Bollingen Recollections

A groundbreaking exploration of the feminine archetype in Henry Moore's sculptural world Henry Moore (1898–1986) was an artist and sculptor renowned for his monumental semiabstract bronzes, many of them suggestive of the female form. The Archetypal World of Henry Moore is Erich Neumann's thought-provoking analysis of Moore's extraordinary work from the perspective of analytical psychology. In this landmark book, Neumann, one of the twentieth century's most brilliant psychologists and a student of C. G. Jung, clarifies and enriches our understanding of the sculptor's themes of mother and child and the reclining figure, demonstrating how both are supreme expressions of the archetypal feminine. Erich Neumann (1905–1960), a psychologist and philosopher, was born in Berlin and lived in Tel Aviv from 1934 until his death. His books include Amor and Psyche, The Fear of the Feminine, The Great Mother, and The Origins and History of Consciousness (all Princeton). "A rare and stimulating essay in a most difficult field of psychological inquiry."-Times Literary Supplement "One must be grateful to Neumann for assembling and bringing out the symbolical significance of so much of Moore's work."-Journal of Analytical Psychology

A classic work of comparative mythology by acclaimed scholar Heinrich Zimmer Drawing from Eastern and Western literatures, Heinrich Zimmer presents a selection of stories linked together by their common concern for the problem of our eternal conflict with the forces of evil. Beginning with a tale from the Arabian Nights, this theme unfolds in legends from Irish paganism, medieval Christianity, the Arthurian cycle, and early Hinduism. In retelling these tales, Zimmer discloses the meanings of their seemingly unrelated symbols and suggests the philosophical wholeness of their myths. Heinrich Zimmer (1890–1943) was an Indologist, linguist, and historian of South Asian art. His books include Philosophies of India, Myths and Symbols in Indian Art and Civilization, and The Art of Indian Asia (all Princeton). Joseph Campbell (1904–1987) was the author of many books on comparative mythology, including The Hero with a Thousand Faces and The Masks of God.

A landmark account of the evolution of consciousness by one of the twentieth century's leading Jungian psychologists This book draws on a full range of world mythology to show how individual consciousness undergoes the same archetypal stages of development as human consciousness as a whole. Erich Neumann, one of C. G. Jung's most creative students and a renowned practitioner of analytical psychology in his own right, shows how the stages begin and end with the symbol of the Uroboros, the tail-eating serpent. The intermediate stages are projected in the universal myths of the World Creation, the Great Mother, the Separation of the World Parents, the Birth of the Hero, the Slaying of the Dragon, the Rescue of the Captive, and the Transformation and Deification of the Hero. Neumann traces how, throughout this sequence, the Hero is the evolving ego consciousness. With a foreword by Jung, The Origins and History of Consciousness is an eloquent and enduring meditation on myth and the human psyche. Erich Neumann (1905–1960), a psychologist and philosopher, was born in Berlin and lived in Tel Aviv from 1934 until his death. His books include Amor and Psyche, The Fear of the Feminine, and The Great Mother (all Princeton). C. G. Jung (1875–1961) was one of the most important psychologists of the twentieth century and the founder of analytical psychology. "A welcome source of information for all those who are touched by the relationship between man and his myths."-New York Times "No better exposition has come to us of the two Jungian themes: the evolution of consciousness in the history of mankind, and the development of personality in the individual."-The Personalist "There can be no doubt that [Neumann] has brought to his task a remarkable . . . knowledge of classical mythology, some considerable acquaintance with the comparative study of religion, and a deep understanding of those psychological views and theories evolved by C. G. Jung."-Times Literary Supplement

The second volume of a classic account of 5,000 years of Indian art The Art of Indian Asia is a unique work of scholarship and photography in two volumes (each sold separately). This is the second volume, which contains the photographic illustrations; the first volume contains the text. Together, the two volumes present a comprehensive view of Indian art, spanning from 3,000 BC to the twentieth century and an area from Afghanistan to Bali. The volume of text combined with the volume of photographs form an "imaginary temple" that conveys the spiritual messages of Hinduism, Buddhism, and Jainism. It is recommended that readers buy both volumes of The Art of Indian Asia because together they form an integrated work-Volume 1 containing only the text and Volume 2 containing only the photographs. Heinrich Zimmer (1890–1943) was an Indologist, linguist, and historian of South Asian art. His books include Myths and Symbols in Indian Art and Civilization, Philosophies of India, and The King and the Corpse (all Princeton). Joseph Campbell (1904–1987) was the author of many books on comparative mythology, including The Hero with a Thousand Faces and The Masks of God. "[This work] comprises the entire orbit of India and all the civilizations imbued with Indian culture . . . during a period of five thousand years. . . . The impact of the quantity, size and range of the photographs overwhelms one, like an Indian temple."-Artibus Asiae

An insightful exploration of the unconscious fear of the feminine by a pioneering Jungian psychologist Erich Neumann was one of C. G. Jung's most brilliant students and a renowned practitioner of analytical psychology in his own right. This landmark book brings together five of his most illuminating essays on feminine psychology. Neumann discusses the psychological stages of woman's development, the moon and matriarchal consciousness, Mozart's Magic Flute, the meaning of the earth archetype for modern times, and the fear of the feminine. He sees in Mozart's fantastical realm a clash and true coming to terms of the matriarchal and patriarchal worlds. Reflecting a timely concern about the one-sidedness of patriarchal Western civilization, The Fear of the Feminine explains why a synthesis of the feminine and the masculine in the psychic reality of both the individual and the collective is one of the fundamental tasks of contemporary society. Erich Neumann (1905–1960), a psychologist and philosopher, was born in Berlin and lived in Tel Aviv from 1934 until his death. His books include Amor and Psyche, The Great Mother, and The Origins and History of Consciousness (all Princeton).

A landmark account of Indian philosophy by acclaimed scholar Heinrich Zimmer Philosophies of India is a landmark work on the foundations of Indian philosophy. Based on the copious notes of the great Indologist, linguist, and historian Heinrich Zimmer, and edited by Joseph Campbell, the book is organized into three sections. "The Highest Good" examines Eastern and Western thought, their convergence, and the foundations of Indian philosophy; "The Philosophies of Time" discusses the philosophies of success, pleasure, and duty; and "The Philosophies of Eternity" presents the fundamental concepts of Jainism, Sankhya and Yoga, Brahmanism, Buddhism, and Tantra. The subjects examined include the Buddhist Tantras, Buddhist Genesis, the Tantric presentation of divinity, the preparation of disciples and the meaning of initiation, and the symbolism of the mandala-palace Tantric ritual and twilight language. Heinrich Zimmer (1890–1943) was an Indologist, linguist, and historian of South Asian art. His books include The King and the Corpse, Myths and Symbols in Indian Art and Civilization, and The Art of Indian Asia (all Princeton). Joseph Campbell (1904–1987) was the author of many books on comparative mythology, including The Hero with a Thousand Faces and The Masks of God. "[A] major contribution to our understanding of Asia. It is both the most complete and most intelligent account of this extraordinarily rich and complex philosophical tradition yet written."-New York Times Book Review "A great book."-The Personalist "Zimmer has introduced such order and coherence into the rich profusion of Indian thought that one wonders whether his services to Indian philosophy are not as great as his contribution to Western understanding of India."-Philosophical Quarterly

A classic introduction to Indian art by acclaimed scholar Heinrich Zimmer In this landmark study of Indian art and religion, Heinrich Zimmer offers a compelling introduction to the visual language of India's sacred traditions. Featuring seventy illustrations and drawing directly from Sanskrit sources, Myths and Symbols in Indian Art and Civilization explores the meanings of key motifs in myth, legend, and folklore. With clarity and insight, the book reveals how Hindu and Buddhist symbols express timeless human concerns in ways that resonate across cultures and eras. Heinrich Zimmer (1890–1943) was an Indologist, linguist, and historian of South Asian art. His books include The Art of Indian Asia, Philosophies of India, and The King and the Corpse (all Princeton). Joseph Campbell (1904–1987) was the author of many books on comparative mythology, including The Hero with a Thousand Faces and The Masks of God. "Zimmer moves among [the myths of India] unhurriedly, with a respect that amounts to devotion. Gradually his comments bring to light the universal meanings."-New York Times "In viewing India's art and civilization, the late Dr. Heinrich Zimmer, a man of penetrating intellect, the keenest esthetic sensibility, and a predilection for psychoanalytic methods, found unlimited material for employing all three qualities. . . . The Indian material offered is of the best quality: the language in which it is presented is imaginative, figurative, poetic, vigorous."-W. Norman Brown

A landmark account of how artistic expression arises from the collective unconscious This book brings together four essays by analytical psychologist Erich Neumann, who explores the connections between creativity and the unconscious mind. The archetypes of the collective unconscious, he argues, are intrinsically formless psychic components that take form in art. The psychology of the individual in whom they appear, the mediums of expression through which they pass, and the time and place in which they occur mold their varying forms. Neumann illustrates his theme in the first essay, "Leonardo da Vinci and the Mother Archetype," in which he shows how the work of art, and art itself, were for Leonardo not ends in themselves but rather instruments and expressions of his inner life. He follows with "Art and Time," "A Note on Marc Chagall," and "Creative Man and Transformation." Neumann sees the artist as a hero in isolation, a tragically lonely figure whose mission is often to oppose the cultural canon of the age. He demonstrates how the problem of form in modern art is linked to the chaos of the modern world and a fundamental change in how the individual seeks a life of dignity. Erich Neumann (1905–1960), a psychologist and philosopher, was born in Berlin and lived in Tel Aviv from 1934 until his death. His books include Amor and Psyche, The Fear of the Feminine, The Great Mother, and The Origins and History of Consciousness (all Princeton).

Six essays on creativity from one of the twentieth century's foremost Jungian psychologists Erich Neumann, whom C. G. Jung regarded as one of his most gifted students, devoted much of his later writing to the theme of creativity. This landmark book brings together six of Neumann's groundbreaking essays on the subject. He finds his examples not only in the work of writers and artists-William Blake, Johann Wolfgang von Goethe, Rainer Maria Rilke, Franz Kafka, Paul Klee, Marc Chagall, Pablo Picasso, Georg Trakl-but also in that of physicists, biologists, psychiatrists, and philosophers. Confronting the problem of portraying men and women as creative beings, Neumann expands the concepts of Jungian psychology with a more comprehensive definition of the archetype as well as a new concept-unitary reality. The Place of Creation shows how our future as a species depends on whether we can experience ourselves as truly creative, in touch with our own being and that of the world. Erich Neumann (1905–1960), a psychologist and philosopher, was born in Berlin and lived in Tel Aviv from 1934 until his death. His books include Amor and Psyche, The Fear of the Feminine, The Great Mother, and The Origins and History of Consciousness (all Princeton).

An essential exploration of creativity by one of the twentieth century's foremost Jungian psychologists Though said to be C. G. Jung's favorite and most innovative student, Erich Neumann provoked controversy within the Jungian community. While his work presents a wealth of material illustrating Jung's ideas, his interpretations go far beyond those ideas to open important avenues between analytical psychology and the study of literature and art. This landmark book brings together five of his most illuminating essays on creativity. Written over a span of years about diverse personalities-Franz Kafka, Marc Chagall, Georg Trakl, Sigmund Freud, and Jung-these essays share a common theme: the relationship between the personal and the transpersonal, the ego and the archetype. An engaging analysis of the psyche as the source of religious and artistic creation, Creative Man asks how creativity can best be fostered, how the feminine stimulates creativity in men as well as women, and how artistic creation, but also the history of human consciousness more broadly, reflect this ongoing creative movement. Erich Neumann (1905–1960), a psychologist and philosopher, was born in Berlin and lived in Tel Aviv from 1934 until his death. His books include Amor and Psyche, The Fear of the Feminine, The Great Mother, and The Origins and History of Consciousness (all Princeton).

A mythic journey of psychological transformation and the development of the self The renowned tale of Amor and Psyche, from Apuleius's second-century Latin novel The Golden Ass, is one of the most charming fragments of classical literature. In this landmark book, Erich Neumann reveals how this timeless story is an exemplar of feminine psychology. Unfolding the spiritual and mythical background of the pagan narrative, he shows how the contest between the mortal maid Psyche and the great goddess Aphrodite over the god Amor-Aphrodite's son, Psyche's husband-yields surprising and valuable insights into the psychic life of women. A classic work by one of the most brilliant figures of the twentieth century, Amor and Psyche offers a profound meditation on the tensions between the conscious and unconscious, the feminine and the masculine, and the known and unknown. Erich Neumann (1905–1960), a psychologist and philosopher, was born in Berlin and lived in Tel Aviv from 1934 until his death. His books include The Fear of the Feminine, The Great Mother, and The Origins and History of Consciousness (all Princeton). "This book is highly revealing and seems to me to show how scholars in the future must treat these old stories, the myths which are apparently so childish and yet are so haunting, stimulate so many artistic imaginations, and outlast many philosophical doctrines, many statements of so-called scientific fact."-Gilbert Highet, author of The Classical Tradition "Here we have a very subtle and suggestive analysis of the psychological characteristics of the feminine by the most brilliant disciple of C. G. Jung, who indeed matches his master in that same area where Jung himself was most creative, namely, the psychological exegesis of tales and myths of the past. . . . The reading of this short book is a most enchanting and stimulating experience."-Hans Hofmann

A landmark account of the Great Mother as a primordial image of the human psyche In this book, renowned analytical psychologist Erich Neumann draws on ritual, mythology, art, and records of dreams and fantasies to examine how the archetype of the Great Mother has been outwardly expressed in many cultures and periods since prehistory. He shows how the feminine has been represented as goddess, monster, gate, pillar, tree, moon, sun, vessel, and every animal from snakes to birds. Neumann discerns a universal experience of the maternal as both nurturing and fearsome, an experience rooted in the dialectical relation of growing consciousness, symbolized by the child, to the unconscious and the unknown, symbolized by the Great Mother. With a foreword by Martin Liebscher, The Great Mother is a profound and enduring work by one of the most brilliant thinkers of the twentieth century. Erich Neumann (1905–1960), a psychologist and philosopher, was born in Berlin and lived in Tel Aviv from 1934 until his death. His books include Amor and Psyche, The Fear of the Feminine, and The Origins and History of Consciousness (all Princeton). Martin Liebscher is associate professor at the School of European Languages, Culture, and Society at University College London. "Tremendously illuminating."-Virginia Quarterly Review "Neumann's creative intuition has enabled him to read in these records of the past a content and meaning that throws a beam of light on the psychological history of mankind. . . . Stimulating and enlightening."-Journal of Analytical Psychology

The first volume of a classic account of 5,000 years of Indian art The Art of Indian Asia is a unique work of scholarship and photography in two volumes (each sold separately). This is the first volume, which contains the text; the second volume contains the photographic illustrations. Together, the two volumes present a comprehensive view of Indian art, spanning from 3,000 BC to the twentieth century and an area from Afghanistan to Bali. The volume of text combined with the volume of photographs form an "imaginary temple" that conveys the spiritual messages of Hinduism, Buddhism, and Jainism. It is recommended that readers buy both volumes of The Art of Indian Asia because together they form an integrated work-Volume 1 containing only the text and Volume 2 containing only the photographs. Heinrich Zimmer (1890–1943) was an Indologist, linguist, and historian of South Asian art. His books include Myths and Symbols in Indian Art and Civilization, Philosophies of India, and The King and the Corpse (all Princeton). Joseph Campbell (1904–1987) was the author of many books on comparative mythology, including The Hero with a Thousand Faces and The Masks of God. "[This work] comprises the entire orbit of India and all the civilizations imbued with Indian culture . . . during a period of five thousand years. . . . The myths are told by Dr. Zimmer . . . with incomparable charm and baroque effervescence."-Artibus Asiae