A uniquely personal account of the life and enduring legacy of the Renaissance library
With the advent of print in the fifteenth century, Europe's cultural elite assembled personal libraries as refuges from persecutions and pandemics. Andrew Hui tells the remarkable story of the Renaissance studiolo-a "little studio"-and reveals how these spaces dedicated to self-cultivation became both a remedy and a poison for the soul.
Blending fresh, insightful readings of literary and visual works with engaging accounts of his life as an insatiable bookworm, Hui traces how humanists from Petrarch to Machiavelli to Montaigne created their own intimate studies. He looks at imaginary libraries in Rabelais, Cervantes, Shakespeare, and Marlowe, and discusses how Renaissance painters depicted the Virgin Mary and St. Jerome as saintly bibliophiles. Yet writers of the period also saw a dark side to solitary reading. It drove Don Quixote to madness, Prospero to exile, and Faustus to perdition. Hui draws parallels with our own age of information surplus and charts the studiolo's influence on bibliographic fabulists like Jorge Luis Borges and Umberto Eco.
Beautifully illustrated, The Study is at once a celebration of bibliophilia and a critique of bibliomania. Incorporating perspectives on Islamic, Mughal, and Chinese book cultures, it offers a timely and eloquent meditation on the ways we read and misread today. Andrew Hui is associate professor of humanities at Yale-NUS College, Singapore. He is the author of A Theory of the Aphorism: From Confucius to Twitter (Princeton) and The Poetics of Ruins in Renaissance Literature. "With learning and grace, Andrew Hui conducts readers on a virtual tour of sites of reading, from St. Jerome's wilderness retreat to the sumptuous libraries of Renaissance princes, from Montaigne's tower to Prospero's island. Spanning many centuries and cultures, this book about the real and imagined places of splendid scholarly solitude will delight all who love books and who long for a room of their own in which to read them."-Lorraine Daston, author of Rules: A Short History of What We Live By
"This marvel of a book virtuosically interweaves text and images to tell the story of a magical, mysterious place: the studiolo. From Petrarch to Montaigne, and through to the great mythical figures of Don Quixote, Faust, and Prospero, Andrew Hui recreates the entire universe of humanism and the Renaissance before our eyes with vertiginous erudition. Imbued with verve, humor, and sensitivity, The Study is worthy of a place in every library."-William Marx, Collège de France
"Whether Hui is taking us to the Ambrosiana in Milan or reading Cervantes in Singapore, his voice shines through in this learned and luminous book about books. At once playful and direct, erudite and curious, this monumental work of scholarship is also a gift of friendship."-Julia Reinhard Lupton, author of Shakespeare Dwelling: Designs for the Theater of Life
"Andrew Hui has given us a jewel of a book that traces our timeless bond with that magical space that mirrors both the reader and the stormy world beyond the page."-Alberto Manguel, author of A History of Reading "[A] stimulating history. . . . Hui makes a convincing case that personal libraries were intimately bound up with Renaissance conceptions of selfhood. Bibliophiles will find much to ponder." "Impressively erudite, Hui has produced a substantial piece of scholarship. No avid and self-respecting bibliophile should be without this book set snugly on one of their study's many shelves." "[A] delightful, wide-ranging work."---Michael O'Donnell, Wall Street Journal "This is undoubtedly a first class piece of academic research and it is. . .an emotional read – rather like reading about distant family or ancestors."---Terry Potter, The Letterpress Project "Hui's prose is elegant and deliberately styled, melding personal discourse with a c
