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From an acclaimed memoirist and National Book Award winner: Three groundbreaking works of nonfiction put a human face on the AIDS epidemic. Paul Monette's searing memoirs of growing up, coming out, and losing his beloved partner to AIDS are now available in a single volume. Becoming a Man: This National Book Award–winning memoir follows Monette's childhood. Growing up all-American, Catholic, overachieving…and closeted, Monette wrestled with his sexuality for the first thirty years of his life, priding himself on his ability to "pass" for straight. This intimate portrait of a young man's struggle with his own desires and journey to adulthood and self-acceptance through grace and honesty is witty, humorous, and deeply felt. Borrowed Time: Chronicling Monette's relationship with Roger Horwitz, this tragic true story follows Horwitz's fight against and eventual death from AIDS. A tender and lyrical memoir, it remains one of the most raw and human tales of the AIDS era-a searing, shattering, ultimately hope-inspiring account of a great love story. The Last Watch of the Night: Compiling work from the last two years of his life, this collection of essays documents Monette's reflections as he slowly succumbed to AIDS. Ringing with humor, rage, and passion, his words provide a breathtaking view from inside the AIDS scourge. Brutal, funny, and startlingly honest, this comprehensive volume brings together some of the most important stories of the AIDS era.
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Reviews
"Fiercely committed to bequeathing a map of his psychic terrain, to spare others the pain of his solitary journey, Monette's fine memoir is affirmative and ultimately celebratory."
The New York Times on Becoming a Man
"Tender and lyrical…Heroic."
The New York Times on Borrowed Time
"In a collection of ten essays, Monette writes passionately of life with lovers Roger and Steve, his grief over their early deaths from AIDS, the moral imperative of libraries to actively combat forces of censorship, and the anguish and anger caused by the AIDS holocaust. Reflecting upon his life, Monette poginantly confesses: I know why I've been pulling out the scrapbooks these last weeks, becau
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