In the midst of Occupy, Barbara Andersen begins spamming people indiscriminately with ukulele covers of sentimental songs. A series of inappropriate intimacies ensued, including an erotically charged correspondence and then collaboration with an extraordinarily gifted and troubled musician living in Germany.
"...the narrator has an exceptionally graceful page presence: loony and profound, vulnerable and ingenuous, Barbara acts to unify the book's central concerns, giving its intellectual flights of fancy a palpable human pulse."
Publishers Weekly, starred review
"Browning takes a book that could easily exist in hypotheticals, layers, and masks and instead grounds it in the chaos of its time, including the disruptive politics of the Occupy movement, the infamous Pussy Riot protests and arrests in Russia, and the aftermath of Hurricane Sandy. The effect is indeed intimate but never inappropriate. Browning is working at the edges of her craft, and it's utter
Kirkus, starred review
"Barbara Browning's winning and expansive novel describes one woman's intimacies with lovers, strangers, culture and ideas, and family and friends during several months in NY between 2012 and 2013. Browning brilliantly synthesizes her work as a scholar and an artist into a single identity, becoming at once a master monologist, storyteller, and historian of her amorphous tribe."
