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About
Eric Hobsbawm, who passed away in 2012, was one of the most brilliant and original historians of our age. Through his work, he observed the great twentieth-century confrontation between bourgeois fin de siècle culture and myriad new movements and ideologies, from communism and extreme nationalism to Dadaism to the emergence of information technology. In Fractured Times, Hobsbawm, with characteristic verve, unpacks a century of cultural fragmentation. Hobsbawm examines the conditions that both created the flowering of the belle époque and held the seeds of its disintegration: paternalistic capitalism, globalization, and the arrival of a mass consumer society. Passionate but never sentimental, he ranges freely across subjects as diverse as classical music, the fine arts, rock music, and sculpture. He records the passing of the golden age of the "free intellectual" and explores the lives of forgotten greats; analyzes the relationship between art and totalitarianism; and dissects phenomena as diverse as surrealism, art nouveau, the emancipation of women, and the myth of the American cowboy. Written with consummate imagination and skill, Fractured Times is the last book from one of our greatest modern-day thinkers.
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Reviews
"Hobsbawm speaks to the crucial need for engaged public intellectuals and the kind of rigorous social and political analysis so well represented by these urgent and important essays."
Kirkus Reviews
"Eric Hobsbawm's Fractured Times is a fascinating engagement with the culture of modernity by its most brilliant and insightful historian. Whether he is writing about Jewish emancipation, the avant garde, the Western, Karl Kraus or forties jazz, these penetrating reflections of a participant observer are guaranteed to take you deeper into the perplexities of the modern than anything you have read
Robin Blackburn, Distinguished Visiting Professor of History, The New School
"Fractured Times shows this revolutionary traditionalist at his best. It is an account of the collapse of the high bourgeois culture of the nineteenth century, and an examination of the ruins it left behind in the twentieth century."
The Guardian