell and P. D. James." -Kirkus Reviews, starred review "If further evidence were needed, this latest mystery confirms Hill's place among top British writers who produce solid stories of detection that succeed as first-rate novels exploring human character. . . . A powerful ending." -Publishers Weekly

Ex-convict and aspiring academic, Franny Roote, has started writing enigmatic letters to DCI Peter Pascoe who immediately smells a rat. DS Edgar Wield, intervening in a suspected kidnapping, takes a vulnerable rent boy under his wing, one who is hiding an earth-shattering secret. And young DC Bowler is looking forward to a weekend away with his girlfriend — but her dreams are filled with a horror too terrifying to share. Detective Chief Superintendent Andy Dalziel, lording it over his team, is famed for his omniscience. But even he is unable to foresee the disaster towards which they are all tumbling...

BOOK TWENTY IN THE DALZIEL AND PASCOE SERIES Caught in a huge Semtex explosion, it seems the only thing preventing Superintendent Andy Dalziel from death is his size — and sheer bloody-mindedness. An injured DCI Peter Pascoe is convinced there's a conspiracy at work, despite the security services concluding the blast was in fact an accident. Who, then, are the mysterious Knights Templar with their gruesome acts of vengeance? And what of a hit-and-run on one of Pascoe's colleagues? And, most importantly, will Dalziel ever wake up to hear the truth...?

The new Dalziel and Pascoe novel to delight and thrill Reginald Hill fans. Some say that Andy Dalziel wasn’t ready for God, others that God wasn’t ready for Dalziel. Either way, despite his recent proximity to a terrorist blast in Death Comes for the Fat Man, the Superintendent remains firmly of this world. And, while Death may be the cure for all diseases, Dalziel is happy to settle for a few weeks’ care under a tender nurse. Convalescing in Sandytown, a quiet seaside resort devoted to healing, Dalziel befriends Charlotte Heywood, a fellow newcomer and psychologist, who is researching the benefits of alternative therapy. With much in common, the two soon find themselves in partnership when trouble comes to town. Sandytown’s principal landowners have grandiose plans for the resort–none of which they can agree on. One of them has to go, and when one of them does, in spectacularly gruesome fashion, DCI Peter Pascoe is called in to investigate–with Dalziel and Charlotte providing unwelcome support. But Pascoe finds dark forces at work in a place where medicine and holistic remedies are no match for the oldest cure of all...

Gina Wolfe is searching for her missing husband, believed dead, and hopes Superintendent Andy Dalziel can help. What neither realize is that there are others on the same trail. A tabloid hack with some awkward enquiries about an ambitious MP's father. The politician's secretary who shares his suspicions. The ruthless entrepreneur in question — and the two henchmen out to make sure the past stays in the past. Four stories, two mismatched detectives trying to figure it all out, and 24 hours in which to do it: Dalziel and Pascoe are about to learn the hard way exactly how much difference a day makes...